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Number of items: 36.

B

Beard, David Jason 2006. Alison Latham, ed., Sing, Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday (Aldershot: Ashgate, 2003), ISBN 0 7546 3497 3 (hb) [Book Review]. Twentieth-Century Music 3 (1) , pp. 150-154. 10.1017/S1478572207000370
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Beard, David Jason 2006. Aspects of British Music in the 1990s. Ed. by Peter O’Hagan. pp. xviii + 164. (Ashgate, Aldershot, 2003, £45. ISBN 0-7546-3041-2.) [Book Review]. Music & Letters 87 (1) , pp. 163-166. 10.1093/ml/gci161

Beard, David Jason 2006. Brimful of Asia: Negotiating Ethnicity on the UK Music Scene [Book Review]. Music & Letters 87 (3) , pp. 482-485. 10.1093/ml/gci223

Beard, David Jason 2006. "A face like music": Shaping images into sound in the second Mrs Kong. Cambridge Opera Journal 18 (3) , pp. 273-300. 10.1017/S0954586706002205
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Bickerton, Daniel 2006. Etifeddiaeth. Daniel Bickerton.

Bickerton, Daniel 2006. Fanfare for Gwent. Daniel Bickerton.

Bickerton, Daniel 2006. Ocean Sketch. Daniel Bickerton.

C

Cenciarelli, Carlo 2006. The case against Nyman revisited: “affirmative” and “critical” evidence in Michael Nyman’s appropriation of Mozart. Radical Musicology 2006 (1) , 84 pars.

Chapin, Keith 2006. Classicist terms of sublimity: Christian Friedrich Michaelis, fugue, and fantasy. Ad Parnassum 4 (8) , pp. 115-139.

Chapin, Keith 2006. Labor and metaphysics in Hindemith's and Adorno's statements on counterpoint. In: Hoeckner, B. ed. Apparitions: New Perspectives on Adorno and Twentieth-Century Music, Studies in Contemporary Music and Culture, London: Routledge, pp. 19-40.

Chapin, Keith 2006. Lost in quotation: the nuances behind E. T. A. Hoffmann's programmatic statements. 19th-Century Music 30 (1) , pp. 44-64. 10.1525/ncm.2006.30.1.044
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Chapin, Keith 2006. Strict and free reversed: the law of counterpoint in Koch's Musikalisches Lexikon and Mozart's Zauberflöte. Eighteenth-Century Music 3 (1) , pp. 91-107. 10.1017/S1478570606000509
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F

Faria Gomes, Pedro 2006. À Memória de Anarda. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2006. O Violino Cigano. [Score]. Pedro Faria Gomes.

G

Gardner, Cameron. 2006. Towards a hermeneutic understanding of Schubert's 1825 piano sonatas : constructing and deconstructing interpretation from expressive opposition. PhD Thesis, Cardiff University.
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H

Hill, Sarah 2006. Beyond borders: the female Welsh pop voice. Radical Musicology 1 (17 May)

Hill, Sarah 2006. When deep soul met the love crowd: Otis Redding at the Monterey pop festival, June 16-18, 1967. Performance and Popular Music History, Place and Time, Ashgate, 28 - 40.

Hill, Sarah 2006. When deep soul met the love crowd: Otis Redding at the Monterey Pop Festival, June 16-18, 1967. In: Inglis, Ian ed. Performance and Popular Music: History, Place and Time, Ashgate Popular and Folk Music Series, Abingdon: Ashgate, pp. 28-40.

J

Jones, David Wyn 2006. Haydn, Hoffmeister, Beethoven and Mozart: Salomon's 1801 concert series. In: Fuchs, Ingrid ed. Festschrift Otto Biba zum 60. Geburtstag, Tutzing: Hans Schneider, pp. 39-56.

Jones, David Wyn 2006. Some aspects of Clementi’s career as a publisher. In: Antolini, B. M. and Mastroprimiano, C. eds. Muzio Clementi: Compositore, (Forte) Pianista, editore: Atti del Convegno internazionale di studi (Perugia, Conservatorio di Musica, 4-6 ottobre 2002), Strumenti della ricerca musicale, vol. 9. Lucca: Lim Editrice, pp. 3-19.

Jones, David Wyn 2006. The stylus a cappella masses of the Viennese classical school: Palestrina honoured and transformed. In: Rostirolla, Giovanni, Soldati, Stefania and Zomparelli, Elena eds. Palestrina e l'Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994), Palestrina: Fondazione Giovanni Pierluigi da Palestrina, pp. 1061-1074.

Jones, David Wyn 2006. The symphony in Beethoven's Vienna. Cambridge: Cambridge University Press.

L

Leech, Peter 2006. Regal Handel [Book Review]. Early Music 34 (1) , pp. 143-146.

M

Melen, Christopher John 2006. Kalachakra. PhD Thesis, Cardiff University.
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O

O'Connell, John Morgan 2006. 'The mermaid of the Meyhane: the legend of a Greek singer in a Turkish tavern'. In: Linda, P. Austern and Inna, Naroditskaya eds. Music of the Sirens, Indiana University Press, pp. 273-293.

O'Connell, John Morgan 2006. National symposium: towards a national ethnomusicology. Bulletin of the International Council for Traditional Music 109 , pp. 61-62.

P

Ponsford, David Stewart and Davis, Alan 2006. Handel: Complete Recorder Sonatas. [CD]. 2006. ID number: GMCD 7301.

R

Rae, Caroline 2006. Alejo Carpentier and the promotion of new music in Machado's Cuba. Presented at: Royal Musical Association Conference, Nottingham University, July 2006.

Rae, Caroline 2006. Jolivet on Jolivet: an interview with the composer’s daughter. Musical Times 147 (1894) , pp. 5-22.

Rowden, Clair Sophie 2006. David Charlton (ed.), The Cambridge Companion to Grand Opera (Cambridge: Cambridge University Press, 2003). 496 pp. $29.99 [Book Review]. Nineteenth-Century Music Review 3 (1) , pp. 122-125. 10.1017/S1479409800000380
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Rowden, Clair Sophie 2006. L'amour sacré et le sacre de l'amour: l'homme saint chez Massenet. In: Ramaut, Alban and Branger, Jean-Christophe eds. Opéra et Religion sous la IIIe République, Travaux, vol. 129. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 257-284.

S

Sierra, Arlene Elizabeth 2006. Art of Lightness. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth 2006. Cicada shell. [Score]. Cecilian Music.

Stowell, Robin 2006. 'The Viotti school of violin playing: style and influence'. In: Massimiliano, Sala ed. Giovanni Battista Viotti: A Composer Between the Two Revolutions, Ut Orpheus Edizioni, pp. 219-49.

T

Tyrrell, John 2006. Janάček: Years of a life. Volume 1, (1854-1914) The lonely blackbird. London: Faber and Faber.

W

Walsh, Stephen 2006. Stravinsky: the second exile: France and America, 1934-1971. New York: Alfred A. Knopf.

This list was generated on Wed Dec 1 08:23:24 2021 GMT.