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Number of items: 58.

B

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Contrapuntal sublimations: Alberto Ginastera, 'String Quartet No. 1 op. 20' (1948); Johann Sebastian Bach, 'Three Fugues from Die kunst der Fuge BWV 1080' (arranged by Harrison Birtwistle, 2008); Dimitri Shostakovich, 'String Quartet No. 8, in C minor, op. 110' (1960); Maurice Ravel, 'String Quartet in F major' (1902-3; rev. 1910).[Programme essay for the Simon Bolivar String Quartet concert in the Mozarteum Grosser Saal, Salzburg Festival, 5/8/13]. Salzburg, Austria: Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Inner spirit: Harrison Birtwistle, 'Trio for violin, cello and piano' (2010); Gabriel Fauré, 'Piano Quartet No. 2 in G minor op. 45'; Birtwistle, 'Bourdon for violin and viola' (2009); Johannes Brahms, 'Piano Quartet No. 1 in G minor op. 25' {Programme essay for Capuçons and Friends in the Mozarteum Grosser Saal, Salzburg Festival, 22/8/13]. Salzburg, Austria: Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. An introduction to Harrison Birtwistle's music. [Online]. London: Boosey and Hawkes. Available at: http://www.boosey.com/pages/cr/composer/composer_m...

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. 'The Minotaur' in context [Programme Essay]. The Minotaur, London: Royal Opera House, pp. 32-38.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. New light on musical masters: Johannes Ockeghem, 'Ut heremita solus' (arranged by Harrison Birtwistle, 1969); Guillaume de Machaut, 'Hoquetus David' (arranged by Harrison Birtwistle,1969); George Benjamin, 'At First Light' (1982); Harrison Birtwistle, 'Bach Measures' (1996), 'Verses for Ensembles' (1968-9). [Programme essay for oenm in the Kollegienkirche, Salzburg Festival, 30/7/13]. Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Rites of passage: Harrison Birtwistle, 'Tombeau in memoriam Igor Stravinsky' (1971); 'Nine Settings of Celan' (1989-96); 'Cortege' (2007); 'Secret Theatre' (1984). [Programme essay for Klangforum Wien concert at the Kollegienkirche, Salzburg Festival, 31/7/13]. Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. The silk house tattoo [Programme Note for London Sinfonietta]. Arconis International Brass Event: Brass Without Boundaries, Cardiff: St. David's Hall, n/a.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Zurück in Die Zukunft: Gawain. Salzburg: Salzburg Festival.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. Caution. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. Firmly Grounded. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. The Panther of Lugash. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. Stand Up. Composer.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. Unintentional Art of Glass. Daniel Bickerton.

Bizet, George 2013. Carmen. [Musical Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864. Edition Peters.

C

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2013. At the margins of the televisual: picture frames, loops and ‘cinematics’ in the paratexts of opera videos. Cambridge Opera Journal 25 (2) , pp. 203-223. 10.1017/S0954586713000074

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2013. "What Never Was Has Ended": Bach, Bergman and the Beatles in Christopher Münch’s 'The Hours and Times'. Music and Letters 94 (1) , pp. 119-137. 10.1093/ml/gct038

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2013. Bach's silence, Mattheson's words: professional and humanist ways of speaking of music. Chapin, Keith and Clark, Andrew H., eds. Speaking of Music: Addressing the Sonorous, New York: Fordham University Press, pp. 74-111.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2013. Le contrepoint et ses logiques tonales au tournant du dix-neuvième siècle. Gonnard, Henri, ed. Regards sur la tonalité / Perspectives on Tonality, Sampzon: Editions Delatour, pp. 197-210.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 and Clark, Andrew H. 2013. Speaking of music: a view across disciplines and a lexicon of topoi. Chapin, Keith and Clark, Andrew H., eds. Speaking of Music: Addressing the Sonorous, New York: Fordham University Press,

Crown, Helen 2013. Lewis Granom: His significance for the flute in the eighteenth century. PhD Thesis, Cardiff University.
Item availability restricted.
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F

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2013. Approaches to composition. Presented at: Research Training for Doctoral Students, Royal College of Music, London, UK, 23 January 2013.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2013. Tereza's dreams. [Score]. Pedro Faria Gomes.

