Altenberg, Tilmann ORCID: https://orcid.org/0000-0001-6686-6550 and Owen, Ruth J.
2011.
Truth claims in fiction film: introduction.
New Readings
11
, i-iv.
10.18573/newreadings.72
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Atkin, Rhian ORCID: https://orcid.org/0000-0002-6158-7349
2011.
Tell it again, José! some principles of digression in Saramago.
Atkin, Rhian ORCID: https://orcid.org/0000-0002-6158-7349, ed.
Textual Wanderings: The Theory and Practice of Narrative Digression,
Oxford:
Legenda,
pp. 99-111.
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| Berendse, Gerrit-Jan 2011. Die Wunde RAF: Zur Reziprozität von Fiktion und Terrorismus im Spiegel der neuesten Sekundärliteratur. Seminar: A Journal of Germanic Studies 47 (1) , pp. 10-26. 10.3138/seminar.47.1.10 |
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| Berendse, Gerrit-Jan 2011. Shakespeares Kinder: Heiner Müller im Dialog mit Erich Fried. Glossen (31) |
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| Berendse, Gerrit-Jan 2011. Vom Aushalten der Extreme: Die Lyrik Erich Frieds zwischen Terror, Liebe und Poesie. Philologische Studien und Quellen, vol. 233. Berlin: Erich Schmidt Verlag. |
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| Budde, Kerstin 2011. Unreasonable or evil? Haddock, Bruce Anthony, Roberts, Peredur Mark and Sutch, Peter David Edward, eds. Evil in Contemporary Political Theory, Edinburgh: Edinburgh University Press, pp. 81-100. |
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Chafer, Tony and Cumming, Gordon David ORCID: https://orcid.org/0000-0003-2912-8908
2011.
Introduction.
Chafer, Tony and Cumming, Gordon David, eds.
From Rivalry to Partnership: New Approaches to the Challenges of Africa,
Farnham:
Ashgate,
pp. 3-12.
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Clarke, David ORCID: https://orcid.org/0000-0001-8509-3194
2011.
The absent heimat: Hans-Christian Schmid’s Requiem (2006).
Cooke, Paul and Homewood, Chris, eds.
New directions in German cinema,
London:
I.B. Tauris,
pp. 147-162.
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Clarke, David ORCID: https://orcid.org/0000-0001-8509-3194
2011.
The capitalist uncanny in Kathrin Rögglas's wir schlafen nicht: ghosts in the machine.
Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers / Jahrbuch für britisch-deutsche Kulturbeziehungen
4
, pp. 147-163.
10.1515/9783110239201.147
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Clarke, David ORCID: https://orcid.org/0000-0001-8509-3194
2011.
The place of German wartime suffering in Hans-Ulrich treichel’s family texts.
Taberner, Stuart and Berger, Karina, eds.
Germans As Victims in the Literary Fiction of the Berlin Republic,
Rochester:
Camden House,
pp. 118-132.
|
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| Cori, Paola 2011. "Di temenza è sciolto": pensiero e poesia della soglia. Rivista Internazionale di Studi Leopardiani 7 , pp. 41-68. |
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| Cori, Paola 2011. Reflections on Leopardi, Borges, Deleuze and the Rhizome. Appunti Leopardiani 1 (1) |
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| Cori, Paola 2011. Tensione nello Zibaldone. Bellucci, Novella and D'Intino, Franco, eds. Per un lessico leopardiano, Roma: Palombi, pp. 133-149. |
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Cumming, Gordon David ORCID: https://orcid.org/0000-0003-2912-8908
2011.
Britain and France in Africa since Saint Malo: towards an uneasy partnership?
Chafer, Tony and Cumming, Gordon David, eds.
From Rivalry to Partnership: New Approaches to the Challenges of Africa,
Farnham:
Ashgate,
pp. 55-72.
|
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Cumming, Gordon David ORCID: https://orcid.org/0000-0003-2912-8908
2011.
Burying the hatchet? Britain and France in the Democratic Republic of Congo.
The Journal of Modern African Studies
49
(4)
, pp. 547-573.
10.1017/S0022278X11000474
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Cumming, Gordon David ORCID: https://orcid.org/0000-0003-2912-8908
2011.
Good intentions are not enough: French NGO efforts at democracy building in Cameroon.
Development in Practice
21
(2)
, pp. 218-231.
10.1080/09614524.2011.543275
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Cumming, Gordon David ORCID: https://orcid.org/0000-0003-2912-8908
2011.
The UK and France in the DRC: making their own peace.
Cumming, Gordon and Chafer, Tony, eds.
