Browse by Schools (by year)

Article

Carr, James, Power, Martin and Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 2017. More than a game: football, politics and popular culture. Brainstorm

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2017. Franz Liszt defended against his devotees. Keyboard Perspectives 10 , pp. 129-153.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. O'r Bae i'r Bala: Dylanwad Haf Hir 1967. O'r Pedwar Gwynt 4

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review]. The Sixties 10 (1) , pp. 113-114. 10.1080/17541328.2017.1310438

Book

Niccolai, Michela and Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864, eds. 2017. Musical theatre in Europe 1830-1945. Turnhout: Brepols.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114, ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900, Cambridge: Cambridge University Press. 10.1017/9781316662519

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2017. Commemorating Gallipoli through music: remembering and forgetting. Lexington Books.

Book Section

Barlow, Rachelle Louise 2017. Land of my mothers? Clara Novello Davies as 'Mam' and musician. Hartmann, Martha Joy Rose and Ross, Lynda, eds. Music and Motherhood, Demeter Press, pp. 121-137. (10.2307/j.ctt1zgb07s.12)

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2017. Listening to the river's roar: stance, texture and space in the concertos. Charlton, David, ed. The Music of Simon Holt, Suffolk: Boydell & Brewer, pp. 194-231. (10.1017/9781787440692.012)

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2017. The visual traces of a discourse of ineffability: late Eighteenth-Century German published writings on music. Eisen, Cliff and Davison, Alan, eds. Late Eighteenth-Century Music and Visual Culture, Music and Visual Cultures, Turnhout: Brepols, pp. 123-153.

Gentili, Barbara 2017. Early recordings, audiences and celebrities. Rowland, David and Barlow, Helen, eds. Listening to Music: People, Practices and Experiences, The Open University,

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. Celtic music in Wales. Horn, David, Shepherd, John and Prato, Paolo, eds. Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, London: Bloomsbury,

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. Peripheral identities on Desert Island Discs and Beti a'I Phobol. Brown, Julie, Cook, Nicholas and Cottrell, Stephen, eds. Defining the Discographic Self: Desert Island Discs in Context, Proceedings of the British Academy, Oxford: Oxford University Press, pp. 189-212.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. Händel-Jahrbuch, Vol. 63. Basel: Bärenreiter Kassel, pp. 73-86.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2017. A concert platform: a space for a style in Turkish music. Frishkopf, Michael and Spinetti, Federico, eds. Music, Sound, and Architecture in Islam, Austin, TX: University of Texas Press, pp. 59-84.

O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843 2017. Kâr-ı nev: Elongation and elaboration in recordings of a Turkish classic. Harris, Rachel and Stokes, Martin, eds. Theory and Practice in the Music of the Islamic World: Essays in Honour of Owen Wright, SOAS Musicology Series, Abingdon and New York: Routledge, pp. 125-145. (10.4324/9781315191461-7)

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2017. 'Du grand au petit': Faust on Parisian stages in 1869. Niccolai, Michela and Rowden, Clair, eds. Musical Theatre in Europe 1830-1945, Speculum Musicae, Turnhout: Brepols,

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. Kauppala, Anne, Broman-Kananen, Ulla-Britta and Hesselager, Jens, eds. Tracing Operatic and Theatrical Performances in the Long 19th Century: Practices, Performers, Peripheries, DocMus Research Publications, Helsinki: Sibelius Academy, pp. 43-82.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and Niccolai, Michela 2017. Introduction. Rowden, Clair and Niccolai, Michela, eds. Musical Theatre in Europe 1830-1945, Brepols,

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2017. Speaking with the body in Nigerian and Cuban Orisha music: musical movements in song, dance and trance. Post, Jennifer C., ed. Ethnomusicology: A Contemporary Reader, Volume II, Vol. 2. Abingdon and New York: Routledge,

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2017. Two heads of the same drum? Musical narratives within a transatlantic religion. Kenney, Elizabeth T, Salenius, Sirpa and Womack Smith, Whitney, eds. Race and Transatlantic Identities, Routledge, pp. 56-75.

Conference or Workshop Item

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. A historiography of pop historiography. Presented at: RMA 53rd Annual Conference, Liverpool, UK, 7-9 September 2017.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. 'If you can remember the 60s...'. Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture, San Francisco, CA, USA, 27-29 July 2017.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. Teaching popular music and protest from the 1960s. Presented at: Revolution in the Air, Université de Rouen, France, Mar 2017.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818, O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 and Thomas, Isabel 2017. One weekend in October: The Swn Festival, Cardiff. Presented at: CHIME Conference 2017: Music, Festivals, Heritage, Siena , Italy, 25-28 May 2017.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2017. Usûlsüz: a matter of meter in the concerts of Münir Nurettin Selçuk. Presented at: Rhythmic Cycles and Structures in the Art Music of the Middle East, Munster, Germany, 27-28 February 2014. Published in: Helvacı, Zeynep, Olley, Jacob and Jäger, Ralf Martin eds. Rhythmic Cycles and Structures in the Art Music of the Middle East. Ergon Verlag,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2017. Aspects of colour and timbre in Julian Anderson’s Incantesimi: Exploring French connections. Presented at: Julian Anderson Symposium – Julian Anderson Total Immersion Weekend, Barbican Centre and Guildhall School of Music and Drama, London, 20-21 October 2017.

Monograph

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2017. The performers journey. Cardiff: Cardiff University/Creative Cardiff. Available at: https://www.cardiff.ac.uk/__data/assets/pdf_file/0...

Thesis

Čurda, Martin 2017. Analytical and hermeneutical perspectives on the music of Pavel Haas. PhD Thesis, Cardiff University. Item availability restricted.

Howell, Julia 2017. The memory of music and music of memory: A portfolio of original compositions. PhD Thesis, Cardiff University. Item availability restricted.

Laghi, Simone 2017. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). PhD Thesis, Cardiff University. Item availability restricted.

Palidda, Alessandra 2017. Milan 1790-1802: Music, society and politics in the city of many regimes. PhD Thesis, Cardiff University. Item availability restricted.

Audio

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2017. Liszt, Rachmaninov, Busoni: Back to Bach - Tributes and transcriptions. [Audio CD]. 19 May 2017. ID number: B06XX6MTNQ.

Leech, Peter 2017. Lux memoriaque - light and remembrance - Harmonia Sacra. [CD]. , vol. 6349. 2017. ID number: 0710357634925. Available at: https://www.wyastone.co.uk/lux-memoriaque-contempo...

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 and Bran, Luis 2017. Transmisión en la Eritá Meta: Ilú Keké,. [CD]. 15 July 2017. ID number: CD MW001.

Composition

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2017. Mad About ThaT. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2017. The pitch within. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2017. Sea of Stone [Tyne Cot Sketches: II]. [Score]. Bickerton.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2017. Evening. [Score]. Pedro Faria Gomes.

Fokkens, Rob ORCID: https://orcid.org/0000-0003-4645-0616 2017. A darkness insinuating: for chamber orchestra. Composers Edition.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2017. Capriccio Variations.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2017. Nature symphony. [Score]. Cecilian Music.

Video

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 and Allen, Paul ORCID: https://orcid.org/0000-0002-9015-9677 2017. Cardiff - Capital city of Wales. . Cardiff: Cardiff University. Available at: https://www.youtube.com/watch?v=UqicqIMGGpI

Other

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Birtwistle, Harrison 2017. Deep Time [Composer note]. Boosey & Hawkes.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 and Bran, Luis 2017. Transmisión en la Eritá Meta. Music Works NYC.