Browse by Schools (complete)

A

Aijón Bruno, David 2023. Fryderyk Chopin’s art of piano fingering in context: Towards historically involved performance of the Etudes. PhD Thesis, Cardiff University. Item availability restricted.

Ayangbekun, Kawoleyin and Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Divining Ayan: an Orisa priest from Ogbomoso speaks. Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 51-73.

B

Barlow, Rachelle Louise 2017. Land of my mothers? Clara Novello Davies as 'Mam' and musician. Hartmann, Martha Joy Rose and Ross, Lynda, eds. Music and Motherhood, Demeter Press, pp. 121-137. (10.2307/j.ctt1zgb07s.12)

Barlow, Rachelle Louise 2011. Music in Welsh culture before 1650: a study of the principal sources. Ethnomusicology 55 (3) , pp. 511-516.

Barlow, Rachelle Louise 2015. The 'Land of Song': gender and identity in Welsh choral music, 1872-1918. PhD Thesis, Cardiff University. Item availability restricted.

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2015. 'The life of my music': What the sketches tell us. Beard, David, Gloag, Kenneth and Jones, Nicholas, eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 120-174. (10.1017/CBO9781316145326.007)

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2017. Listening to the river's roar: stance, texture and space in the concertos. Charlton, David, ed. The Music of Simon Holt, Suffolk: Boydell & Brewer, pp. 194-231. (10.1017/9781787440692.012)

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2019. Reconceptualising the performer in new music theatre: collaborations with actors, mimes and musicians. Adlington, Robert, ed. New Music Theatre in Europe: Transformations Between 1955–1975, Musical Cultures of the Twentieth Century, Abingdon and New York: Routledge, pp. 227-254. (10.4324/9780429451669-11)

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2019. 'Out of the air': Judith Weir's emergence in 1970s Britain, or interpreting creative self-censorship. Music and Letters 100 (3) , pp. 481-528. 10.1093/ml/gcz002

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2021. Musicology's crises of identity. Radovanovic, Bojana, Bralovic, Milos, Radivojevic, Maja, Lajic Mihajlovic, Danka and Medic, Ivana, eds. Shaping the Present through the Future: Musicology, Ethnomusicology, and Contemporaneity, Institute of Musicology SASA, pp. 13-36.

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2023. Sleevenotes from Prima Facie PFCD224 Scenes from Childhood: Piano works by Pedro Faria Gomes. [Online]. RECITATIVE – the Prima Facie Blog: Prima Facie. Available at: https://primafacie.ascrecords.com/blog/2023/11/23/...

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2024. '"Elective Affinities": Found objects, musical repurposing and concealed meanings in music by Judith Weir'. Presented at: John Bird Music Research Seminar, School of Music, Cardiff University, Cardiff, UK, 11 October 2023.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 1993. A 'seven year index' of The Musical Times, 1984-91. The Musical Times 134 (1804)

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2001. Reading pop: approaches to textual analysis in popular music Edited by Richard Middleton Oxford UP (Oxford, 2000); xi, 388pp; L40 / 14.99 pbk. ISBN 0 19 816612 5 / 0 19 816611 7. [Book Review]. The Musical Times 142 (1876) , pp. 70-71.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2001. Sonance 2000 [Programme Note]. BBC Proms Festival: Prom 64, London: BBC, p. 17.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2001. Tenebrae David: UK premiere [Programme Note]. BBC Proms Festival: Prom 64, London: BBC, pp. 5-6.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2001. 'From the mechanical to the magical': A pre-compositional plan for Birtwistle's 'Carmen Arcadiae Mechanicae Perpetuum'. Mitteilungen der Paul Sacher Stiftung 14 , pp. 29-33.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2003. Monuments and Miniatures [works by Kurtág, Birtwistle, and Beethoven]. Bellingham, Jane, ed. Aldeburgh Music Festival 2003, Aldeburgh: Aldeburgh Productions, pp. 39-41.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2003. The shadow of night: UK premiere [Programme Note]. BBC Proms Festival: Prom 72, London: BBC, pp. 5-7.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. Refrains and choruses [works by Davies and Birtwistle]. Bellingham, Jane, ed. Aldeburgh Music Festival 2004, Aldeburgh: Aldeburgh Productions, pp. 48-50.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. The endless parade: competing narratives in recent Birtwistle studies. Music Analysis 23 (1) , pp. 89-127. 10.1111/j.0262-5245.2004.00196.x

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. Britten's ambiguities; Tippett's times; Metzer's borrowings. Journal of the Royal Musical Association 129 (2) , pp. 305-323. 10.1093/jrma/129.2.305

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. Meta-narratives and multidimensional opera: Harrison Birtwistle's 'The Mask of Orpheus'. Markovic, Tatjana and Mikic, Vesna, eds. Music and Networking: The seventh international conference, Department of Musicology and Ethnomusicology, Faculty of Music, University of Arts, Belgrade., Beograd: Fakultet Muzicke Umetnosti, pp. 143-153.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. Review: Analyzing Popular Music [Book Review]. Music & Letters 86 (2) , pp. 325-328. 10.1093/ml/gci057

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. The shadow of opera: Dramatic narrative and musical discourse in Gawain. twentieth-century music 2 (2) , pp. 159-195. 10.1017/S1478572206000259

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Brimful of Asia: Negotiating Ethnicity on the UK Music Scene [Book Review]. Music & Letters 87 (3) , pp. 482-485. 10.1093/ml/gci223

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Aspects of British Music in the 1990s. Ed. by Peter O’Hagan. pp. xviii + 164. (Ashgate, Aldershot, 2003, £45. ISBN 0-7546-3041-2.) [Book Review]. Music & Letters 87 (1) , pp. 163-166. 10.1093/ml/gci161

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Alison Latham, ed., Sing, Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday (Aldershot: Ashgate, 2003), ISBN 0 7546 3497 3 (hb) [Book Review]. Twentieth-Century Music 3 (1) , pp. 150-154. 10.1017/S1478572207000370

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. "A face like music": Shaping images into sound in the second Mrs Kong. Cambridge Opera Journal 18 (3) , pp. 273-300. 10.1017/S0954586706002205

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Beauty and the beast: a conversation with Sir Harrison Birtwistle. The Musical Times 149 (1902) , pp. 9-25.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Opera by number [Programme Essay]. Punch & Judy, London: Royal Opera House, pp. 3-6.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. An opera of sinister charms and lyrical conceits: Richard Rodney Bennett's "The Mines of Sulphhur" [Programme Essay]. Wexford Opera Festival, Wexdord Opera, pp. 50-54.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Birtwistle's 'Labyrinth' [a preview of the Minotaur]? Opera 59 (4) , pp. 372-381.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. A Handbook to Twentieth-Century Musical Sketches, eds Patricia Hall and Friedemann Sallis [Book Review]. twentieth-century music 5 (2) , pp. 243-251. 10.1017/S1478572209990077

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Blurring the boundaries. Geschlechterbeziehungen und Körperbilder in Harrison Birtwistle's The Corridor und Semper Dowland, semper dolens. Berman, Laura, ed. Klang zu Gang Gedanken zur Musik in heutigen Theaterformen, Recherchen 73, Berlin: Theater der Zeit, pp. 37-48.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Carmen Arcadiae Mechanicae Perpetuum, Silbury Air and Verses for Ensembles (Prom 27). BBC Proms, London: BBC, pp. 6-11.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. From "Heroische Bogenstriche" to "Waldeinsamkeit": Gender and genre in Judith Weir's 'Heroic Strokes of the Bow'. Dichotonies. Gender and Music., American Studies - A Monograph Series, Heidelberg: Univesitatsverlag, Winter, pp. 77-96.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Birtwistle at 75: a continuing radical. BBC Proms Festival: Prom 27, London: BBC, pp. 3-5.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Taverner: An interpretation. Gloag, Kenneth and Jones, Nicholas, eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 79-105.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2010. The shadow of opera: dramatic narrative and musical discourse in Gawain. Notley, Margaret, ed. Opera After 1900, Vol. 6. The Ashgate Library of Essays in Opera Studies, Farnham: Ashgate, pp. 319-355.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2010. "Batter the doom drum": The music for Peter Hall's 'Oresteia' and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir. Brown, Peter and Ograjensek, Suzana, eds. Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press, pp. 369-397.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2011. La communication des emotions et des affects vocaux et instrumentaux: L'exemple de Punch and Judy. Le point de vue du musicologue. Acto: Le journal du cercle du Grand Théâtre et du Grand Théâtre de Genève 7 , pp. 12-14.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2012. Harrison Birtwistle's operas and music theatre. Music Since 1900, Cambridge: Cambridge University Press.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Contrapuntal sublimations: Alberto Ginastera, 'String Quartet No. 1 op. 20' (1948); Johann Sebastian Bach, 'Three Fugues from Die kunst der Fuge BWV 1080' (arranged by Harrison Birtwistle, 2008); Dimitri Shostakovich, 'String Quartet No. 8, in C minor, op. 110' (1960); Maurice Ravel, 'String Quartet in F major' (1902-3; rev. 1910).[Programme essay for the Simon Bolivar String Quartet concert in the Mozarteum Grosser Saal, Salzburg Festival, 5/8/13]. Salzburg, Austria: Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Inner spirit: Harrison Birtwistle, 'Trio for violin, cello and piano' (2010); Gabriel Fauré, 'Piano Quartet No. 2 in G minor op. 45'; Birtwistle, 'Bourdon for violin and viola' (2009); Johannes Brahms, 'Piano Quartet No. 1 in G minor op. 25' {Programme essay for Capuçons and Friends in the Mozarteum Grosser Saal, Salzburg Festival, 22/8/13]. Salzburg, Austria: Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. An introduction to Harrison Birtwistle's music. [Online]. London: Boosey and Hawkes. Available at: http://www.boosey.com/pages/cr/composer/composer_m...

