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Number of items: 44.

B

Beard, David Jason 2010. "Batter the doom drum": The music for Peter Hall's 'Oresteia' and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir. In: Brown, Peter and Ograjensek, Suzana eds. Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press, pp. 369-397.

Beard, David Jason 2010. The shadow of opera: dramatic narrative and musical discourse in Gawain. In: Notley, Margaret ed. Opera After 1900, Vol. 6. The Ashgate Library of Essays in Opera Studies, Farnham: Ashgate, pp. 319-355.

Bickerton, Daniel 2010. The meaning of Alex. Daniel Bickerton.

Bickerton, Daniel 2010. When The Stakes Are High. Daniel Bickerton.

Bickerton, Daniel 2010. Whimsical. Daniel Bickerton.

C

Chapin, Keith 2010. John T. Hamilton, Music, madness and the unworking of language. New York: Columbia University Press, 2008 pp. xviii + 252, ISBN 978023142205 [Book Review]. Eighteenth-Century Music 7 (01) , pp. 114-117. 10.1017/S1478570609990510
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Chapin, Keith 2010. Time and the keyboard fugue. 19th-Century Music 34 (2) , pp. 186-207. 10.1525/ncm.2010.34.2.186
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Cowgill, Rachel 2010. New light and the man of might: revisiting early interpretations of Die Zauberflöte. In: Cowgill, Rachel, Cooper, David and Brown, Clive eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 194-221.

Cowgill, Rachel 2010. The works of Julian Rushton. In: Cowgill, Rachel, Cooper, David and Brown, Clive eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 385-391.

Cowgill, Rachel, Cooper, David and Brown, Clive 2010. Introduction. In: Cowgill, Rachel, Cooper, David and Brown, Clive eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 1-10.

F

Faria Gomes, Pedro 2010. Dual. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2010. Nachtmusik. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2010. Returning. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2010. Three Reflections from Inscriptions. [Score]. Pedro Faria Gomes.

H

Hamilton, Kenneth 2010. Cara a cara con Chopin: Enfoques Interpretativos de Pianistas del Pasado [Confronting Chopin: Performance Approaches by Pianists of the Past]. Quodlibet: Rivista de especializacion Musical (47) , pp. 46-71.

Hill, Sarah 2010. Book Review. Mina Yang, California Polyphony. twentieth-century music 7 (1) , pp. 122-127. 10.1017/S1478572211000089

J

Jones, David Wyn 2010. Becoming a complete Kapellmeister: Haydn and Mattheson's 'Der vollkommene Capellmeister'. Studia Musicologica 51 (1-2) , pp. 29-40. 10.1556/SMus.51.2010.1-2.3

Jones, Nicholas 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7 (2) , pp. 267-270. 10.1017/S1478572211000223

Jones, Nicholas 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151 (1912) , pp. 109-112.

Jones, Nicholas 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151 (1911) , pp. 118-120.

Jones, Nicholas and McGregor, Richard 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151 , pp. 53-86.

L

Leech, Peter 2010. George Frideric Handel Parnasso in Festa [CD Review]. Eighteenth-Century Music 7 (2) , pp. 305-309. 10.1017/S1478570610000199

O

O'Connell, John Morgan 2010. Alabanda: Brass bands and musical methods in Turkey. In: Spinetti, Federico ed. Giuseppe Donizetti Pasha: Musical and Historical Trajectories between Italy and Turkey [Giuseppe Donizetti Pascià: Traiettorie Musicali e Storiche tra Italia e Turchia], Saggi e Monografie, vol. 7. Bergamo, Italy: Fondazione Donizetti, pp. 19-37.

O'Connell, John Morgan 2010. Introduction: an ethnomusicological approach to music and conflict. In: O'Connell, John Morgan and El-Shawan Castelo-Branco, Salwa eds. Music and Conflict, Urbana: University of Illinois Press, pp. 1-14.

