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Number of items: 58.

B

Beard, David Jason 2013. Contrapuntal sublimations: Alberto Ginastera, 'String Quartet No. 1 op. 20' (1948); Johann Sebastian Bach, 'Three Fugues from Die kunst der Fuge BWV 1080' (arranged by Harrison Birtwistle, 2008); Dimitri Shostakovich, 'String Quartet No. 8, in C minor, op. 110' (1960); Maurice Ravel, 'String Quartet in F major' (1902-3; rev. 1910).[Programme essay for the Simon Bolivar String Quartet concert in the Mozarteum Grosser Saal, Salzburg Festival, 5/8/13]. Salzburg, Austria: Salzburg Festival.

Beard, David Jason 2013. Inner spirit: Harrison Birtwistle, 'Trio for violin, cello and piano' (2010); Gabriel Fauré, 'Piano Quartet No. 2 in G minor op. 45'; Birtwistle, 'Bourdon for violin and viola' (2009); Johannes Brahms, 'Piano Quartet No. 1 in G minor op. 25' {Programme essay for Capuçons and Friends in the Mozarteum Grosser Saal, Salzburg Festival, 22/8/13]. Salzburg, Austria: Salzburg Festival.

Beard, David Jason 2013. An introduction to Harrison Birtwistle's music. [Online]. London: Boosey and Hawkes. Available at: http://www.boosey.com/pages/cr/composer/composer_m...

Beard, David Jason 2013. 'The Minotaur' in context [Programme Essay]. The Minotaur, London: Royal Opera House, pp. 32-38.

Beard, David Jason 2013. New light on musical masters: Johannes Ockeghem, 'Ut heremita solus' (arranged by Harrison Birtwistle, 1969); Guillaume de Machaut, 'Hoquetus David' (arranged by Harrison Birtwistle,1969); George Benjamin, 'At First Light' (1982); Harrison Birtwistle, 'Bach Measures' (1996), 'Verses for Ensembles' (1968-9). [Programme essay for oenm in the Kollegienkirche, Salzburg Festival, 30/7/13]. Salzburg Festival.

Beard, David Jason 2013. Rites of passage: Harrison Birtwistle, 'Tombeau in memoriam Igor Stravinsky' (1971); 'Nine Settings of Celan' (1989-96); 'Cortege' (2007); 'Secret Theatre' (1984). [Programme essay for Klangforum Wien concert at the Kollegienkirche, Salzburg Festival, 31/7/13]. Salzburg Festival.

Beard, David Jason 2013. The silk house tattoo [Programme Note for London Sinfonietta]. Arconis International Brass Event: Brass Without Boundaries, Cardiff: St. David's Hall, n/a.

Beard, David Jason 2013. Zurück in Die Zukunft: Gawain. Salzburg: Salzburg Festival.

Bickerton, Daniel 2013. Caution. Daniel Bickerton.

Bickerton, Daniel 2013. Firmly Grounded. Daniel Bickerton.

Bickerton, Daniel 2013. The Panther of Lugash. Daniel Bickerton.

Bickerton, Daniel 2013. Stand Up. Composer.
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Bickerton, Daniel 2013. Unintentional Art of Glass. Daniel Bickerton.

Bizet, George 2013. Carmen. [Musical Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie. Edition Peters.

C

Cenciarelli, Carlo 2013. At the margins of the televisual: picture frames, loops and ‘cinematics’ in the paratexts of opera videos. Cambridge Opera Journal 25 (2) , pp. 203-223. 10.1017/S0954586713000074

Cenciarelli, Carlo 2013. "What Never Was Has Ended": Bach, Bergman and the Beatles in Christopher Münch’s 'The Hours and Times'. Music and Letters 94 (1) , pp. 119-137. 10.1093/ml/gct038

Chapin, Keith 2013. Bach's silence, Mattheson's words: professional and humanist ways of speaking of music. In: Chapin, Keith and Clark, Andrew H. eds. Speaking of Music: Addressing the Sonorous, New York: Fordham University Press, pp. 74-111.

Chapin, Keith 2013. Le contrepoint et ses logiques tonales au tournant du dix-neuvième siècle. In: Gonnard, Henri ed. Regards sur la tonalité / Perspectives on Tonality, Sampzon: Editions Delatour, pp. 197-210.

Chapin, Keith and Clark, Andrew H. 2013. Speaking of music: a view across disciplines and a lexicon of topoi. In: Chapin, Keith and Clark, Andrew H. eds. Speaking of Music: Addressing the Sonorous, New York: Fordham University Press,

Crown, Helen 2013. Lewis Granom: His significance for the flute in the eighteenth century. PhD Thesis, Cardiff University.
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F

Faria Gomes, Pedro 2013. Approaches to composition. Presented at: Research Training for Doctoral Students, Royal College of Music, London, UK, 23 January 2013.

Faria Gomes, Pedro 2013. Tereza's dreams. [Score]. Pedro Faria Gomes.

H

Hall, Matthew 2013. Portfolio of original compositions. PhD Thesis, Cardiff University.
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Hamilton, Kenneth 2013. The embarrassment of influence: Liszt, Paris and posterity. In: Haine, Malou, Dufetel, Nicolas, Gooley, Diana and Kregor, Jonathan eds. Liszt et La France: Musique, culture et société dans l'Europe du XIXe siècle, Musicologies, Paris: Editions Vrin, pp. 59-79.

Hill, Sarah 2013. Book Review. Alice Echols, hot stuff: disco and the remaking of American culture. Popular Music 32 (1) , pp. 133-135. 10.1017/S0261143012000657

Hill, Sarah 2013. Choreographing 'In C'. Presented at: Left Coast Minimalism: 4th International Conference on Minimalist Music, Long Beach, CA, 3-6 October 2013.