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. 'The Minotaur' in context [Programme Essay]. The Minotaur, London: Royal Opera House, pp. 32-38.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. New light on musical masters: Johannes Ockeghem, 'Ut heremita solus' (arranged by Harrison Birtwistle, 1969); Guillaume de Machaut, 'Hoquetus David' (arranged by Harrison Birtwistle,1969); George Benjamin, 'At First Light' (1982); Harrison Birtwistle, 'Bach Measures' (1996), 'Verses for Ensembles' (1968-9). [Programme essay for oenm in the Kollegienkirche, Salzburg Festival, 30/7/13]. Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Zurück in Die Zukunft: Gawain. Salzburg: Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Rites of passage: Harrison Birtwistle, 'Tombeau in memoriam Igor Stravinsky' (1971); 'Nine Settings of Celan' (1989-96); 'Cortege' (2007); 'Secret Theatre' (1984). [Programme essay for Klangforum Wien concert at the Kollegienkirche, Salzburg Festival, 31/7/13]. Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. The silk house tattoo [Programme Note for London Sinfonietta]. Arconis International Brass Event: Brass Without Boundaries, Cardiff: St. David's Hall, n/a.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2015. A selected inventory of Birtwistle manuscripts acquired by the British Library in 2013. Harrison Birtwistle Studies, Cambridge Composer Series, Cambridge: Cambridge University Press, pp. 304-309.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Birtwistle, Harrison 2017. Deep Time [Composer note]. Boosey & Hawkes.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Gloag, Kenneth 2005. Musicology: the key concepts. Routledge Key Guides, London: Routledge.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Gloag, Kenneth 2016. Musicology: the key concepts. 2nd edition. Routledge.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Spiric Beard, Danijela 2008. The liminality of song: illusion and reality in the films of Emir Kusturica. Texte und Töne: Zeitschrift zum Kopfschütteln 1 (1) , pp. 50-57.

Bennett, Emily 2022. Diagnosing Lucia: The representation of female madness in nineteenth-century Italian opera. PhD Thesis, Cardiff University. Item availability restricted.

Biber, Heinrich Ignaz Franz Ponsford, David Stewart, ed. 2007. Mystery (rosary) sonatas for violin and continuo. Ut Orpheus, Bologna.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2003. Dreaming. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2004. Foreboding. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2004. Through Their Eyes. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2005. Genesis. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2005. Woodpeckers. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2006. Etifeddiaeth. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2006. Fanfare for Gwent. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2006. Ocean Sketch. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2007. Apokaluptein. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2007. For a Moment. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2007. Medusa, Vallejo. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2007. On The Edge. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2007. An Oracle of Earthly and Divine Authority. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2007. Phoenix. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2007. Prayer. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2007. States of Mind. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2008. The Court Jester. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2008. A Suite of Eastern Expression. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2009. Epiphany. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2009. Lunarscape. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2009. Nocturne. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2010. The meaning of Alex. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2010. When The Stakes Are High. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2010. Whimsical. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2011. Delivered. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2011. Ecclesiastical musings. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2011. Equation. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2011. This Masquerade. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2012. Blaenwern. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2012. Garuda. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2012. Save Our Chariots. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2012. Three Children's pieces. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. Caution. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. Firmly Grounded. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. The Panther of Lugash. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. Stand Up. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2013. Unintentional Art of Glass. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. The Cause. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Evening Dew. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Inward Thinking. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Let's Do It Again. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Redux Shone Through Time. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Ballad. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Eclipse. Edited by Davis, Alexander. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Invictus. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Textbook. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Two mourning angels [Tyne Cot Sketches: I]. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Weather By Funk. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2016. #CONNECT. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2016. Even though it's breaking, imagine! [Score].

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2017. Mad About ThaT. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2017. The pitch within. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2017. Sea of Stone [Tyne Cot Sketches: II]. [Score]. Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2018. Flypast. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2018. Simmer down. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2018. Learn Plus: Advantages in formative assessments. Presented at: Cardiff University Education Innovation Week, Cardiff, UK, 23 January 2018.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2018. Assessment and feedback challenges in music. Presented at: Assessment Challenges and Challenging Assessment, Cardiff, UK, 24 September 2018.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2018. The opportunities of Panopto within the School of Music. . Cardiff: Cardiff University Centre for Education Innovation. Available at: https://www.youtube.com/watch?v=gnw6gdTKlIk

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2019. nighTrain. Orchestras for All.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2019. Smile. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2019. By Gosh, By Golly. [Score]. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. As Alive As Ever. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Breaker of Stones. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Breaking down barriers to online music-making. Presented at: Music Mark Annual Conference, Online, 22 October 2020.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Call me to you: for solo oboe. Ty Cerdd.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Ensemble music-making: responding to the challenges of COVID-19 for performers and composers. Presented at: MusicHE 2020, Online, 3 July 2020.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Roots. Orchestras For All.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. We will dance again. Cardiff University.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. What heights of love: for violin and piano. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Wild Water. Orchestras for All.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Wires Crossed. Clarcon.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Yearning. Ty Cerdd.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2021. Into the rare: for two clarinets. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2021. Sinuous grace: for solo piano. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2021. "the women danced but the king was afraid" (2021) for baroque violin and cello. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Challenging tradition: Transforming assessment in higher education music. Presented at: MusicHE Annual Conference, Online, 3 May 2022.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Composing music in Wales: Sound and style. Presented at: International Lecture, Jagiellonian University, Krakòw, Poland, 14 June 2022.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Confremant Saecula Studentum, Evans (1909) arr. Bickerton (2022). Cardiff University.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Consolation: for soprano saxophone and piano. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Fogbow for two pianos. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Nothing new here! Composing with counterpoint: Challenge and freedom. Presented at: International Lecture, Jagiellonian University, Krakòw, Poland, 13 June 2022.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Together again: for orchestra. Cardiff University.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Weather By Funk II (2022) for big band. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 and Allen, Paul ORCID: https://orcid.org/0000-0002-9015-9677 2017. Cardiff - Capital city of Wales. . Cardiff: Cardiff University. Available at: https://www.youtube.com/watch?v=UqicqIMGGpI

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 and Gornall, Lynne 2018. Playing together: What can academics in higher education learn from musicians about creative leadership and collaboration? Gornall, Lynne, Thomas, Brychan and Sweetman, Lucy, eds. Exploring Consensual Leadership in Higher Education, London: Bloomsbury, pp. 243-262.

Bizet, George 2013. Carmen. [Musical Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864. Edition Peters.

Bizet, George 2014. Carmen. [Musical Score: Vocal Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864. London: Edition Peters.

Boleslawska-Lewandowska, Beata 2009. Symphony and symphonic thinking in Polish music after 1956. PhD Thesis, Cardiff University.

Boyd, Blair Elizabeth 2019. Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary. PhD Thesis, Cardiff University. Item availability restricted.

Bray, Fleur 2021. Vocal composition from a singer’s point of view. PhD Thesis, Cardiff University. Item availability restricted.

Bromley, Matthew 2020. Formations – Music from rocks: New approaches to systematic composition. PhD Thesis, Cardiff University. Item availability restricted.

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Calo, Francesca, Steiner, Artur, Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 and Teasdale, Simon 2020. The impact of a community‐based music intervention on the health and well‐being of young people: A realist evaluation. Health and Social Care in the Community 28 (3) , pp. 988-997. 10.1111/hsc.12931

Campbell, Edward and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Debussy’s influence since 1945: French compositional descendancies. Code, David and Kelly, Barbara L., eds. Debussy Studies 2, Cambridge: Cambridge University Press,

Carew, Derek 2001. The consumption of music. Jim, Samson, ed. The Cambridge History of Nineteenth-Century Music, Cambridge: Cambridge University Press, pp. 237-258. (10.1017/CHOL9780521590174.010)

Carew, Derek 2005. Hummel's Op. 81: a paradigm for Brahms's Op.2? Ad Parnassum 3 (6) , pp. 133-156.