From Rivalry to Partnership? New Approaches to the Challenges of Africa,
Ashgate,
pp. 139-158.
|
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Cumming, Gordon David ORCID: https://orcid.org/0000-0003-2912-8908 and Chafer, Tony
2011.
From rivalry to partnership? Critical reflections on Anglo-French cooperation in Africa.
Review of International Studies
37
(5)
, pp. 2439-2463.
10.1017/S0260210511000027
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Cumming, Gordon David ORCID: https://orcid.org/0000-0003-2912-8908, Chafer, Tony and Callan, Theresa
2011.
Conclusion: From rivalry to partnership?
Chafer, Tony and Cumming, Gordon David, eds.
From Rivalry to Partnership: New Approaches to the Challenges of Africa,
Farnham:
Ashgate,
pp. 207-216.
|
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Daffner, Carola
2011.
Remapping the world in film: fiction and truth in Nazi cinema.
New Readings
11
, pp. 37-48.
10.18573/newreadings.75
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Diamond, Hanna ORCID: https://orcid.org/0000-0002-9432-3614
2011.
Miners, masculinity and the 'Bataille du Charbon' in France 1944-1948.
Modern and Contemporary France
19
(1)
, pp. 69-84.
10.1080/09639489.2010.540004
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|
| Edwards, Sian 2011. 'Land of plenty': Franco's Spain for a Welsh choir. Presented at: L’estat de la recerca dels processos d’institucionalització del franquisme, Barcelona, Spain, 6-7 April 2011. |
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| Edwards, Sian 2011. Wales, workers, and francoist Spain. Presented at: Association of Hispanists of Great Britain and Ireland Annual Conference 2011, Nottingham, England, 11-13 April 2011. |
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Feldner, Heiko Michael ORCID: https://orcid.org/0000-0002-6752-6563
2011.
Economic collapse without salvation?
The Exception Magazine
2011
(22 Sep)
|
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Feldner, Heiko Michael ORCID: https://orcid.org/0000-0002-6752-6563
2011.
Quo Vadis Marx? East German Historiography Revisited.
Feldner, Heiko Michael, Gorrara, Claire Jacqueline and Passmore, Kevin, eds.
The Lost Decade? The 1950s in European History, Politics, Society and Culture,
Newcastle upon Tyne:
Cambridge Scholars Publishing,
pp. 40-67.
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Goluch, Dorota ORCID: https://orcid.org/0000-0003-4737-0095
2011.
Chinua Achebe translating, translating Chinua Achebe: on the Polish translation of "Things Fall Apart".
Whittaker, David, ed.
Chinua Achebe’s Things Fall Apart,
Amsterdam and New York:
Rodopi,
pp. 197-218.
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Goluch, Dorota ORCID: https://orcid.org/0000-0003-4737-0095
2011.
I Rather Dead: A Spivakian reading of Indo-Caribbean women’s narratives.
Howrah:
Roman Books.
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Gorrara, Claire Jacqueline ORCID: https://orcid.org/0000-0003-0732-7666
2011.
Conflicted masculinities: figures of resistance in French crime fiction.
Hall, Katharina and Jones, Kathryn N., eds.
Constructions of Conflict: Transmitting Memories of the Past in European Historiography, Culture and Media,
Cultural History and Literary Imagination,
vol. 15.
New York:
Peter Lang,
pp. 93-110.
|
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Gorrara, Claire Jacqueline ORCID: https://orcid.org/0000-0003-0732-7666, Feldner, Heiko Michael ORCID: https://orcid.org/0000-0002-6752-6563 and Passmore, Kevin ORCID: https://orcid.org/0000-0003-3522-8577
2011.
Introduction.
Feldner, Heiko Michael, Gorrara, Claire Jacqueline and Passmore, Kevin, eds.
The Lost Decade? The 1950s in European History, Politics, Society and Culture,
Newcastle upon Tyne:
Cambridge Scholars Publishing,
pp. 1-9.
|
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Griffiths, Katherine ORCID: https://orcid.org/0000-0003-3335-7092
2011.
Memories in/of Thérèse Raquin: Émile Zola and Marcel Carné.
French Studies
65
(2)
, pp. 188-199.
10.1093/fs/knq250
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Griffiths, Katherine ORCID: https://orcid.org/0000-0003-3335-7092
2011.
Mythical returns: televising Therese Raquin.
Nineteenth-Century French Studies
39
(3-4)
, pp. 285-295.
10.1353/ncf.2011.0016
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Grosoli, Marco
2011.
André Bazin: film as social documentary.
New Readings
11
, pp. 1-6.
10.18573/newreadings.73
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Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497
2011.