H

Hall, Matthew 2013. Portfolio of original compositions. PhD Thesis, Cardiff University.
Item availability restricted.
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2013. The embarrassment of influence: Liszt, Paris and posterity. Haine, Malou, Dufetel, Nicolas, Gooley, Diana and Kregor, Jonathan, eds. Liszt et La France: Musique, culture et société dans l'Europe du XIXe siècle, Musicologies, Paris: Editions Vrin, pp. 59-79.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Book Review. Alice Echols, hot stuff: disco and the remaking of American culture. Popular Music 32 (1) , pp. 133-135. 10.1017/S0261143012000657

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Choreographing 'In C'. Presented at: Left Coast Minimalism: 4th International Conference on Minimalist Music, Long Beach, CA, 3-6 October 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Choreographing In C. Presented at: 4th International Conference on Music and Minimalism, Long Beach, CA, USA, 3-6 October 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Ending it all: Genesis and revelation. Popular Music 32 (2) , pp. 197-221. 10.1017/S0261143013000044
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Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. The heritage of failure: Marginal Welsh pop in the capital city. Presented at: IASPM 17th Biennial Conference: Bridge Over Troubled Waters: Challenging Orthodoxies, Oviedo, Spain, 24-28 June 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. The Heritage of failure: marginal Welsh Pop in the capital city. Presented at: Bridge Over Troubled Waters: Challenging Orthodoxies: 17th IASPM International Conference, Oviedo, Spain, 24-28 June 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. "This is my country": American popular music and political engagement in 1968. Kutschke, Beate and Norton, Barley, eds. Music and Protest in 1968, Music since 1900, Cambridge: Cambridge University Press, pp. 46-63.

J

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2013. Haydn, Austria and Britain: Music, culture and politics in the 1790s. Chesser, Richard and Jones, David Wyn, eds. The Land of Opportunity: Joseph Haydn and Britain, London: British Library, pp. 1-21.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2013. Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. The Cambridge Companion to Michael Tippett, Cambridge: Cambridge University Press, pp. 206-228.

M

Machin-Autenrieth, Matthew 2013. Andalucía flamenca: Music, regionalism and identity in southern Spain. PhD Thesis, Cardiff University.
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O

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2013. Alaturka: Style in Turkish music (1923-1938). SOAS Musicology Series, Aldershot: Ashgate.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2013. Beste. Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett, eds. Encyclopaedia of Islam, Three, Brill, pp. 52-53. (10.1163/1573-3912_ei3_COM_24017)

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2013. Pir Sultan Abdal. Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett, eds. Encyclopaedia of Islam, Three, Brill, pp. 135-136. (10.1163/1573-3912_ei3_COM_23910)

P

Ponsford, David Stewart 2013. Francois Couperin & Marc-Antoine Charpentier. [CD]. 2013. ID number: NI 6225.

Ponsford, David Stewart 2013. Francois Couperin & Pierre Du Mage. [CD]. 2013. ID number: NI 6213.

R

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Dutilleux and Lutosławski: Franco-Polish connections. Mantzourani, Eva, ed. Polish Music since 1945, Krakow: Musica Iagellonica, pp. 147-162.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Messiaen and Ohana: parallel preoccupations or anxiety of influence? Dingle, Christopher and Fallon, Robert, eds. Messiaen perspectives 2: Techniques, influence and reception, Farnham: Ashgate, pp. 153-174.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Messiaen and the romantic gesture: Contemplations on his piano music and pianism. Dingle, Christopher and Fallon, Robert, eds. Messiaen perspectives 1: Sources and influences, Farnham: Ashgate, pp. 235-256.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Choral music and music making in France. Di Grazia, Donna M., ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, Abingdon. Oxon: Routledge, pp. 205-212.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Introduction. Rowden, Clair Sophie, ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 1-14.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Jann Pasler, ed., Camille Saint-Saëns and his world. Princeton and Oxford: Princeton University Press, 2012. [Book Review]. H-France Review 13 (40) , pp. 1-7.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Memorialisation, commemoration and commodification: Massenet and caricature. Cambridge Opera Journal 25 (2) , pp. 139-163. 10.1017/S0954586713000049
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Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Whose/who's Salome? Natalia Trouhanowa, a dancing diva. Rowden, Clair Sophie, ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 71-98.

S

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2013. Avian mirrors. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2013. Butterflies remember a mountain. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2013. Cuatro Corridos: Dalia. [Score]. Cecilian Music.

Stowell, Robin 2013. The contribution of Geminiani's 'The art of playing on the violin' to "The improved state of the violin in England". Hogwood, Christopher, ed. Geminiani Studies, Ad Parnassum Studies, Bologna: Ut Orpheus Edizioni, pp. 257-300.

V

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2013. Amelia Pedroso: The voice of a Cuban priestess leading from the inside. Hellier, Ruth, ed. Women Singers in Global Contexts: Music, Biography, Identity, Urbana, IL: University of Illinois Press, pp. 54-72.

W

Walsh, Stephen 2013. Musorgsky and his circle. London: Faber & Faber.

Walsh, Stephen 2013. Remembering 'The Rite of Spring' or "Ce que je n'ai pas voulu exprimer dans Le sacre du printemps". Danuser, Hermann and Zimmermann, Heidy, eds. Avatar of Modernity : The Rite of Spring Reconsidered, Basel: Paul Sacher Stiftung, pp. 155-173.

Williams, Jeremy Huw 2013. Serialism, modality and poetic rhetoric in Alun Hoddinott’s Five Poems of Gustavo Adolfo Bécquer, Op. 152 no. 2 (1994). PhD Thesis, Cardiff University.
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