Carew, Derek 2007. The companion to the mechanical muse: the piano, pianism and piano music, c.1760–1850. Aldershot: Ashgate.

Carew, Derek 2007. The mechanical muse: the piano, pianism and piano music c. 1760-1850. Aldershot: Ashgate.

Carr, James, Power, Martin and Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 2017. More than a game: football, politics and popular culture. Brainstorm

Caton, Anke Theresa 2011. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. PhD Thesis, Cardiff University.

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2025. Falstaff in Brixton: The humour and ironies of Opera 'Live in HD'. Fuchs, Sarah and Zechner, Ingeborg, eds. Mediality in Music Theatre, Music and Mediality, Rombach Wissenschaft,

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2025. Spectacular silence and the ends of moviegoing: The cinema as A Quiet Place (ca. 2021). Music, Sound, and the Moving Image Item availability restricted.

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2006. The case against Nyman revisited: “affirmative” and “critical” evidence in Michael Nyman’s appropriation of Mozart. Radical Musicology 2006 (1) , 84 pars.

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2009. Off key: when film and music won't work together. By Kay Dickinson [Book Review]. Music and Letters 90 (2) , pp. 320-322. 10.1093/ml/gcn123

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2011. Bach and cigarettes: imagining the everyday in Jarmusch’s Int. Trailer. Night. Twentieth-Century Music 7 (2) , pp. 219-243. 10.1017/S147857221100017X

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2012. Dr Lecter’s taste for 'Goldberg', or: the horror of Bach in the Hannibal franchise. Journal of the Royal Musical Association 137 (1) , pp. 107-134. 10.1080/02690403.2012.669929

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2013. "What Never Was Has Ended": Bach, Bergman and the Beatles in Christopher Münch’s 'The Hours and Times'. Music and Letters 94 (1) , pp. 119-137. 10.1093/ml/gct038

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2013. At the margins of the televisual: picture frames, loops and ‘cinematics’ in the paratexts of opera videos. Cambridge Opera Journal 25 (2) , pp. 203-223. 10.1017/S0954586713000074

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2014. Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione. Presented at: Convegno internazionale di studi: Donizetti in scena. Vedere l’opera, Bergamo, 12-14 October 2012. Published in: Fornoni, Federico ed. Donizetti in scena : attualità det testo-spettacolo : atti del Convegno internazionale, Bergamo, 12-14 ottobre 2012. Bergamo: Fondazione Donizetti,

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2015. 'Warped singing': opera from cinema to YouTube. Vincent, Delphine, ed. Verdi on Screen, Lausanne: L'Age d'Homme, pp. 251-267.

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2016. The limits of operatic deadness. Cambridge Opera Journal 28 (2) , pp. 221-226. 10.1017/S0954586716000276

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2018. The sense of an ending: music, time and romance in Before Sunrise. Bayman, L. and Pinazza, N., eds. Journeys on Screen: Theory, Ethics and Aesthetics, Edinburgh: Edinburgh University Press, pp. 167-182.

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2021. iPod listening as an I-voice: solitary listeners and imagined interlocutors across cinema and personal stereos. Cenciarelli, Carlo, ed. The Oxford Handbook of Cinematic Listening, Oxford Handbooks, Oxford: Oxford University Press, pp. 669-689. (10.1093/oxfordhb/9780190853617.013.35)

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2021. The possibilities of cinematic listening - an introduction. Cenciarelli, Carlo, ed. The Oxford Handbook of Cinematic Listening, Oxford University Press, pp. 1-26. (10.1093/oxfordhb/9780190853617.013.1)

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2023. 'Hello darkness, my old friend': The company of music in a cinema of (shared) loneliness. New Formations 2023 (109) , pp. 29-46. 10.3898/NEWF:109.03.2023

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2006. Classicist terms of sublimity: Christian Friedrich Michaelis, fugue, and fantasy. Ad Parnassum 4 (8) , pp. 115-139.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2006. Labor and metaphysics in Hindemith's and Adorno's statements on counterpoint. Hoeckner, B., ed. Apparitions: New Perspectives on Adorno and Twentieth-Century Music, Studies in Contemporary Music and Culture, London: Routledge, pp. 19-40.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2006. Lost in quotation: the nuances behind E. T. A. Hoffmann's programmatic statements. 19th-Century Music 30 (1) , pp. 44-64. 10.1525/ncm.2006.30.1.044

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2006. Strict and free reversed: the law of counterpoint in Koch's Musikalisches Lexikon and Mozart's Zauberflöte. Eighteenth-Century Music 3 (1) , pp. 91-107. 10.1017/S1478570606000509

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2008. Scheibe’s mistake: sublime simplicity and the criteria of classicism. Eighteenth-Century Music 5 (2) , pp. 165-177. 10.1017/S1478570608001474

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2009. Alexandre Pierre François Boëly (1785-1858), ses contemporains et le style sévère, conservatoire à rayonnement régional de Paris, 4-5 décembre 2008 [Conference report]. Eighteenth-Century Music 6 (2) , pp. 306-309. 10.1017/S1478570609990340

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2009. Sublime experience and ironic action: E. T. A. Hoffmann and the use of music for life. Chapin, Keith and Kramer, Lawrence, eds. Musical Meaning and Human Values, New York: Fordham University Press, pp. 32-58.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2010. John T. Hamilton, Music, madness and the unworking of language. New York: Columbia University Press, 2008 pp. xviii + 252, ISBN 978023142205 [Book Review]. Eighteenth-Century Music 7 (01) , pp. 114-117. 10.1017/S1478570609990510

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2010. Time and the keyboard fugue. 19th-Century Music 34 (2) , pp. 186-207. 10.1525/ncm.2010.34.2.186

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2011. Counterpoint: From the bees or for the birds? Telemann and early eighteenth-century quarrels with tradition. Music and Letters 92 (3) , pp. 377-409. 10.1093/ml/gcr036

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2011. 'A harmony or concord of several and diverse voices': Autonomy in 17th-Century German music theory and practice. International Review of the Aesthetics and Sociology of Music (IRASM) 42 (2) , pp. 219-255.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2013. Le contrepoint et ses logiques tonales au tournant du dix-neuvième siècle. Gonnard, Henri, ed. Regards sur la tonalité / Perspectives on Tonality, Sampzon: Editions Delatour, pp. 197-210.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2013. Bach's silence, Mattheson's words: professional and humanist ways of speaking of music. Chapin, Keith and Clark, Andrew H., eds. Speaking of Music: Addressing the Sonorous, New York: Fordham University Press, pp. 74-111.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Temporal modes and symbolic stakes: strict composition in early Nineteenth-Century Europe. Musurgia 21 (1) , pp. 29-41. 10.3917/musur.141.0029

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Classicism/neo-classicism. Downes, Stephen, ed. Aesthetics of Music: Musicological Perspectives, Abingdon and New York: Routledge, pp. 144-169.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Learned style and learned styles. Mirka, Danuta, ed. The Oxford Handbook of Topic Theory, Oxford Handbooks Online, Oxford University Press, (10.1093/oxfordhb/9780199841578.013.0012)

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2015. Antoine Reicha and the three identities of the learned musician. Raymond, Louise Bernard de, Bartoli, Jean-Pierre and Schneider, Herbert, eds. Antoine Reicha, compositeur et theoricien: Actes du colloque international tenu à Paris du 18 au 20 avril 2013, George Olms Verlag, pp. 109-118.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2015. Sublime néoclassique et sublime rhétorique: La réception musicale des Odes et mélodies spirituelles (1757) de Christian Fürchtegott Gellert. Hachie, Sophie and Favier, Thierry, eds. À la croisée des arts: Sublime et musique religieuse en Europe (XVIIe-XVIIIe siècles), Paris: Classiques Garnier, pp. 165-185.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2016. The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music.By Wye Jamison Allanbrook [Book Review]. Music and Letters 97 (1) , pp. 165-167. 10.1093/ml/gcv111

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2017. The visual traces of a discourse of ineffability: late Eighteenth-Century German published writings on music. Eisen, Cliff and Davison, Alan, eds. Late Eighteenth-Century Music and Visual Culture, Music and Visual Cultures, Turnhout: Brepols, pp. 123-153.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2019. Nid darbwyllo ond llesmeirio: Yr aruchel yn ei gyd-destun Cymreig. O'r Pedwar Gwynt

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2020. Beethoven's nature: idealism and sovereignty from an ecocritical perspective. Chapin, Keith and Jones, David Wyn, eds. Beethoven Studies 4, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 103-120.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2021. The emergence of musical romanticism. Taylor, Benedict, ed. The Cambridge Companion to Music and Romanticism, Cambridge Companions to Music, Cambridge University Press, pp. 17-34. (10.1017/9781108647342.004)

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2022. 'Heinrich Christoph Koch: Musikalisches Lexikon'. Wörner, Felix and Wald-Fuhrmann, Melanie, eds. Lexikon Schriften über Musik. Band 2: Musikästhetik in Europa und Nordamerika, Kassel and Berlin: Bärenreiter/Metzler, pp. 444-447.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 and Clark, Andrew H. 2013. Speaking of music: a view across disciplines and a lexicon of topoi. Chapin, Keith and Clark, Andrew H., eds. Speaking of Music: Addressing the Sonorous, New York: Fordham University Press,

Charest, Jeffrey Paul 2019. The long necked lute’s eternal return: Mythology, morphology, iconography of the Tanbūr Lute family from Ancient Mesopotamia to Ottoman Albania. PhD Thesis, Cardiff University. Item availability restricted.

