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Number of items: 39.

Moore, Rachel and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864, eds. 2011. Mascagni, Cavalleria rusticana, Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Moore, Rachel and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864, eds. 2011. Massenet, La Navarraise. Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Barlow, Rachelle Louise 2011. Music in Welsh culture before 1650: a study of the principal sources. Ethnomusicology 55 (3) , pp. 511-516.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2011. La communication des emotions et des affects vocaux et instrumentaux: L'exemple de Punch and Judy. Le point de vue du musicologue. Acto: Le journal du cercle du Grand Théâtre et du Grand Théâtre de Genève 7 , pp. 12-14.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2011. Delivered. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2011. Ecclesiastical musings. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2011. Equation. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2011. This Masquerade. Daniel Bickerton.

Caton, Anke Theresa 2011. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. PhD Thesis, Cardiff University.
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Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2011. Bach and cigarettes: imagining the everyday in Jarmusch’s Int. Trailer. Night. Twentieth-Century Music 7 (2) , pp. 219-243. 10.1017/S147857221100017X

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2011. Counterpoint: From the bees or for the birds? Telemann and early eighteenth-century quarrels with tradition. Music and Letters 92 (3) , pp. 377-409. 10.1093/ml/gcr036

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2011. 'A harmony or concord of several and diverse voices': Autonomy in 17th-Century German music theory and practice. International Review of the Aesthetics and Sociology of Music (IRASM) 42 (2) , pp. 219-255.
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Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2011. Canonizing remembrance: Music for Armistice Day at the BBC, 1922–7. First World War Studies 2 (1) , pp. 75-107. 10.1080/19475020.2011.555499

Curry, Ben John 2011. Reading conventions, interpreting habits: Peircian semiotics in music. PhD Thesis, Cardiff University.
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2011. Contours. [Score]. Pedro Faria Gomes.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2011. Mammals of Southern Africa for piano trio. [Score]. Composer.

Gloag, Kenneth 2011. 'Nicholas Maw's Breakthrough: Scenes and Arias Reconsidered. Musical Times 152 (1915) , pp. 31-57.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2011. Los "Lieder" de Liszt. Quodlibet: Rivista de especializacion Musical 51 , pp. 72-88.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2011. Mary Hopkin and the deep throat of culture. Laurie, Stras, ed. She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music, Surrey: Ashgate, pp. 163-182.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2011. Psychedelia and its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), Lancaster, UK, 28-31 July 2011.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2011. Psychedelia and Its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), University of Lancaster, UK, 28-31 July 2011.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2011. Haydn's forgotten quartets: Three of the 'Paris' symphonies arranged for string quartet. Eighteenth-Century Music 8 (2) , pp. 287-305. 10.1017/S147857061100008X
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2011. György Kurtág: Three Interviews and Ligeti Homages. Compiled & ed. by Bálint András Varga. [Book review]. Music & Letters 92 (2) , pp. 330-332. 10.1093/ml/gcr014

Leech, Peter 2011. Music and musicians in the Catholic chapel of James II at Whitehall, 1686-1688. Early Music 39 (3) , pp. 379-400. 10.1093/em/car072

Leech, Peter 2011. Richard Dering, Motets for One, Two or Three Voices and Basso Continuo [Book Review]. Music & Letters 92 (2) , pp. 282-285.

Leech, Peter 2011. Tomas Luis de Victoria (1548-1611). The Early Music Yearbook 2011 , pp. 5-9.

Leech, Peter and Whitehead, Maurice 2011. 'In Paradise and among angels'. Music and musicians at St Omers English Jesuit College, 1593-1721. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 61 (1-2) , pp. 57-82.

Moore, Rachel, Hamer, Laura and Branger, Aurélie Hibberd, Sarah, Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 and Everist, Mark, eds. 2011. Complete criticism of Joseph d’Ortigues. [Online]. Francophone Music Criticism 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2011. Music in war, music for peace: A review article. Ethnomusicology 55 (1) , pp. 112-127. 10.5406/ethnomusicology.55.1.0112

Ponsford, David Stewart 2011. French organ music in the reign of Louis XIV. Cambridge University Press.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2011. Debussyist, Modernist, Exoticist: Marius-François Gaillard rediscovered. The Musical Times 152 (1916) , pp. 59-80.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2011. From a foreign correspondent: Alejo Carpentier’s Parisian Chronicles. Presented at: Music Criticism in France in the Interwar Period (1918-1939), University of Ottawa, Canada, 4-6 November 2011.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. Annegret Fauser & Mark Everist (eds.), Music, Theater, and Cultural Transfer: Paris 1830-1914 (University of Chicago Press, 2009), 439 pp. ISBN-13: 978-0-226-23926-2. [Book Review]. H: France 11 (99)

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. The End of the Fairytale [Programme note]. Cendrillon, London: Royal Opera House, pp. 12-19.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. Salome and modern opera: a Parisian perspective. Brosche, Günter, May, Jürgen, Internationale Richard Strauss-Gesellschaft, Wien and Richard Strauss-Institut, Garmisch-Partenkirchen, eds. Richard Strauss-Jahrbuch 2011: Richard Strauss im Europäischen Kontext, Tutzing: Hans Schneider, pp. 163-176.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2011. Scenes from Faustine. [Score]. Cecilian Music.

Stowell, Robin 2011. Fantasising on Faust. Presented at: Henryk Wieniawski and the Bravura Tradition : [Proceedings of the 3rd International Musicological Conference], Poznań, Poland, 19-21 October 2009. Published in: Jabłoński, Maciej and Jasińska, Danuta eds. Henryk Wieniawski and the Bravura Tradition [Proceedings of the 3rd International Musicological Conference held in Poznań, Poland, 19-21 October 2009]. Poznan: Henryk Wieniawski Musical Society and Poznań Society for the Advancelent of the Arts and Sciences, pp. 23-45.

Stowell, Robin 2011. Henryk Wieniawski: "the true successor" of Nicolò Paganini? A comparative assessment of the two virtuosos with particular reference to their caprices. Presented at: Spielpraxis der Saiteninstrumente in der Romantik Bericht des Symposiums, Bern, Switzerland, 18-19 November 2006. Published in: Bacciagaluppi, Claudio, Brotbeck, Roman and Gerhard, Anselm eds. Spielpraxis der Saiteninstrumente in der Romantik: Bericht des Symposiums in Bern, 18.–19. November 2006. Musikforschung der Hochschule der Künste Bern (HKB) (3) Schliengen: Edition Argus, pp. 70-90.

Stowell, Robin 2011. Semblanzas de Compositores Espanõles 29: Pablo de Sarasate (1844-1908). Revista de la Fundación Juan March (401) , pp. 2-7.

This list was generated on Tue Mar 11 08:04:40 2025 GMT.


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