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Number of items: 44.

Niccolai, Michela and Rowden, Clair, eds. 2017. Musical theatre in Europe 1830-1945. Turnhout: Brepols.

Jones, Nicholas, ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900, Cambridge: Cambridge University Press. 10.1017/9781316662519

Beard, David 2017. Listening to the river's roar: stance, texture and space in the concertos. In: Charlton, David ed. The Music of Simon Holt, Suffolk: Boydell & Brewer, pp. 194-231. (10.1017/9781787440692.012)

Beard, David Jason and Birtwistle, Harrison 2017. Deep Time [Composer note]. Boosey & Hawkes.

Bickerton, Daniel 2017. Mad About ThaT. Daniel Bickerton.

Bickerton, Daniel 2017. The pitch within. Daniel Bickerton.

Bickerton, Daniel 2017. Sea of Stone [Tyne Cot Sketches: II]. [Score]. Bickerton.
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Bickerton, Daniel and Allen, Paul 2017. Cardiff - Capital city of Wales. . Cardiff: Cardiff University. Available at: https://www.youtube.com/watch?v=UqicqIMGGpI

Carr, James, Power, Martin and Millar, Stephen 2017. More than a game: football, politics and popular culture. Brainstorm
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Chapin, Keith 2017. The visual traces of a discourse of ineffability: late Eighteenth-Century German published writings on music. In: Eisen, Cliff and Davison, Alan eds. Late Eighteenth-Century Music and Visual Culture, Music and Visual Cultures, Turnhout: Brepols, pp. 123-153.

Čurda, Martin 2017. Analytical and hermeneutical perspectives on the music of Pavel Haas. PhD Thesis, Cardiff University.
Item availability restricted.
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Faria Gomes, Pedro 2017. Evening. [Score]. Pedro Faria Gomes.

Fokkens, Rob 2017. A darkness insinuating: for chamber orchestra. Composers Edition.

Fokkens, Robert 2017. Capriccio Variations.

Hamilton, Kenneth 2017. Franz Liszt defended against his devotees. Keyboard Perspectives 10 , pp. 129-153.

Hamilton, Kenneth 2017. Liszt, Rachmaninov, Busoni: Back to Bach - Tributes and transcriptions. [Audio CD]. 19 May 2017. ID number: B06XX6MTNQ.

Hill, Sarah 2017. Celtic music in Wales. In: Horn, David, Shepherd, John and Prato, Paolo eds. Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, London: Bloomsbury,

Hill, Sarah 2017. Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review]. The Sixties 10 (1) , pp. 113-114. 10.1080/17541328.2017.1310438

Hill, Sarah 2017. A historiography of pop historiography. Presented at: RMA 53rd Annual Conference, Liverpool, UK, 7-9 September 2017.

Hill, Sarah 2017. 'If you can remember the 60s...'. Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture, San Francisco, CA, USA, 27-29 July 2017.

Hill, Sarah 2017. O'r Bae i'r Bala: Dylanwad Haf Hir 1967. O'r Pedwar Gwynt 4
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Hill, Sarah 2017. Peripheral identities on Desert Island Discs and Beti a'I Phobol. In: Brown, Julie, Cook, Nicholas and Cottrell, Stephen eds. Defining the Discographic Self: Desert Island Discs in Context, Proceedings of the British Academy, Oxford: Oxford University Press, pp. 189-212.

Hill, Sarah 2017. Teaching popular music and protest from the 1960s. Presented at: Revolution in the Air, Université de Rouen, France, Mar 2017.

Hill, Sarah, O'Connell, Joseph and Thomas, Isabel 2017. One weekend in October: The Swn Festival, Cardiff. Presented at: CHIME Conference 2017: Music, Festivals, Heritage, Siena , Italy, 25-28 May 2017.

Howell, Julia 2017. The memory of music and music of memory: A portfolio of original compositions. PhD Thesis, Cardiff University.
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Jones, David Wyn 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. Händel-Jahrbuch, Vol. 63. Basel: Bärenreiter Kassel, pp. 73-86.