Charuprakorn, Poumpak 2020. The use of registral spacing and rhythmic density as musical trajectories in a portfolio of original compositions - Volume 1 of 2: Portfolio of original compositions. PhD Thesis, Cardiff University. Item availability restricted.

Charuprakorn, Poumpak 2020. The use of registral spacing and rhythmic density as musical trajectories in a portfolio of original compositions - Volume 2 of 2: Academic Commentary. PhD Thesis, Cardiff University. Item availability restricted.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2010. New light and the man of might: revisiting early interpretations of Die Zauberflöte. Cowgill, Rachel, Cooper, David and Brown, Clive, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 194-221.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2010. The works of Julian Rushton. Cowgill, Rachel, Cooper, David and Brown, Clive, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 385-391.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2011. Canonizing remembrance: Music for Armistice Day at the BBC, 1922–7. First World War Studies 2 (1) , pp. 75-107. 10.1080/19475020.2011.555499

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2012. 'Attitudes with a shawl': performance, femininity, and spectatorship at the Italian opera in early nineteenth-century London. Cowgill, Rachel and Poriss, Hilary, eds. The Arts of the Prima Donna in the Long Nineteenth Century, New York: Oxford University Press, pp. 217-251.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2012. Performance alfresco: Music-making in English pleasure gardens. Conlin, Jonathan, ed. The Pleasure Garden: From Vauxhall to Coney Island, Penn Studies in Landscape Architecture, Philadephia, PA: University of Pennsylvania Press, pp. 100-126.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039, Cooper, David and Brown, Clive 2010. Introduction. Cowgill, Rachel, Cooper, David and Brown, Clive, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 1-10.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 and Dideriksen, Gabriella 2008. Opera Orchestras in Georgian and Early Victorian London. Jensen, Niels Martin and Piperno, Franco, eds. The Opera Orchestra in 18th- and 19th Century Europe: Vol. I: The Orchestra in Society, Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation, Berlin: Berliner Wissenschafts-Verlag, pp. 259-321.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 and Poriss, Hilary 2012. Introduction. Cowgill, Rachel and Poriss, Hilary, eds. The Arts of the Prima Donna in the Long Nineteenth Century, New York: Oxford University Press, xxvii-xlvi.

Cox, Owen 2016. The interpretation of unusual dynamic markings in Beethoven’s string quartet in Bb Major, Op. 130: a study of selected twentieth-century recordings. PhD Thesis, Cardiff University. Item availability restricted.

Crown, Helen 2013. Lewis Granom: His significance for the flute in the eighteenth century. PhD Thesis, Cardiff University. Item availability restricted.

Curry, Ben John 2011. Reading conventions, interpreting habits: Peircian semiotics in music. PhD Thesis, Cardiff University.

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Davis, Benjamin 2019. ‘Performing realism’: A practice-led study of contemporary realism in the staging of opera. PhD Thesis, Cardiff University. Item availability restricted.

Devaux, Vanessa 2014. Joseph Mayseder (1789-1863): A Viennese violinist and composer. PhD Thesis, Cardiff University. Item availability restricted.

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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Scenes from childhood: Piano works by Pedro Faria Gomes. [CD]. 26 January 2024. ID number: PFCD224. Available at: https://primafacie.ascrecords.com/scenes_childhood...

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Dialogues in composition: Engaging with the ‘great conversation’ in new music. Presented at: Composition Forum, University of Bristol, Bristol, UK, 6 Feb 2024.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Composing in dialogue: Quotation, paraphrase and transformation of idioms in works by Pedro Faria Gomes. Presented at: Composition Forum, University of Illinois, Urbana, IL, USA, 27 Feb 2024.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Composição em Diálogo: Citação e Paráfrase em Suite J e Sonatina. Presented at: Composition Seminar, University of São Paulo, São Paulo, Brazil, 23 Apr 2024.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Composição em Diálogo: Citação, Paráfrase e Transformação de Idiomas em Obras de Pedro Faria Gomes. Presented at: Composition Seminar, State University of Campinas (UNICAMP), Barão Geraldo, SP, Brazil, 25 Apr 2024.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 1997. Prelúdio em Mi Bemol. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 1999. Psalmus 3. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 1999. Romanza e Rondo. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 1999. Viva o Entrudo! [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2000. Campainhada. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2000. Fantasy on a Theme by Copland. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2000. Séptuor. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2001. Quatro Peças. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2001. Sinfonietta. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2002. Duas Fantasias. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2002. Nobre Povo. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2003. Crónica de Dor e Morte. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2003. Variações-Fantasia. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2004. Cinco Canções Breves. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2005. À Memória de Anarda. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2005. Romanza e Rondo. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2005. Uma Cantata Portuguesa. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2006. À Memória de Anarda. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2006. O Violino Cigano. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2007. Como se Faz Cor-de-Laranja. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2007. Dark Chamber. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2007. Díptico. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2007. Elegia. [Score]. AvA Musical Editions.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2007. Escape. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2008. Drive. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2008. Epigrama. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2008. Thanatos. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2009. Espera. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2009. Sleeping. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2009. Three Pieces for Wind Quintet. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2010. Dual. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2010. Nachtmusik. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2010. Returning. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2010. Three Reflections from Inscriptions. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2011. Contours. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2012. Contraluz. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2012. Dual. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2012. Memória. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2012. Toys and Games. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2013. Tereza's dreams. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2013. Approaches to composition. Presented at: Research Training for Doctoral Students, Royal College of Music, London, UK, 23 January 2013.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. Creating harmonic functionality in post-tonal music: a composer's perspective. Royal College of Music.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. Function and meaning: the influence of Kundera's 'Ignorance' on 'Returning' for violin, clarinet and piano. Presented at: Music Literature, Historiography and Aesthetics, Institute of Musical Research, London, UK, 17-18 July 2014.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. How beastly the bourgeois is. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2015. Canções do Quadrante. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2016. ELA. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2016. Pinguins. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2017. Evening. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2018. Analytical reductions. Presented at: Research Training for Doctoral Students, Royal College of Music, London, UK, 11 January 2018.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2018. Sonata. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2018. Tableaux. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2020. Pedro Faria Gomes: chamber works (Performed by Miguel Fernandes, Nancy Johnson, Saul Picado, Carla Santos and Sarah Thurlow). [CD]. 31 January 2020. ID number: 8.579029. Available at: https://www.naxos.com/catalogue/item.asp?item_code...

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2021. Partita. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2021. Suite J. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2021. The Ways of Time. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2023. Sonatina. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X and Costa, Luiz 2008. Poema. [Score]. AvA Musical Editions.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X and Godinho, José Carlos 2003. À Procura de um Pinheiro. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X and Sousa, Paulo 2002. Rapsódia. [Score]. Pedro Faria Gomes.

Febrer Coll, Eulalia 2018. ‘Evolved’ traditions: The role of music in contemporary spiritual practices. PhD Thesis, Cardiff University. Item availability restricted.

Ferreira, Ana Beatriz 2022. The Joly Braga Santos Piano Concerto (1973) and its pivotal role in the evolution of his pianism. PhD Thesis, Cardiff University. Item availability restricted.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2021. Pier Music. [Multiple performances (including live stream of premiere on Youtube) and Printed Score]. Composers Edition.

Fokkens, Rob ORCID: https://orcid.org/0000-0003-4645-0616 2015. The Application.

Fokkens, Rob ORCID: https://orcid.org/0000-0003-4645-0616 2015. Hoerikwaggo.

Fokkens, Rob ORCID: https://orcid.org/0000-0003-4645-0616 2016. On quietude and dancing.

Fokkens, Rob ORCID: https://orcid.org/0000-0003-4645-0616 2017. A darkness insinuating: for chamber orchestra. Composers Edition.