O'Connell, John Morgan 2010. Music and the play of power in the Middle East, North Africa and Central Asia. Laudan Nooshin, ed. [Book Review]. Ethnomusicology 54 (2) , pp. 347-351. 10.5406/ethnomusicology.54.2.0347

O'Connell, John Morgan 2010. Music in war. In: O'Connell, John Morgan and El-Shawan Castelo-Branco, Salwa eds. Music and Conflict, University of Illinois Press, pp. 15-16.

O'Connell, John Morgan 2010. A staged fright: Musical hybridity and religious intolerance in Turkey, 1923-38. twentieth-century music 7 (1) , pp. 3-28. 10.1017/S147857221100003X
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O'Connell, Joseph 2010. Rumba Rules: The politics of dance music in Mobutu's Zaire. By Bob W. White. Durham and London: Duke University Press, 2008. 300 pp. ISBN 978-0822341123 [Book Review]. Popular Music 29 (3) , pp. 483-485. 10.1017/S0261143010000310

P

Paterson, Alexis 2010. The minimal kaleidoscope: exploring minimal music through the lens of postmodernity. PhD Thesis, Cardiff University.
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Potter, Caroline and Rae, Caroline 2010. Dutilleux at 95: Preface. Contemporary Music Review 29 (5) , pp. 429-430. 10.1080/07494467.2010.589122

R

Rae, Caroline 2010. Beyond boundaries: Dutilleux's foreign leavening. Contemporary Music Review 29 (5) , pp. 431-446. 10.1080/07494467.2010.589123

Rowden, Clair Sophie 2010. Andreas Giger, Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera (Cambridge: Cambridge University Press, 2009). x + 294pp. £52.00 [Book Review]. Nineteenth-Century Music Review 7 (2) , pp. 129-132. 10.1017/S1479409800003657
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Rowden, Clair Sophie 2010. An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. [Book Review]. Music and Letters 91 (3) , pp. 441-444. 10.1093/ml/gcq031

Rowden, Clair Sophie 2010. 'Les Pêcheurs' and the Parisian Press [Programme note]. Les Pêcheurs de Perles, London: Royal Opera House, pp. 27-34.

Rowden, Clair Sophie 2010. Loïe Fuller et Salomé: Les drames mimés de Gabriel Pierné et de Florent Schmitt. In: Branger, Jean-Christophe ed. Musique et Chorégraphie en France de Léo Delibes à Florent Schmitt, Musicologie - Cahiers de l'Esplanade, vol. 6. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 215-259.

Rowden, Clair Sophie 2010. Sentiment and Reminiscence [Programme note]. Manon, London: Royal Opera House, pp. 25-31.

Rowden, Clair Sophie 2010. A Source of Lyricism [Programme note]. Roméo et Juliette, London: Royal Opera House, pp. 32-36.

S

Sierra, Arlene Elizabeth 2010. Art of war: Concerto for piano and orchestra. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth 2010. Insects in amber for string quartet. [Score]. Cecilian Music.

Stowell, Robin 2010. The Diabolus in Musica and Paganini Redivivus phenomena, with some thoughts on their relevance to the "German Paganini" [August Wilhelm (1845-1908)]. In: Barizza, A. and Morabito, F. eds. Nicolò Paganini: Diabolus in Musica, Studies on Italian Music History, vol. 5. Turnhout: Brepols, pp. 3-22.

V

Villepastour, Amanda 2010. Ancient text messages of the Yorùbá bàtá drum : cracking the code. SOAS Musicology Series, Farnham: Ashgate.

W

Walsh, Stephen 2010. The action drama and the still life: Enescu, Stravinsky, and Oedipus. In: Brown, Peter and Ograjenšek, Suzana eds. Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press, pp. 305-319.

Walsh, Stephen 2010. Stravinsky, Boulez and the politics of the aviary. In: Dulova, Y. ed. Modern Musicology in the World of Science: Scientific Articles of Belarusian State Academy of Music, Naučnye trudy Belorusskoj Akademii Muzyki, vol. 23. Minsk: Ministry of Culture of the Republic of Belorus, pp. 192-203.

White, Christopher Jack 2010. Commentary on a portfolio of original compositions. PhD Thesis, Cardiff University.
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This list was generated on Wed Dec 1 08:23:16 2021 GMT.