Hill, Sarah 2013. Choreographing In C. Presented at: 4th International Conference on Music and Minimalism, Long Beach, CA, USA, 3-6 October 2013.

Hill, Sarah 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013.

Hill, Sarah 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013.

Hill, Sarah 2013. Ending it all: Genesis and revelation. Popular Music 32 (2) , pp. 197-221. 10.1017/S0261143013000044
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Hill, Sarah 2013. The Heritage of failure: marginal Welsh Pop in the capital city. Presented at: Bridge Over Troubled Waters: Challenging Orthodoxies: 17th IASPM International Conference, Oviedo, Spain, 24-28 June 2013.

Hill, Sarah 2013. The heritage of failure: Marginal Welsh pop in the capital city. Presented at: IASPM 17th Biennial Conference: Bridge Over Troubled Waters: Challenging Orthodoxies, Oviedo, Spain, 24-28 June 2013.

Hill, Sarah 2013. "This is my country": American popular music and political engagement in 1968. In: Kutschke, Beate and Norton, Barley eds. Music and Protest in 1968, Music since 1900, Cambridge: Cambridge University Press, pp. 46-63.

J

Jones, David Wyn 2013. Haydn, Austria and Britain: Music, culture and politics in the 1790s. In: Chesser, Richard and Jones, David Wyn eds. The Land of Opportunity: Joseph Haydn and Britain, London: British Library, pp. 1-21.

Jones, Nicholas 2013. Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013.

Jones, Nicholas 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. The Cambridge Companion to Michael Tippett, Cambridge: Cambridge University Press, pp. 206-228.

M

Machin-Autenrieth, Matthew 2013. Andalucía flamenca: Music, regionalism and identity in southern Spain. PhD Thesis, Cardiff University.
Item availability restricted.
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O

O'Connell, John Morgan 2013. Alaturka: Style in Turkish music (1923-1938). SOAS Musicology Series, Aldershot: Ashgate.

O'Connell, John Morgan 2013. Beste. In: Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett eds. Encyclopaedia of Islam, Three, Brill, pp. 52-53. (10.1163/1573-3912_ei3_COM_24017)

O'Connell, John Morgan 2013. Pir Sultan Abdal. In: Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett eds. Encyclopaedia of Islam, Three, Brill, pp. 135-136. (10.1163/1573-3912_ei3_COM_23910)

P

Ponsford, David Stewart 2013. Francois Couperin & Marc-Antoine Charpentier. [CD]. 2013. ID number: NI 6225.

Ponsford, David Stewart 2013. Francois Couperin & Pierre Du Mage. [CD]. 2013. ID number: NI 6213.

R

Rae, Caroline 2013. Dutilleux and Lutosławski: Franco-Polish connections. In: Mantzourani, Eva ed. Polish Music since 1945, Krakow: Musica Iagellonica, pp. 147-162.

Rae, Caroline 2013. Messiaen and Ohana: parallel preoccupations or anxiety of influence? In: Dingle, Christopher and Fallon, Robert eds. Messiaen perspectives 2: Techniques, influence and reception, Farnham: Ashgate, pp. 153-174.

Rae, Caroline 2013. Messiaen and the romantic gesture: Contemplations on his piano music and pianism. In: Dingle, Christopher and Fallon, Robert eds. Messiaen perspectives 1: Sources and influences, Farnham: Ashgate, pp. 235-256.

Rowden, Clair Sophie 2013. Choral music and music making in France. In: Di Grazia, Donna M. ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, Abingdon. Oxon: Routledge, pp. 205-212.

Rowden, Clair Sophie 2013. Introduction. In: Rowden, Clair Sophie ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 1-14.

Rowden, Clair Sophie 2013. Jann Pasler, ed., Camille Saint-Saëns and his world. Princeton and Oxford: Princeton University Press, 2012. [Book Review]. H-France Review 13 (40) , pp. 1-7.

Rowden, Clair Sophie 2013. Memorialisation, commemoration and commodification: Massenet and caricature. Cambridge Opera Journal 25 (2) , pp. 139-163. 10.1017/S0954586713000049
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Rowden, Clair Sophie 2013. Whose/who's Salome? Natalia Trouhanowa, a dancing diva. In: Rowden, Clair Sophie ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 71-98.

S

Sierra, Arlene Elizabeth 2013. Avian mirrors. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth 2013. Butterflies remember a mountain. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth 2013. Cuatro Corridos: Dalia. [Score]. Cecilian Music.

Stowell, Robin 2013. The contribution of Geminiani's 'The art of playing on the violin' to "The improved state of the violin in England". In: Hogwood, Christopher ed. Geminiani Studies, Ad Parnassum Studies, Bologna: Ut Orpheus Edizioni, pp. 257-300.

V

Villepastour, Amanda 2013. Amelia Pedroso: The voice of a Cuban priestess leading from the inside. In: Hellier, Ruth ed. Women Singers in Global Contexts: Music, Biography, Identity, Urbana, IL: University of Illinois Press, pp. 54-72.

W

Walsh, Stephen 2013. Musorgsky and his circle. London: Faber & Faber.

Walsh, Stephen 2013. Remembering 'The Rite of Spring' or "Ce que je n'ai pas voulu exprimer dans Le sacre du printemps". In: Danuser, Hermann and Zimmermann, Heidy eds. Avatar of Modernity : The Rite of Spring Reconsidered, Basel: Paul Sacher Stiftung, pp. 155-173.

Williams, Jeremy Huw 2013. Serialism, modality and poetic rhetoric in Alun Hoddinott’s Five Poems of Gustavo Adolfo Bécquer, Op. 152 no. 2 (1994). PhD Thesis, Cardiff University.
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This list was generated on Tue Dec 7 02:50:26 2021 GMT.