Jones, Nicholas 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.

Jones, Nicholas 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.

Laghi, Simone 2017. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). PhD Thesis, Cardiff University.
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Leech, Peter 2017. Lux memoriaque - light and remembrance - Harmonia Sacra. [CD]. , vol. 6349. 2017. ID number: 0710357634925. Available at: https://www.wyastone.co.uk/lux-memoriaque-contempo...

O'Connell, John 2017. Kâr-ı nev: Elongation and elaboration in recordings of a Turkish classic. In: Harris, Rachel and Stokes, Martin eds. Theory and Practice in the Music of the Islamic World: Essays in Honour of Owen Wright, SOAS Musicology Series, Abingdon and New York: Routledge, pp. 125-145. (10.4324/9781315191461-7)

O'Connell, John Morgan 2017. Commemorating Gallipoli through music: remembering and forgetting. Lexington Books.

O'Connell, John Morgan 2017. A concert platform: a space for a style in Turkish music. In: Frishkopf, Michael and Spinetti, Federico eds. Music, Sound, and Architecture in Islam, Austin, TX: University of Texas Press, pp. 59-84.

O'Connell, John Morgan 2017. Usûlsüz: a matter of meter in the concerts of Münir Nurettin Selçuk. Presented at: Rhythmic Cycles and Structures in the Art Music of the Middle East, Munster, Germany, 27-28 February 2014. Published in: Helvacı, Zeynep, Olley, Jacob and Jäger, Ralf Martin eds. Rhythmic Cycles and Structures in the Art Music of the Middle East. Ergon Verlag,

Palidda, Alessandra 2017. Milan 1790-1802: Music, society and politics in the city of many regimes. PhD Thesis, Cardiff University.
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Rae, Caroline 2017. Aspects of colour and timbre in Julian Anderson’s Incantesimi: Exploring French connections. Presented at: Julian Anderson Symposium – Julian Anderson Total Immersion Weekend, Barbican Centre and Guildhall School of Music and Drama, London, 20-21 October 2017.

Rowden, Clair 2017. 'Du grand au petit': Faust on Parisian stages in 1869. In: Niccolai, Michela and Rowden, Clair eds. Musical Theatre in Europe 1830-1945, Speculum Musicae, Turnhout: Brepols,

Rowden, Clair 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. In: Kauppala, Anne, Broman-Kananen, Ulla-Britta and Hesselager, Jens eds. Tracing Operatic and Theatrical Performances in the Long 19th Century: Practices, Performers, Peripheries, DocMus Research Publications, Helsinki: Sibelius Academy, pp. 43-82.

Rowden, Clair and Niccolai, Michela 2017. Introduction. In: Rowden, Clair and Niccolai, Michela eds. Musical Theatre in Europe 1830-1945, Brepols,

Sierra, Arlene 2017. Nature symphony. [Score]. Cecilian Music.

Villepastour, Amanda 2017. Speaking with the body in Nigerian and Cuban Orisha music: musical movements in song, dance and trance. In: Post, Jennifer C. ed. Ethnomusicology: A Contemporary Reader, Volume II, Vol. 2. Abingdon and New York: Routledge,

Villepastour, Amanda 2017. Two heads of the same drum? Musical narratives within a transatlantic religion. In: Kenney, Elizabeth T, Salenius, Sirpa and Womack Smith, Whitney eds. Race and Transatlantic Identities, Routledge, pp. 56-75.

Villepastour, Amanda and Bran, Luis 2017. Transmisión en la Eritá Meta. Music Works NYC.

Villepastour, Amanda and Bran, Luis 2017. Transmisión en la Eritá Meta: Ilú Keké,. [CD]. 15 July 2017. ID number: CD MW001.

This list was generated on Wed Jan 26 08:28:59 2022 GMT.