Musikalische Souvenirs von Mendelssohns Schottlandreise (1829).
Mahling, Christoph-Hellmut, ed.
Musiker auf Reisen: Beiträge zum Kulturtransfer im 18. und 19. Jahrhundert,,
Wissner,
pp. 187-203.
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Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X
2011.
Aiming to please? Consensus and consciousness-raising in Wolfgang Becker's Good Bye, Lenin! (2003).
Cooke, Paul and Homewood, Chris, eds.
New Directions in German Cinema,
Taurus World Cinema Series,
I.B. Tauris,
pp. 94-112.
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Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X
2011.
Screening the Stasi: the politics of representation in postunification film.
Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X and Pearce, Caroline, eds.
The GDR Remembered: Representations of the East German State since 1989,
Camden House/Boydell&Brewer,
pp. 69-92.
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Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X and Pearce, Caroline
2011.
Introduction.
Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X and Pearce, Caroline, eds.
The GDR Remembered: Representations of the East German State since 1989,
Camden House/Boydell&Brewer,
pp. 1-16.
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Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X
2011.
Screening the East: Heimat, memory and nostalgia in German film since 1989.
Film Europa,
Berghahn Books.
|
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Holdaway, Dom
2011.
Da fatti realmente accaduti: performing history in contemporary Italian cinema.
New Readings
11
, pp. 17-36.
10.18573/newreadings.74
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| Kitchen, Ruth 2011. Another side to the story: confessions of guilt in occupation narratives. French Cultural Studies 22 (3) , pp. 207-217. 10.1177/0957155811408825 |
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Lehtisalo, Anneli
2011.
As if alive before us: the pleasures of verisimilitude in biographical fiction films.
New Readings
11
, pp. 100-117.
10.18573/newreadings.79
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Lindeiner-Stráský, Karina von
2011.
Furtwänglers Taschentuch: Der Gebrauch dokumentarischer Materialien in Filmen über die Zeit des Nationalsozialismus.
New Readings
11
, pp. 66-83.
10.18573/newreadings.77
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Lunati, Montserrat ORCID: https://orcid.org/0000-0003-1995-8211
2011.
Les fotografies de Mariona Giner, o el repte de no parlar en nom de l'Altre.
Journal of Catalan Studies
14
, pp. 249-269.
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Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X
2011.
Cultural approaches.
Gambier, Yves and van Doorslaer, Luc, eds.
Handbook of Translation Studies,
Vol. 2.
John Benjamins,
pp. 26-30.
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Nowroth, Nadine
2011.
'Hunger auf Leben': Darstellungen der DDR im Film zwischen Fakt, Fiktion und Mythos.
New Readings
11
, pp. 118-137.
10.18573/newreadings.80
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| Nuselovici, Alexis 2011. Juive et pornographique: Else Lasker-Schüler. Bourque, Dominique and Hogikyan, Nellie, eds. Femmes et exils, Québec, QC: Presses de l'Université Laval, pp. 255-264. |
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| Nuselovici, Alexis 2011. Preface. Boulanger, P.-P., ed. Ethics and Politics of Translating [by Henri Meschonnic], Benjamins Translation Library, vol. 91. Translated from the original by Boulanger, P.-P.. Amsterdam: John Benjamins, pp. 1-10. |
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| Owen, Ruth J. 2011. Freedoms of expression: poetry translations in the East Berlin Poesiealbum. Translation Studies 4 (2) , pp. 133-148. 10.1080/14781700.2011.560015 |
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Parker, S. ORCID: https://orcid.org/0000-0002-7414-0765
2011.
Diagnosing Bertolt Brecht.
The Lancet
377
(9772)
, pp. 1146-1147.
10.1016/S0140-6736(11)60453-4
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Passmore, Kevin ORCID: https://orcid.org/0000-0003-3522-8577
2011.
The 1950s in European Historiography.
Feldner, Heiko Michael, Gorrara, Claire Jacqueline and Passmore, Kevin, eds.
The Lost Decade? The 1950s in European History, Politics, Society and Culture,
Newcastle upon Tyne:
Cambridge Scholars Publishing,
pp. 1-9.
|
|
| Patterson, Craig 2011. Orígenes, retos y estrategias de la primera traducción inglesa de A esmorga, de Eduardo Blanco Amor. Dasilva, Xosé Manuel and Tanquerio, Helena, eds. Aproximaciones a la autotraducción, Vigo: Editorial Academia del Hispanismo, pp. 177-196. |
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Polezzi, Loredana ORCID: https://orcid.org/0000-0002-6097-7505
2011.
Precarietà: definizioni per l’uso, tra autobiografia e teoria.
