| Berrow, Hari 2026. The Lightning Thief: the musical story of a young demigod delights at the WMC. [Online]. Buzz Magazine: Buzz Magazine. Available at: https://www.buzzmag.co.uk/lightning-thief-percy-ja... |
|
Bowman, Paul ORCID: https://orcid.org/0000-0003-2264-7596
2026.
The sublime object of Orientalism: Asian physical culture in the West.
Hong Kong:
Hong Kong University Press.
|
|
Hamad, Hannah ORCID: https://orcid.org/0000-0002-8949-7206
2026.
Anna Ford, ‘Women in Media’ and celebrity/feminism in UK second wave feminism.
McIntyre, Joanna and Taylor, Anthea, eds.
The Routledge Companion to Gender and Celebrity,
Routledge,
|
|
|
Hoare, Jessica ORCID: https://orcid.org/0000-0001-8203-0024, Miles Thomas, Rhys, Burke, Paul, Lisk-Lewis, Sally and Mothersdale, Gregory
2026.
Disability and innovation in virtual production: Towards an inclusive framework for accessible filmmaking.
Convergence
10.1177/13548565251410685
|
|
|
| Jones, Bethan 2026. School shooter fanfiction as true crime content: making the case for fan creations as legitimate modes of production, consumption and understanding. Hobbs, Simon and Hoffman, Megan, eds. #TrueCrime: Digital Culture, Ethics and True Crime Audiences, Palgrave Fan Studies, Cham, Switzerland: Palgrave Macmillan, pp. 93-116. (10.1007/978-3-031-99390-9_6) |
|
Kotisova, Johana and Wahl-Jorgensen, Karin ORCID: https://orcid.org/0000-0002-8461-5795
2026.
Emotion, digital media and democracy.
Papacharissi, Zizi, ed.
The Routledge Companion to Digital Media and Democracy,
London:
Routledge,
|
|
Saunders, Rebecca ORCID: https://orcid.org/0000-0002-9566-4744
2026.
Sex on the very small screen: Data culture and sexual consent.
Kerr, Darren and Peberdy, Donna, eds.
The Sex Scene: Space, Place, Industry,
Edinburgh:
Edinburgh University Press,
|
|
Wahl-Jorgensen, Karin ORCID: https://orcid.org/0000-0002-8461-5795
2026.
Foreward: The normalization and maturation of research on emotion in journalism.
Soto-Sanfiel, M. T. and Salojärvi, V, eds.
Handbook of Journalism and Emotion: Theory, Production, Content, and Responses,
Wiley-Blackwell,
xvii.
|
|