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Number of items: 44.

Niccolai, Michela and Rowden, Clair, eds. 2017. Musical theatre in Europe 1830-1945. Turnhout: Brepols.

Jones, Nicholas, ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900, Cambridge: Cambridge University Press. 10.1017/9781316662519

Beard, David 2017. Listening to the river's roar: stance, texture and space in the concertos. In: Charlton, David ed. The Music of Simon Holt, Suffolk: Boydell & Brewer, pp. 194-231. (10.1017/9781787440692.012)

Beard, David Jason and Birtwistle, Harrison 2017. Deep Time [Composer note]. Boosey & Hawkes.

Bickerton, Daniel 2017. Mad About ThaT. Daniel Bickerton.

Bickerton, Daniel 2017. The pitch within. Daniel Bickerton.

Bickerton, Daniel 2017. Sea of Stone [Tyne Cot Sketches: II]. [Score]. Bickerton.

Bickerton, Daniel and Allen, Paul 2017. Cardiff - Capital city of Wales. . Cardiff: Cardiff University. Available at:

Carr, James, Power, Martin and Millar, Stephen 2017. More than a game: football, politics and popular culture. Brainstorm

Chapin, Keith 2017. The visual traces of a discourse of ineffability: late Eighteenth-Century German published writings on music. In: Eisen, Cliff and Davison, Alan eds. Late Eighteenth-Century Music and Visual Culture, Music and Visual Cultures, Turnhout: Brepols, pp. 123-153.

Čurda, Martin 2017. Analytical and hermeneutical perspectives on the music of Pavel Haas. PhD Thesis, Cardiff University.
Item availability restricted.

Faria Gomes, Pedro 2017. Evening. [Score]. Pedro Faria Gomes.

Fokkens, Rob 2017. A darkness insinuating: for chamber orchestra. Composers Edition.

Fokkens, Robert 2017. Capriccio Variations.

Hamilton, Kenneth 2017. Franz Liszt defended against his devotees. Keyboard Perspectives 10 , pp. 129-153.

Hamilton, Kenneth 2017. Liszt, Rachmaninov, Busoni: Back to Bach - Tributes and transcriptions. [Audio CD]. 19 May 2017. ID number: B06XX6MTNQ.

Hill, Sarah 2017. Celtic music in Wales. In: Horn, David, Shepherd, John and Prato, Paolo eds. Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, London: Bloomsbury,

Hill, Sarah 2017. Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review]. The Sixties 10 (1) , pp. 113-114. 10.1080/17541328.2017.1310438

Hill, Sarah 2017. A historiography of pop historiography. Presented at: RMA 53rd Annual Conference, Liverpool, UK, 7-9 September 2017.

Hill, Sarah 2017. 'If you can remember the 60s...'. Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture, San Francisco, CA, USA, 27-29 July 2017.

Hill, Sarah 2017. O'r Bae i'r Bala: Dylanwad Haf Hir 1967. O'r Pedwar Gwynt 4

Hill, Sarah 2017. Peripheral identities on Desert Island Discs and Beti a'I Phobol. In: Brown, Julie, Cook, Nicholas and Cottrell, Stephen eds. Defining the Discographic Self: Desert Island Discs in Context, Proceedings of the British Academy, Oxford: Oxford University Press, pp. 189-212.

Hill, Sarah 2017. Teaching popular music and protest from the 1960s. Presented at: Revolution in the Air, Université de Rouen, France, Mar 2017.

Hill, Sarah, O'Connell, Joseph and Thomas, Isabel 2017. One weekend in October: The Swn Festival, Cardiff. Presented at: CHIME Conference 2017: Music, Festivals, Heritage, Siena , Italy, 25-28 May 2017.

Howell, Julia 2017. The memory of music and music of memory: A portfolio of original compositions. PhD Thesis, Cardiff University.
Item availability restricted.

Jones, David Wyn 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. Händel-Jahrbuch, Vol. 63. Basel: Bärenreiter Kassel, pp. 73-86.

Jones, Nicholas 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.

Jones, Nicholas 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.

Laghi, Simone 2017. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). PhD Thesis, Cardiff University.
Item availability restricted.

Leech, Peter 2017. Lux memoriaque - light and remembrance - Harmonia Sacra. [CD]. , vol. 6349. 2017. ID number: 0710357634925. Available at:

O'Connell, John 2017. Kâr-ı nev: Elongation and elaboration in recordings of a Turkish classic. In: Harris, Rachel and Stokes, Martin eds. Theory and Practice in the Music of the Islamic World: Essays in Honour of Owen Wright, SOAS Musicology Series, Abingdon and New York: Routledge, pp. 125-145. (10.4324/9781315191461-7)

O'Connell, John Morgan 2017. Commemorating Gallipoli through music: remembering and forgetting. Lexington Books.

O'Connell, John Morgan 2017. A concert platform: a space for a style in Turkish music. In: Frishkopf, Michael and Spinetti, Federico eds. Music, Sound, and Architecture in Islam, Austin, TX: University of Texas Press, pp. 59-84.

O'Connell, John Morgan 2017. Usûlsüz: a matter of meter in the concerts of Münir Nurettin Selçuk. Presented at: Rhythmic Cycles and Structures in the Art Music of the Middle East, Munster, Germany, 27-28 February 2014. Published in: Helvacı, Zeynep, Olley, Jacob and Jäger, Ralf Martin eds. Rhythmic Cycles and Structures in the Art Music of the Middle East. Ergon Verlag,

Palidda, Alessandra 2017. Milan 1790-1802: Music, society and politics in the city of many regimes. PhD Thesis, Cardiff University.
Item availability restricted.

Rae, Caroline 2017. Aspects of colour and timbre in Julian Anderson’s Incantesimi: Exploring French connections. Presented at: Julian Anderson Symposium – Julian Anderson Total Immersion Weekend, Barbican Centre and Guildhall School of Music and Drama, London, 20-21 October 2017.

Rowden, Clair 2017. 'Du grand au petit': Faust on Parisian stages in 1869. In: Niccolai, Michela and Rowden, Clair eds. Musical Theatre in Europe 1830-1945, Speculum Musicae, Turnhout: Brepols,

Rowden, Clair 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. In: Kauppala, Anne, Broman-Kananen, Ulla-Britta and Hesselager, Jens eds. Tracing Operatic and Theatrical Performances in the Long 19th Century: Practices, Performers, Peripheries, DocMus Research Publications, Helsinki: Sibelius Academy, pp. 43-82.

Rowden, Clair and Niccolai, Michela 2017. Introduction. In: Rowden, Clair and Niccolai, Michela eds. Musical Theatre in Europe 1830-1945, Brepols,

Sierra, Arlene 2017. Nature symphony. [Score]. Cecilian Music.

Villepastour, Amanda 2017. Speaking with the body in Nigerian and Cuban Orisha music: musical movements in song, dance and trance. In: Post, Jennifer C. ed. Ethnomusicology: A Contemporary Reader, Volume II, Vol. 2. Abingdon and New York: Routledge,

Villepastour, Amanda 2017. Two heads of the same drum? Musical narratives within a transatlantic religion. In: Kenney, Elizabeth T, Salenius, Sirpa and Womack Smith, Whitney eds. Race and Transatlantic Identities, Routledge, pp. 56-75.

Villepastour, Amanda and Bran, Luis 2017. Transmisión en la Eritá Meta. Music Works NYC.

Villepastour, Amanda and Bran, Luis 2017. Transmisión en la Eritá Meta: Ilú Keké,. [CD]. 15 July 2017. ID number: CD MW001.

This list was generated on Wed Jan 26 08:28:59 2022 GMT.