Fokkens, Rob ORCID: https://orcid.org/0000-0003-4645-0616 2018. Dances and chorales: for two violins and electronics. [Performance and Score]. Composers Edition.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2008. "Tracing Lines" for violin and cello. [Score and performance]. Composer.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2008. Cycling to Langa (for alto/bass quarter-tone flutes and electronics). [Score and performance]. Composer.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2009. "Glimpses of a half-forgotten future" for clarinet quartet. [Score (hard copy, PDF and Sibelius files) and performance]. Composer.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2011. Mammals of Southern Africa for piano trio. [Score]. Composer.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2012. "Flytrap" for SSA vocal trio. [Score (hard copy, PDF and Sibelius files) and performances]. Composer.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2012. Pentecost for soprano, baritone and recorders. [Score].

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2014. Worry/Don't Worry. [Performances and Published score]. Composers Edition.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2014. Mzansi nights. [Performance AND Published score]. Composers Edition.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2016. Reaching, falling.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2016. Two songs.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2017. Capriccio Variations.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2018. Reaching, Falling. [Composition].

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2021. Bhekizizwe. [Score]. Composers Edition.

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Gardner, Cameron 2008. Distancing the heroic: Schubert's Piano Sonata in D major (D. 850). Reul, Barbara M. and Bodley, Lorraine Bryne, eds. The Unknown Schubert, Ashgate, pp. 177-99.

Gardner, Cameron 2008. Franz Schubert (1797-1828) The Unauthorized Piano Duos. Volume 2: The Gahy Friendship. Trio in B-Flat, D. 898, Sonata in A Minor, D. 821, arranged for piano duet by Josef Von Gahy Anthony Goldstone and Caroline Clemmow, piano duet. Divine Art Record Co. 25039, 2006; 70 minutes [CD Review]. Eighteenth-Century Music 5 (1) , pp. 132-134. 10.1017/S1478570608001309

Gardner, Cameron 2008. Schubert in the European imagination: Fin-de-siècle Vienna, vol. 2 by Scott Messing [Book Review]. Eighteenth-Century Music 5 (2) , pp. 247-250. 10.1017/S1478570608001528

Gardner, Cameron 2016. (Re-)Theorising Schubert's 'Reliquie': precedents, the 'Great' Symphony, and narrative. Bryne Bodley, Lorraine and Horton, Julian, eds. Rethinking Schubert, New York: Oxford University Press, pp. 147-172.

Gardner, Cameron. 2006. Towards a hermeneutic understanding of Schubert's 1825 piano sonatas : constructing and deconstructing interpretation from expressive opposition. PhD Thesis, Cardiff University.

Gemolo, Matteo 2021. Affect is no crime – Technical and aesthetic perspectives on the contemporary traverso repertoire. PhD Thesis, Cardiff University. Item availability restricted.

Gentili, Barbara 2017. Early recordings, audiences and celebrities. Rowland, David and Barlow, Helen, eds. Listening to Music: People, Practices and Experiences, The Open University,

Gentili, Barbara 2021. The changing aesthetics of vocal registration in the age of versimo. Music and Letters 102 , pp. 54-79. 10.1093/ml/gcaa029

Gentili, Barbara 2021. The modern soprano: Performing the Donna Nova in Early Twentieth-Century Italy. Papers of the British School at Rome 89 , pp. 365-366. 10.1017/S0068246221000179

Gentili, Barbara 2021. The birth of 'modern' vocalism: The paradigmatic case of Enrico Caruso. Journal of the Royal Musical Association 146 (2) , pp. 425-453. 10.1017/rma.2021.11

Gloag, Kenneth 2001. Situating the 1960s: popular music - postmodernism - history. Rethinking History 5 (3) , pp. 397-410. 10.1080/1364250110078514

Gloag, Kenneth 2003. 'Russian Rites: Petrushka, Rite of Spring, Les Noces'. Jonathan, Cross, ed. The Cambridge Companion to Stravinsky, Cambridge University Press, pp. 79-97.

Gloag, Kenneth 2003. 'Gottfried von Einem and the Contexts of Modernism'. Presented at: Proceedings of Gottfried von Einem Congress Vienna 1998,

Gloag, Kenneth 2008. Nicholas Maw: Odyssey. Landmarks in Music since 1950, Aldershot: Ashgate.

Gloag, Kenneth 2009. Questions of form and genre in Peter Maxwell Davies's First Symphony. Gloag, Kenneth and Jones, Nicholas, eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 129-150.

Gloag, Kenneth 2011. 'Nicholas Maw's Breakthrough: Scenes and Arias Reconsidered. Musical Times 152 (1915) , pp. 31-57.

Gloag, Kenneth 2012. Postmodernism in music. Cambridge Introductions to Music, Cambridge: Cambridge University Press.

Gloag, Kenneth 2014. Jazz-avant-garde-tradition. Downes, Stephen, ed. Aesthetics of Music: Musicological Perspectives, London: Routledge, pp. 188-202.

Gloag, Kenneth 2015. 'A thing of the past': Canon formation and the postmodern condition. Kurkela, Vesa and Mantere, Markus, eds. Critical Music Historiography: Probing Canons, Ideologies and Institutions, Aldershot: Ashgate, pp. 227-237.

Gloag, Kenneth 2015. Birtwistle's eloquently gestural music. Beard, David Jason, Gloag, Kenneth and Jones, Nicholas, eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 95-119.

Goodall, Kay, Hopkins, Peter, McKerrell, Simon, Markey, John, Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529, Richardson, John and Richardson, Michael J. 2015. Community experiences of sectarianism. [Project Report]. London: Scottish Government Social Research. Available at: https://www.gov.scot/Resource/0047/00470344.pdf

Goodall, Kay, McKerrell, Simon, Markey, John, Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 and Richardson, Michael J. 2015. Sectarianism in Scotland: A 'West of Scotland' problem, a patchwork or a cobweb? Scottish Affairs 24 (3) , pp. 288-307. 10.3366/scot.2015.0079

Green, Julian Jay 2008. Frames of reference: three late-modernist case studies in music composed after painting. PhD Thesis, Cardiff University.

Guan, Boyang 2023. English arrangements of instrumental music for the keyboard, 1708–1762: method and practice. PhD Thesis, Cardiff University. Item availability restricted.

H

Hall, Matthew 2013. Portfolio of original compositions. PhD Thesis, Cardiff University. Item availability restricted.

Hamer, Laura Ann 2009. Musiciennes : Women musicians in France during the interwar years, 1919-1939. PhD Thesis, Cardiff University.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2023. Kenneth Hamilton plays Liszt – Volume 2: Salon and Stage. [CD]. 2023. Available at: https://www.ascrecords.com/primafacie/salon_stage....

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2023. 黄金肘代之后 浪漫主义钢琴演奏与现代表演 (Revised edition in Mandarin of After the Golden Age: Romantic Pianism and Modern Performance). Shanghai: Shanghai Music Publishing House.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2024. Schoenberg-Busoni: The strange case of Op.11 no.2. Flamm, Christoph, ed. Ost-West-Kontakte: Festschrift für Dorothea Redepenning zum 70.Geburtstag, Heidelberg: Universitätsverlag Winter, pp. 87-101.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2024. Scenes from childhood: Piano works by Pedro Faria Gomes – Kenneth Hamilton, piano. [Audio CD]. 26 January 2024. ID number: PFCD224. Available at: https://primafacie.ascrecords.com/scenes_childhood...

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2024. Handel remembered (Beethoven, Brahms, Mozart and more). [Audio CD]. 21 June 2024. ID number: PFCD235. Available at: https://www.prestomusic.com/classical/products/962...

