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Number of items: 36.

Article

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Alison Latham, ed., Sing, Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday (Aldershot: Ashgate, 2003), ISBN 0 7546 3497 3 (hb) [Book Review]. Twentieth-Century Music 3 (1) , pp. 150-154. 10.1017/S1478572207000370
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Aspects of British Music in the 1990s. Ed. by Peter O’Hagan. pp. xviii + 164. (Ashgate, Aldershot, 2003, £45. ISBN 0-7546-3041-2.) [Book Review]. Music & Letters 87 (1) , pp. 163-166. 10.1093/ml/gci161

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Brimful of Asia: Negotiating Ethnicity on the UK Music Scene [Book Review]. Music & Letters 87 (3) , pp. 482-485. 10.1093/ml/gci223

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. "A face like music": Shaping images into sound in the second Mrs Kong. Cambridge Opera Journal 18 (3) , pp. 273-300. 10.1017/S0954586706002205
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Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2006. The case against Nyman revisited: “affirmative” and “critical” evidence in Michael Nyman’s appropriation of Mozart. Radical Musicology 2006 (1) , 84 pars.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2006. Classicist terms of sublimity: Christian Friedrich Michaelis, fugue, and fantasy. Ad Parnassum 4 (8) , pp. 115-139.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2006. Lost in quotation: the nuances behind E. T. A. Hoffmann's programmatic statements. 19th-Century Music 30 (1) , pp. 44-64. 10.1525/ncm.2006.30.1.044
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Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2006. Strict and free reversed: the law of counterpoint in Koch's Musikalisches Lexikon and Mozart's Zauberflöte. Eighteenth-Century Music 3 (1) , pp. 91-107. 10.1017/S1478570606000509
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Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2006. Beyond borders: the female Welsh pop voice. Radical Musicology 1 (17 May)

Leech, Peter 2006. Regal Handel [Book Review]. Early Music 34 (1) , pp. 143-146.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2006. National symposium: towards a national ethnomusicology. Bulletin of the International Council for Traditional Music 109 , pp. 61-62.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2006. Jolivet on Jolivet: an interview with the composer’s daughter. Musical Times 147 (1894) , pp. 5-22.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2006. David Charlton (ed.), The Cambridge Companion to Grand Opera (Cambridge: Cambridge University Press, 2003). 496 pp. $29.99 [Book Review]. Nineteenth-Century Music Review 3 (1) , pp. 122-125. 10.1017/S1479409800000380
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Book

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2006. The symphony in Beethoven's Vienna. Cambridge: Cambridge University Press.

Tyrrell, John 2006. Janάček: Years of a life. Volume 1, (1854-1914) The lonely blackbird. London: Faber and Faber.

Walsh, Stephen 2006. Stravinsky: the second exile: France and America, 1934-1971. New York: Alfred A. Knopf.

Book Section

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2006. Labor and metaphysics in Hindemith's and Adorno's statements on counterpoint. Hoeckner, B., ed. Apparitions: New Perspectives on Adorno and Twentieth-Century Music, Studies in Contemporary Music and Culture, London: Routledge, pp. 19-40.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2006. When deep soul met the love crowd: Otis Redding at the Monterey pop festival, June 16-18, 1967. Performance and Popular Music History, Place and Time, Ashgate, 28 - 40.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2006. When deep soul met the love crowd: Otis Redding at the Monterey Pop Festival, June 16-18, 1967. Inglis, Ian, ed. Performance and Popular Music: History, Place and Time, Ashgate Popular and Folk Music Series, Abingdon: Ashgate, pp. 28-40.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2006. Haydn, Hoffmeister, Beethoven and Mozart: Salomon's 1801 concert series. Fuchs, Ingrid, ed. Festschrift Otto Biba zum 60. Geburtstag, Tutzing: Hans Schneider, pp. 39-56.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2006. Some aspects of Clementi’s career as a publisher. Antolini, B. M. and Mastroprimiano, C., eds. Muzio Clementi: Compositore, (Forte) Pianista, editore: Atti del Convegno internazionale di studi (Perugia, Conservatorio di Musica, 4-6 ottobre 2002), Strumenti della ricerca musicale, vol. 9. Lucca: Lim Editrice, pp. 3-19.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2006. The stylus a cappella masses of the Viennese classical school: Palestrina honoured and transformed. Rostirolla, Giovanni, Soldati, Stefania and Zomparelli, Elena, eds. Palestrina e l'Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994), Palestrina: Fondazione Giovanni Pierluigi da Palestrina, pp. 1061-1074.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2006. 'The mermaid of the Meyhane: the legend of a Greek singer in a Turkish tavern'. Linda, P. Austern and Inna, Naroditskaya, eds. Music of the Sirens, Indiana University Press, pp. 273-293.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2006. L'amour sacré et le sacre de l'amour: l'homme saint chez Massenet. Ramaut, Alban and Branger, Jean-Christophe, eds. Opéra et Religion sous la IIIe République, Travaux, vol. 129. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 257-284.

Stowell, Robin 2006. 'The Viotti school of violin playing: style and influence'. Massimiliano, Sala, ed. Giovanni Battista Viotti: A Composer Between the Two Revolutions, Ut Orpheus Edizioni, pp. 219-49.

Conference or Workshop Item

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2006. Alejo Carpentier and the promotion of new music in Machado's Cuba. Presented at: Royal Musical Association Conference, Nottingham University, July 2006.

Thesis

Gardner, Cameron. 2006. Towards a hermeneutic understanding of Schubert's 1825 piano sonatas : constructing and deconstructing interpretation from expressive opposition. PhD Thesis, Cardiff University.
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Melen, Christopher John 2006. Kalachakra. PhD Thesis, Cardiff University.
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Audio

Ponsford, David Stewart and Davis, Alan 2006. Handel: Complete Recorder Sonatas. [CD]. 2006. ID number: GMCD 7301.

Composition

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2006. Etifeddiaeth. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2006. Fanfare for Gwent. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2006. Ocean Sketch. Daniel Bickerton.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2006. À Memória de Anarda. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2006. O Violino Cigano. [Score]. Pedro Faria Gomes.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2006. Art of Lightness. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2006. Cicada shell. [Score]. Cecilian Music.

This list was generated on Sat Jun 15 20:05:33 2024 BST.