I quaderni della Libellula
1
, pp. 12-14.
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Prout, Ryan ORCID: https://orcid.org/0000-0003-1058-7741
2011.
Exploding Anonymity: The Romance and Risk of Derailment.
Short Film Studies
1
(2)
, pp. 239-243.
10.1386/sfs.1.2.239_1
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Prout, Ryan ORCID: https://orcid.org/0000-0003-1058-7741
2011.
River, rain, pool: Envisioning adoptive identity in three women’s narratives from contemporary Spain.
Prout, Ryan and Altenberg, Tilmann, eds.
Seeing in Spanish: From Don Quixote to Daddy Yankee - 22 Essays on Hispanic Visual Cultures,
Newcastle upon Tyne:
Cambridge Scholars Publishing,
pp. 91-104.
|
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Prout, Ryan ORCID: https://orcid.org/0000-0003-1058-7741 and Altenberg, Tilmann ORCID: https://orcid.org/0000-0001-6686-6550
2011.
Introduction.
Prout, Ryan and Altenberg, Tilmann, eds.
Seeing in Spanish: From Don Quixote to Daddy Yankee - 22 Essays on Hispanic Visual Cultures,
Newcastle upon Tyne:
Cambridge Scholars Publishing,
xiv-xxv.
|
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Prout, Ryan ORCID: https://orcid.org/0000-0003-1058-7741 and Kramer, Gary M.
2011.
Fourth Iris Prize Festival Report and Interview with Magnus Mork, director of Samaritan (Norway, 2010).
Film International
9
(4)
, pp. 84-91.
10.1386/fiin.9.4.84
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| Sanz-Mingo, Carlos 2011. Dark ages, religious conflicts and their literary representations: The Winter King, by Bernard Cornwell. Acta Universitatis Danubius. Communicatio 5 (1) , pp. 5-23. |
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| Sanz-Mingo, Carlos 2011. Morgan of the thousand faces. Spremić, M. and Đorić-Francuski, B., eds. English Language and Literature Studies: Image, Identity, Reality, Belgrade: University of Belgrade, pp. 75-86. |
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| Sanz-Mingo, Carlos 2011. Not that good after all? The Church and Arthuriana: a love/hate relation. Girbea, Catalina, Popescu, Andreea and Voicu, Mihaela, eds. Temps et mémoire dans le littérature arthurienne, Bucuresti: Editura Universitâţii din Bucureşti, pp. 472-481. |
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| Sanz-Mingo, Carlos 2011. Women, politics, religion: the reshaping of Arthuriana. Alamichel, M.-F. and Braid, R., eds. Texte et Contexte: Littérature et Histoire de l’Europe médiévale, Colloques, Paris: Michel Houdiard, pp. 570-586. |
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| Schweissinger, Marc 2011. Gerhart Hauptmann und Franz Werfel (1890-1945), eine Dichterfreundschaft. Hildebrandt, Klaus and Kuczynski, Krzysztof Antoni, eds. "Habt herzlichen Dank fuer Eure Freundschaft...": Menschen um Gerhart Hauptmann, Wloclawek: Wissenschaftliche Verlag der Staatlichen Fachhochschule, pp. 269-283. |
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| Schweissinger, Marc 2011. Gerhart Hauptmann's Hamlet 'translation'. Anglistica Pisana 8 (2) , pp. 11-24. |
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Varis, Piia, Wang, Xuan ORCID: https://orcid.org/0000-0002-6227-6008 and Du, Caixia
2011.
Identity repertoires on the Internet: opportunities and constraints.
Applied Linguistics Review
2
, pp. 265-284.
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Wang, Xuan ORCID: https://orcid.org/0000-0002-6227-6008 and Varis, Piia
2011.
Superdiversity on the Internet: A case from China.
Diversities
13
(2)
, pp. 70-83.
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Wormald, Andrew
2011.
Between history and melodrama: authenticity in TeamWorx’s ‘event movies’ on the National Socialist past.
New Readings
11
, pp. 49-65.
10.18573/newreadings.76
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Wren-Owens, Elizabeth Anne ORCID: https://orcid.org/0000-0002-1053-4482
2011.
The emergence of Welsh Italian narrative, or the commodifcation of nostalgia?
Presented at: Society for Italian Studies Biennial Conference,
St Andrews, UK,
6-9 July 2011.
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Wren-Owens, Elizabeth Anne ORCID: https://orcid.org/0000-0002-1053-4482
2011.
Integrated or repressed identity? Welsh Italian narrative in international contexts?
Presented at: Within and Without: Representing Diasporas in Europe,
Cardiff, UK,
13 May 2011.
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