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 1996. Liszt: Sonata in B Minor. Cambridge Music Handbooks, Cambridge: Cambridge University Press. 10.1017/CBO9780511620133

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2008. After the Golden Age: Romantic pianism and modern performance. Oxford: Oxford University Press. 10.1093/acprof:oso/9780195178265.001.0001

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2008. Mendelssohn and the piano. Reichwald, Siegwart, ed. Mendelssohn in Performance, Bloomington, IN: Indiana University Press, pp. 19-40.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2009. Beethoven's 'Tempest' sonata in performance. Bergé, Pieter, D'Hoe, Jeroen and Caplin, William E., eds. Beethoven's 'Tempest' Sonata: Perspectives of Analysis and Performance, Analysis in Context. Leuven Studies in Musicology, vol. 2. Leuven: Peeters, pp. 127-163.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2009. Wagner and Liszt: Elective affinities. Grey, Thomas S., ed. Richard Wagner and His World, Princeton, NJ: Princeton University Press, pp. 27-64.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2010. Cara a cara con Chopin: Enfoques Interpretativos de Pianistas del Pasado [Confronting Chopin: Performance Approaches by Pianists of the Past]. Quodlibet: Rivista de especializacion Musical (47) , pp. 46-71.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2012. Os alunos de Liszt tocando Liszt - o que nos dizem gravações históricas [A Dance around Liszt's Totentanz]. Presented at: GuimaraMUS – Congresso Musical de Guimarães, Guimarães, Portugal, 23-25 March 2012.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2012. The sufferings and greatness of Franz Liszt. Saffle, M., Tibbetts, J. C. and McKinney, C., eds. Liszt: A Chorus of Voices, Franz Liszt Studies, vol. 13. Hillsdale, NY: Pendragon Press, pp. 141-149.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2013. The embarrassment of influence: Liszt, Paris and posterity. Haine, Malou, Dufetel, Nicolas, Gooley, Diana and Kregor, Jonathan, eds. Liszt et La France: Musique, culture et société dans l'Europe du XIXe siècle, Musicologies, Paris: Editions Vrin, pp. 59-79.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2014. "Nach persönlichen Erinnerungen": Liszt's long-ignored legacy to his students. Deaville, James and Saffle, Michael, eds. Liszt's Legacies, Franz Liszt Studies, Hillsdale, NY: Pendragon Press, pp. 83-96.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2015. Franz Liszt: Totentanz for Piano and Orchestra. 2015.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2016. Kenneth Hamilton plays Ronald Stevenson, Volume 1. 2016.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2016. Mendelssohn: fantasie über "The Last Rose of Summer", op.15. Geuting, Herausgegeben von Matthias, ed. Felix Mendelssohn Bartholdy. Interpretationen seiner Werke, Laaber Verlag,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2017. Liszt, Rachmaninov, Busoni: Back to Bach - Tributes and transcriptions. [Audio CD]. 19 May 2017. ID number: B06XX6MTNQ.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2017. Franz Liszt defended against his devotees. Keyboard Perspectives 10 , pp. 129-153.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Adolph Kullak. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Eugen d'Albert. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Ferruccio Busoni. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Friedrich Kalkbrenner. Lawson, Colin and Stowell, Robin, eds. The Cambridge Companion of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Richard Wagner. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Theodor Leschetizky. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Preludes to Chopin - sonatas, barcarolle, polonaise. 5 October 2018. ID number: PFCD084.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. John Casken: Six Wooded Pieces (on CD Stolen Airs). [CD]. 2019.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. Kenneth Hamilton plays Ronald Stevenson Volume 2. [CD]. 12 July 2019. ID number: PFCD107.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. Kenneth Hamilton plays Ronald Stevenson, volume 2. 12 July 2019.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. More preludes to Chopin: nocturnes, waltzes and other works. 2020.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. Do they still hate Horowitz?: The "last romantic" revisited. Journal of Musicological Research 39 (2-3) , pp. 246-271. 10.1080/01411896.2020.1774755

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. Après une Lecture du Czerny? Liszt’s creative virtuosity. Doran, Robert, ed. Liszt and Virtuosity, Eastman Studies in Music, New York: University of Rochester Press, pp. 41-92. (10.2307/j.ctvxhrkq3.6)

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2021. Romantic piano encores: Grainger, Godowsky, Mendelssohn and more. [Audio CD and Online Recording]. 28 May 2021. ID number: PFCD160.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2021. Kenneth Hamilton plays Liszt, volume 1: Death and Transfiguration. [Audio CD]. 26 November 2021. ID number: PFCD167/168.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Chopin-Liszt: Paradoxes of reception and performance history in the Polonaise op.53 and Funérailles. Samson, Jim and Chechlińska, Zofia, eds. The Integration of a Work: From Miniature to Large Scale, Warsaw: Fryderyk Chopin Institute, pp. 241-269.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Do they still hate Horowitz? The Last Romantic revisited. Seskir, Sezi and Kim, David Hyun-su, eds. Topics in Musical Interpretation, New York: Routledge, pp. 172-197.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Busoni, Schoenberg et Gottfried Galston : perspectives sur la pratique d’interprétation pianistique au début du xxe siècle. Rieben, Nancy, ed. Quelles sources pour l'analyse d'un choix interprétatif ?, Chateau-Gontier: Éditions Aedam Musicae, pp. 161-189.

Hayden, Andrew 2018. The organs and organists of St Nicholas, Great Yarmouth 1733-1894. PhD Thesis, Cardiff University. Item availability restricted.

Hemsley, J. D. C. 2005. Henry Bryceson (1832-1909) organ-builder and early work in the application of electricity to organ actions. PhD Thesis, Cardiff University.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2011. Los "Lieder" de Liszt. Quodlibet: Rivista de especializacion Musical 51 , pp. 72-88.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2024. Die 'Nichtdeutsche Schule': Franz Liszt und die Zensur an der Metropolitan Opera im Ersten Weltkrieg. Flamm, Christoph, ed. Ost-West-Kontakte: Festschrift fur Dorothea Redepenning zum 70. Geburtstag, Heidelberg: Universitätsverlag Winter, pp. 121-136.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2024. “The woman for the new era?”: Johanna Kinkel’s musical exile in London. Celenza, Anna and Uhde, Katharina, eds. Unity in Variety Essays in Musicology for R. Larry Todd, Hollitzer, pp. 189-200.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2025. Papageno in Phnom Penh: "Die Zauberflöte" as adaptive intercultural theatre. De Francisci, Enza and Marinetti, Cristina, eds. Translation in the Performing Arts: Embodiment, Materiality, and Inclusion, Advances in Translation and Interpreting Studies, New York: Routledge, pp. 160-183.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. O'r Bae i'r Bala: Dylanwad Haf Hir 1967. O'r Pedwar Gwynt 4

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Glyn, Sion 2018. Jones, Heather. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 281-282.

Hill, Sarah Susan ORCID: https://orcid.org/0000-0002-6738-8818 2012. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. Drewett, Michael, Hill, Sarah Susan and Kärki, Kimi, eds. Peter Gabriel: From Genesis to Growing Up, Ashgate Popular and Folk Music Series, Farnham: Ashgate, pp. 15-30.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 1999. O'r Barrio i'r Byd: Marchnata'r Iaith Ryngwladol yn Ninas yr Engylion. Tu Chwith Gwanwy , pp. 100-105.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 1999. Families of resemblance: Welsh popular music and other marginalia. Presented at: University of Wales Centre for Advanced Welsh Musical Studies Conference, Bangor, UK, 29 July -1 August 1999.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2000. Families of resemblance: Welsh popular music and other marginalia. Welsh Music History 4 , pp. 138-147.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2000. Conference Review. Identities in Action: Gregynog, 10-12 December 1999. Popular Music 19 (3) , pp. 394-395.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2000. Welsh popular music in the Anglo-American market. Presented at: Popular Music and National Culture: IASPM Slovenia Conference, Ljubljana, Slovenia, 22-25 November 2000.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2001. Britpop: Syllu ar Fogail Lloegr. Tu Chwith , pp. 37-44.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2001. Welsh popular music in the 1960s: The roots of an identity. Presented at: Looking Back, Looking Ahead: Popular Music Studies 20 Years Later: 11th Biennial IASPM Conference, Turku, Finland, 6-10 July 2001.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2003. Book Review. Stan Hawkins, settling the pop score. Popular Music 22 (2) , pp. 251-253. 10.1017/S026114300323316X

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2003. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. Presented at: Practising Popular Music: 12th Biennial IASPM Conference, Montreal, QC, Canada, 3-7 July 2003.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2003. 'All directions were forward from there': The Grateful Dead, San Francisco, and the memory of the 60s. Presented at: 39th Annual RMA Conference: Music Historiography, Cardiff, UK, 12-14 September 2003.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2004. Ending it all: Genesis and Revelation. Presented at: SIMS 2004: Symposium of the International Musicological Society, Melbourne, Australia, 11-16 July 2004.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2006. When deep soul met the love crowd: Otis Redding at the Monterey Pop Festival, June 16-18, 1967. Inglis, Ian, ed. Performance and Popular Music: History, Place and Time, Ashgate Popular and Folk Music Series, Abingdon: Ashgate, pp. 28-40.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2006. When deep soul met the love crowd: Otis Redding at the Monterey pop festival, June 16-18, 1967. Performance and Popular Music History, Place and Time, Ashgate, 28 - 40.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2006. Beyond borders: the female Welsh pop voice. Radical Musicology 1 (17 May)

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2007. 'Blerwytirhwng?' The place of Welsh pop music. Ashgate Popular and Folk Music Series, Aldershot: Ashgate.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2007. A taste of summer. [Radio]. 9 October 2007.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2007. Book Review. Monte Dutton, true to the roots: American music revealed. Music and Letters 88 (4) , pp. 708-709. 10.1093/ml/gcm039

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2008. Cerddoriaeth Boblogaidd yng Nghymru ers 1945. Gwyddoniadur Cymru yr Academi Gymreig, University of Wales Press,

