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Number of items: 44.

B

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2010. "Batter the doom drum": The music for Peter Hall's 'Oresteia' and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir. Brown, Peter and Ograjensek, Suzana, eds. Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press, pp. 369-397.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2010. The shadow of opera: dramatic narrative and musical discourse in Gawain. Notley, Margaret, ed. Opera After 1900, Vol. 6. The Ashgate Library of Essays in Opera Studies, Farnham: Ashgate, pp. 319-355.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2010. The meaning of Alex. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2010. When The Stakes Are High. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2010. Whimsical. Daniel Bickerton.

C

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2010. John T. Hamilton, Music, madness and the unworking of language. New York: Columbia University Press, 2008 pp. xviii + 252, ISBN 978023142205 [Book Review]. Eighteenth-Century Music 7 (01) , pp. 114-117. 10.1017/S1478570609990510
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Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2010. Time and the keyboard fugue. 19th-Century Music 34 (2) , pp. 186-207. 10.1525/ncm.2010.34.2.186
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Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2010. New light and the man of might: revisiting early interpretations of Die Zauberflöte. Cowgill, Rachel, Cooper, David and Brown, Clive, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 194-221.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2010. The works of Julian Rushton. Cowgill, Rachel, Cooper, David and Brown, Clive, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 385-391.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039, Cooper, David and Brown, Clive 2010. Introduction. Cowgill, Rachel, Cooper, David and Brown, Clive, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 1-10.

F

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2010. Dual. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2010. Nachtmusik. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2010. Returning. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2010. Three Reflections from Inscriptions. [Score]. Pedro Faria Gomes.

H

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2010. Cara a cara con Chopin: Enfoques Interpretativos de Pianistas del Pasado [Confronting Chopin: Performance Approaches by Pianists of the Past]. Quodlibet: Rivista de especializacion Musical (47) , pp. 46-71.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2010. Book Review. Mina Yang, California Polyphony. twentieth-century music 7 (1) , pp. 122-127. 10.1017/S1478572211000089

J

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2010. Becoming a complete Kapellmeister: Haydn and Mattheson's 'Der vollkommene Capellmeister'. Studia Musicologica 51 (1-2) , pp. 29-40. 10.1556/SMus.51.2010.1-2.3

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7 (2) , pp. 267-270. 10.1017/S1478572211000223

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151 (1912) , pp. 109-112.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151 (1911) , pp. 118-120.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 and McGregor, Richard 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151 , pp. 53-86.

L

Leech, Peter 2010. George Frideric Handel Parnasso in Festa [CD Review]. Eighteenth-Century Music 7 (2) , pp. 305-309. 10.1017/S1478570610000199

O

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. Alabanda: Brass bands and musical methods in Turkey. Spinetti, Federico, ed. Giuseppe Donizetti Pasha: Musical and Historical Trajectories between Italy and Turkey [Giuseppe Donizetti Pascià: Traiettorie Musicali e Storiche tra Italia e Turchia], Saggi e Monografie, vol. 7. Bergamo, Italy: Fondazione Donizetti, pp. 19-37.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. Introduction: an ethnomusicological approach to music and conflict. O'Connell, John Morgan and El-Shawan Castelo-Branco, Salwa, eds. Music and Conflict, Urbana: University of Illinois Press, pp. 1-14.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. Music and the play of power in the Middle East, North Africa and Central Asia. Laudan Nooshin, ed. [Book Review]. Ethnomusicology 54 (2) , pp. 347-351. 10.5406/ethnomusicology.54.2.0347

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. Music in war. O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 and El-Shawan Castelo-Branco, Salwa, eds. Music and Conflict, University of Illinois Press, pp. 15-16.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. A staged fright: Musical hybridity and religious intolerance in Turkey, 1923-38. twentieth-century music 7 (1) , pp. 3-28. 10.1017/S147857221100003X
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O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2010. Rumba Rules: The politics of dance music in Mobutu's Zaire. By Bob W. White. Durham and London: Duke University Press, 2008. 300 pp. ISBN 978-0822341123 [Book Review]. Popular Music 29 (3) , pp. 483-485. 10.1017/S0261143010000310

P

Paterson, Alexis 2010. The minimal kaleidoscope: exploring minimal music through the lens of postmodernity. PhD Thesis, Cardiff University.
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Potter, Caroline and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2010. Dutilleux at 95: Preface. Contemporary Music Review 29 (5) , pp. 429-430. 10.1080/07494467.2010.589122

R

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2010. Beyond boundaries: Dutilleux's foreign leavening. Contemporary Music Review 29 (5) , pp. 431-446. 10.1080/07494467.2010.589123

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Andreas Giger, Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera (Cambridge: Cambridge University Press, 2009). x + 294pp. £52.00 [Book Review]. Nineteenth-Century Music Review 7 (2) , pp. 129-132. 10.1017/S1479409800003657
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Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. [Book Review]. Music and Letters 91 (3) , pp. 441-444. 10.1093/ml/gcq031

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. 'Les Pêcheurs' and the Parisian Press [Programme note]. Les Pêcheurs de Perles, London: Royal Opera House, pp. 27-34.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Loïe Fuller et Salomé: Les drames mimés de Gabriel Pierné et de Florent Schmitt. Branger, Jean-Christophe, ed. Musique et Chorégraphie en France de Léo Delibes à Florent Schmitt, Musicologie - Cahiers de l'Esplanade, vol. 6. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 215-259.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Sentiment and Reminiscence [Programme note]. Manon, London: Royal Opera House, pp. 25-31.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. A Source of Lyricism [Programme note]. Roméo et Juliette, London: Royal Opera House, pp. 32-36.

S

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2010. Art of war: Concerto for piano and orchestra. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2010. Insects in amber for string quartet. [Score]. Cecilian Music.

Stowell, Robin 2010. The Diabolus in Musica and Paganini Redivivus phenomena, with some thoughts on their relevance to the "German Paganini" [August Wilhelm (1845-1908)]. Barizza, A. and Morabito, F., eds. Nicolò Paganini: Diabolus in Musica, Studies on Italian Music History, vol. 5. Turnhout: Brepols, pp. 3-22.

V

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2010. Ancient text messages of the Yorùbá bàtá drum : cracking the code. SOAS Musicology Series, Farnham: Ashgate.

W

Walsh, Stephen 2010. The action drama and the still life: Enescu, Stravinsky, and Oedipus. Brown, Peter and Ograjenšek, Suzana, eds. Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press, pp. 305-319.

Walsh, Stephen 2010. Stravinsky, Boulez and the politics of the aviary. Dulova, Y., ed. Modern Musicology in the World of Science: Scientific Articles of Belarusian State Academy of Music, Naučnye trudy Belorusskoj Akademii Muzyki, vol. 23. Minsk: Ministry of Culture of the Republic of Belorus, pp. 192-203.

White, Christopher Jack 2010. Commentary on a portfolio of original compositions. PhD Thesis, Cardiff University.
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