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2008. The sound of San Francisco? The Grateful Dead, urban hippies and the memory of the 60s. Presented at: 29th Annual Southwest Texas Popular Culture and American Culture Association, Albuquerque, NM, 13-16 February 2008.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2008. Popular music in Wales since 1945. Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I., eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press,

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2008. Record companies in Wales. Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I., eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press,

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2009. Book Review. Olivier Julien, ed., Sgt Pepper and the Beatles: It was forty years ago today. Ethnomusicology 53 (2) , pp. 329-331. 10.2307/25653072

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2009. Hippies Inc.: San Francisco and the commodification of the 60s. Presented at: Popular Music Worlds, Popular Music Histories: 15th Biennial IASPM Conference, Liverpool, UK, 13-17 July 2009.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2009. Hippies, Inc.: San Francisco and the commodification of the 60s. Presented at: 15th Biennial IASPM Conference: Popular Music Worlds, Popular Music Histories, Liverpool, UK, 13-17 July 2009.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2009. Book Review. David W. Bernstein, ed., The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. Popular Music 28/3 , pp. 433-434. 10.1017/S026114300999016X

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2010. Book Review. Mina Yang, California Polyphony. twentieth-century music 7 (1) , pp. 122-127. 10.1017/S1478572211000089

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2011. Mary Hopkin and the deep throat of culture. Laurie, Stras, ed. She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music, Surrey: Ashgate, pp. 163-182.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2011. Psychedelia and its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), Lancaster, UK, 28-31 July 2011.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2011. Psychedelia and Its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), University of Lancaster, UK, 28-31 July 2011.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2012. Mapio Canu Pop Cymraeg / Mapping Welsh Pop. Presented at: 11th Conference of the Centre for Advanced Welsh Musical Studies, Aberystwyth, UK, February 2012.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2012. Minority language, majority canon. Popular Music History 7 (3) , pp. 283-300.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2012. A Night at the Avalon. Presented at: Imagining Communities Musically: Putting Popular Music in its Place: IASPM-UK/Ireland Conference, Salford, UK, 5-7 September 2012.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2012. A night at the Avalon. Presented at: Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place, Salford, Manchester, UK, 5-7 September 2012.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Choreographing 'In C'. Presented at: Left Coast Minimalism: 4th International Conference on Minimalist Music, Long Beach, CA, 3-6 October 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. The Heritage of failure: marginal Welsh Pop in the capital city. Presented at: Bridge Over Troubled Waters: Challenging Orthodoxies: 17th IASPM International Conference, Oviedo, Spain, 24-28 June 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Book Review. Alice Echols, hot stuff: disco and the remaking of American culture. Popular Music 32 (1) , pp. 133-135. 10.1017/S0261143012000657

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. "This is my country": American popular music and political engagement in 1968. Kutschke, Beate and Norton, Barley, eds. Music and Protest in 1968, Music since 1900, Cambridge: Cambridge University Press, pp. 46-63.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Ending it all: Genesis and revelation. Popular Music 32 (2) , pp. 197-221. 10.1017/S0261143013000044

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. The heritage of failure: Marginal Welsh pop in the capital city. Presented at: IASPM 17th Biennial Conference: Bridge Over Troubled Waters: Challenging Orthodoxies, Oviedo, Spain, 24-28 June 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Choreographing In C. Presented at: 4th International Conference on Music and Minimalism, Long Beach, CA, USA, 3-6 October 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2014. Psychedelic aesthetic and progressive impulse: A Tale of Two Cities. Presented at: First International Conference of the ACADPROG Network, Dijon, France, 10-12 December 2014.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2015. Connecting the dots: pop historiography since one chord wonders. Presented at: 30 Years of One Chord Wonders, Sellis Benney Theatre, Brighton, UK, 17 Oct 2015.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2016. 'An Enticing Experience': Women Listening to Prog. Presented at: Second International Conference of the Progect Network for the Study of Progressive Rock, University of Edinburgh, May 2016.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2016. San Francisco and the long 60s. London: Bloomsbury Academic.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. Teaching popular music and protest from the 1960s. Presented at: Revolution in the Air, Université de Rouen, France, Mar 2017.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. Celtic music in Wales. Horn, David, Shepherd, John and Prato, Paolo, eds. Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, London: Bloomsbury,

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review]. The Sixties 10 (1) , pp. 113-114. 10.1080/17541328.2017.1310438

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. 'If you can remember the 60s...'. Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture, San Francisco, CA, USA, 27-29 July 2017.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. A historiography of pop historiography. Presented at: RMA 53rd Annual Conference, Liverpool, UK, 7-9 September 2017.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2017. Peripheral identities on Desert Island Discs and Beti a'I Phobol. Brown, Julie, Cook, Nicholas and Cottrell, Stephen, eds. Defining the Discographic Self: Desert Island Discs in Context, Proceedings of the British Academy, Oxford: Oxford University Press, pp. 189-212.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Un Naw Chwech Wyth. Journal of Communication Inquiry 42 (3) , pp. 300-305. 10.1177/0196859918776506

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Bara Menyn, Y. Thomas, Wyn and Ap Sion, Pwyll, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 45-46.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Bois y Blacbord. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 54.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Bois y Frenni. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 54-55.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Catatonia. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 74-75.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Datblygu. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 131.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Ffa Coffi Pawb. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 179-180.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Gorky's Zygotic Mynci. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 194-195.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Hogia Llandegai. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 237-238.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Hogia'r Gogledd. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 238.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Hogia'r Wyddfa. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 238-239.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Hopkin, Mary. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 239-240.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. James, Richard. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 255-256.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Jones, Tom. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 288-289.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Le Bon, Cate. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 294-295.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Pelydrau, Y. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 343.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Pope, Mal. Sion, Pwyll ap and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 352-353.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Rhys, Gruff. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 378-379.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Roberts, Robert (Bob Tai'r Felin). Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 369.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Squires, Dorothy. Sion, Pwyll ap and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 386-387.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Super Furry Animals. Sion, Pwyll ap and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 390-391.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2018. Williams, Margaret. Sion, Pwyll ap and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, p. 432.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2019. 1968: Mythology matters. Twentieth-Century Music 16 (1) , pp. 165-168. 10.1017/S147857221900015X

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Siôn, Pwyll 2018. Hergest. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 234-235.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Siôn, Pwyll 2018. Iwan, Dafydd. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 251-253.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Siôn, Pwyll 2018. Jarman, Geraint. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 257-259.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Siôn, Pwyll 2018. Jess. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 271-272.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Dai, Griffiths 2005. Postcolonial music in contemporary Wales: hybridities and weird geographies. Jane, Aaron and Chris, Williams, eds. Postcolonial Wales, Cardiff: University of Wales Press, pp. 215-233.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Gower, Jon 2018. Davies, Ryan. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 141-142.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Gower, Jon 2018. Max Boyce. Ap Siôn, Pwyll and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 56.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Griffiths, Dai 2002. What did 'Welsh' mean for Welsh pop in the 1990s? Presented at: Postcolonial Wales, Treforest, Wales, UK, 13 July 2002.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Herbert, Trevor 2018. Poblogaidd, Cerddoriaeth. Sion, Pwyll ap and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 348-352.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818, O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 and Thomas, Isabel 2017. One weekend in October: The Swn Festival, Cardiff. Presented at: CHIME Conference 2017: Music, Festivals, Heritage, Siena , Italy, 25-28 May 2017.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Sion, Pwyll ap 2018. Stevens, Meic. Sion, Pwyll ap and Thomas, Wyn, eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 389-390.

Hillyard, Joseph 2020. Tremulous images: An original portfolio of compositions based on and informed by static visual art. PhD Thesis, Cardiff University. Item availability restricted.

Holden, Claire 2012. Recreating early 19th- century style in a 21st-century marketplace: An orchestral violinist’s perspective. Presented at: Institute of Musical Research DeNote Seminar, Senate House, London, 30 January 2012.

Howell, Julia 2017. The memory of music and music of memory: A portfolio of original compositions. PhD Thesis, Cardiff University. Item availability restricted.

Hughes, Gareth Olubunmi 2016. A portfolio of acoustic/electroacoustic music compositions & computer algorithms that investigate the development of polymodality, polyharmony, chromaticism & extended timbre in my musical language. PhD Thesis, Cardiff University. Item availability restricted.

J

Jassey, Victoria Rosemary 2019. Tambor reverberations: Gender, sexuality and change in Cuban Batá performance. PhD Thesis, Cardiff University. Item availability restricted.

Johnston, Timothy 2023. Intersecting influences: Finding compositional unity across different musical spaces. PhD Thesis, Cardiff University. Item availability restricted.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2023. The symphony in Britain and Ireland since 1900: A critical history - the editor’s perspective. Presented at: NABMSA Colloquium Series - North American British Music Studies Association, Online, 27 November 2023.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2024. Argraffiadau Cymraeg: Exploring Welsh identity in the music of three ‘Cardiff Group’ composers. Presented at: North American British Music Studies Association Conference 2024, Oberlin College and Conservatory, Ohio, USA, 25–29 July 2024.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2024. Art Music and 'Welshness': Perspectives from Cardiff. Presented at: 5th Silpakorn Conference on Sound and Music 2024 (SICSAM), Bangkok Art and Culture Centre (BACC), Thailand, 7-8 June 2024.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1978. Robert Bremner and the periodical overture. Soundings (7) , pp. 63-84.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1984. Haydn's Music in London in the Period 1760-1790. Landon, H.C. Robbins, ed. Haydn Yearbook, Vol. 14. Cardiff: University College Cardiff Press, pp. 144-172.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1990. Why did Mozart compose his last three Symphonies? Some new Hypotheses. Music Review 51 , pp. 280-289.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1992. A Spanish Source for Haydn’s “Non nobis Domine”. Landon, H. C. Robbins, ed. Haydn Yearbook, Vol. 17. London: Thames & Hudson, pp. 167-169.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1995. Beethoven: The Pastoral Symphony. Cambridge Music Handbooks, Cambridge: Cambridge University Press.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1996. From Artaria to Longman & Broderip: Mozart's music on sale in London. Biba, Otto and Jones, David Wyn, eds. Studies in Music History: Presented to H. C. Robbins Landon on his Seventieth Birthday, London: Thames & Hudson, pp. 105-114.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1996. Haydn’s Missa sunt bona mixta malis and the a cappella tradition. Jones, David Wyn, ed. Music in Eighteenth-Century Austria, Cambridge: Cambridge University Press, pp. 89-111. (10.2277/ 0521453496)

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1996. Introduction: new challenges, new perspectives. Jones, David Wyn, ed. Music in Eighteenth-Century Austria, Cambridge: Cambridge University Press, pp. 1-10. (10.2277/ 0521453496)

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1998. Austrian symphonies in the Royal Palace, Madrid. Boyd, Malcolm and Carreras, Juan-Jose, eds. Music in Spain during the Eighteenth Century, Cambridge: Cambridge University Press, pp. 125-143. (10.2277/ 0521481392)

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1998. The life of Beethoven. Musical Lives, Cambridge: Cambridge University Press.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2001. "ma in Ispagna..." Manuscript sources for Mozart's Music in the Royal Palace, Madrid. Mitteilungen der Internationalen Stiftung Mozarteum 49 (1/2) , pp. 40-50.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2002. A newly identified sketchleaf for Haydn's quartet in D minor, "Opus 103". Haydn-Studien 8 (4) , 413 - 17.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2003. Beethoven and the Viennese Legacy. Stowell, Robin, ed. The Cambridge Companion to the String Quartet, Cambridge Companions to Music, Cambridge: Cambridge University Press, pp. 210-237. (10.1017/CCOL9780521801942.011)

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2003. The origins of the quartet. Stowell, Robin, ed. The Cambridge Companion to the String Quartet, Cambridge Companions to Music, Cambridge: Cambridge University Press, pp. 177-184. (10.1017/CCOL9780521801942.009)

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2005. First among equals: Haydn and his fellow composers. Clark, C., ed. The Cambridge Companion to Haydn, Cambridge Collections Online, Cambridge: Cambridge University Press, pp. 45-57. (10.1017/CCOL9780521833479.005)

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2005. 'What do surviving copies of early printed music tell us?'. Rudolf, Rasch, ed. Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography, Berliner Wissenschafts-Verlag, pp. 140-58.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2006. Haydn, Hoffmeister, Beethoven and Mozart: Salomon's 1801 concert series. Fuchs, Ingrid, ed. Festschrift Otto Biba zum 60. Geburtstag, Tutzing: Hans Schneider, pp. 39-56.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2006. Some aspects of Clementi’s career as a publisher. Antolini, B. M. and Mastroprimiano, C., eds. Muzio Clementi: Compositore, (Forte) Pianista, editore: Atti del Convegno internazionale di studi (Perugia, Conservatorio di Musica, 4-6 ottobre 2002), Strumenti della ricerca musicale, vol. 9. Lucca: Lim Editrice, pp. 3-19.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2006. The stylus a cappella masses of the Viennese classical school: Palestrina honoured and transformed. Rostirolla, Giovanni, Soldati, Stefania and Zomparelli, Elena, eds. Palestrina e l'Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994), Palestrina: Fondazione Giovanni Pierluigi da Palestrina, pp. 1061-1074.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2006. The symphony in Beethoven's Vienna. Cambridge: Cambridge University Press.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2009. The life of Haydn. Musical Lives, Cambridge: Cambridge University Press.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2010. Becoming a complete Kapellmeister: Haydn and Mattheson's 'Der vollkommene Capellmeister'. Studia Musicologica 51 (1-2) , pp. 29-40. 10.1556/SMus.51.2010.1-2.3

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2011. Haydn's forgotten quartets: Three of the 'Paris' symphonies arranged for string quartet. Eighteenth-Century Music 8 (2) , pp. 287-305. 10.1017/S147857061100008X

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2013. Haydn, Austria and Britain: Music, culture and politics in the 1790s. Chesser, Richard and Jones, David Wyn, eds. The Land of Opportunity: Joseph Haydn and Britain, London: British Library, pp. 1-21.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2015. Introduction. Jones, David Wyn, ed. Haydn, The Late Eighteenth-Century Composers, Surrey: Ashgate, xi-xxv.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2015. Mozart's spirit from Seyfried's hands. Keefe, Simon P., ed. Mozart Studies 2, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 195-228. (10.1017/CBO9781107360051.009)

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. Händel-Jahrbuch, Vol. 63. Basel: Bärenreiter Kassel, pp. 73-86.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2020. Shared identities and thwarted narratives: Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824. Chapin, Keith and Jones, David Wyn, eds. Beethoven Studies 4, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 166-188. (10.1017/9781108552813.009)

Jones, David ORCID: https://orcid.org/0000-0003-3185-9195 2019. Religious views. Keefe, Simon, ed. Mozart in Context, Composers in Context, Cambridge: Cambridge University Press, pp. 27-33.

Jones, David ORCID: https://orcid.org/0000-0003-3185-9195 2019. Vienna. Keefe, Simon, ed. Mozart in Context, Composers in Context, Cambridge: Cambridge University Press, pp. 88-96.

Jones, David ORCID: https://orcid.org/0000-0003-3185-9195 2019. Institutions. Clark, Caryl and Day-O'Connell, Sarah, eds. The Cambridge Haydn Encyclopedia, Cambridge: Cambridge University Press, pp. 167-177.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 1998. 'Preliminary workings': The precompositional process in Maxwell Davies's Third Symphony. Tempo 204 , pp. 14-22.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2000. Architectural perspectives on Peter Maxwell Davies's Third Symphony. Presented at: Peter Maxwell Davies Conference, St Martin's College, Lancaster, UK, 1-2 April 2000.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2000. Mathias's String Quartet No.1. Something to shout about. The Musical Times 141 (1872) , pp. 24-32. 10.2307/1004395

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2002. Dominant Logic: Peter Maxwell Davies's basic unifying hypothesis. The Musical Times 143 (1878) , pp. 37-45. 10.2307/1004421

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2002. Perspectives on Peter Maxwell Davies edited by R. McGregor [Book Review]. Music and Letters 83 (1) , pp. 147-151. 10.1093/ml/83.1.147

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2002. Review: All Set. Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe by MJ Grant [Book Review]. Musical Times 143 (1879) , pp. 78-79. 10.2307/1004607

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2003. Anthony Powers at 50: Luminous, but with shadows. Musical Times 144 (1884) , pp. 26-35. 10.2307/3650698

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2004. Peter Maxwell Davies and sonata form. Presented at: Peter Maxwell Davies One-Day Conference, Canterbury Christ Church University, Canterbury, UK, 16 October 2004.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146 , pp. 71-81. 10.2307/30044107

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2007. 'The End' by The Doors [Chapter in Block 5 of A179 Start Listening to Music]. [Teaching Resource]

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2007. Review: Dumbing up. The way of music: aural training for the Internet generation by Robin Maconie [Book review]. Musical Times 148 (1901) , pp. 111-114. 10.2307/25434506

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2007. Review: Existential Elgar. Edward Elgar, Modernist by JPE Harper-Scott [Book review]. Musical Times 148 (1899) , pp. 81-88. 10.2307/25434460

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2008. Madonna as pop diva [Chapter in Book 1 of AA100 The Arts Past and Present]. [Teaching Resource]

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2008. Seaside music: The Beach Boys and The Who [Chapter in Book 4 of AA100 The Arts Past and Present]. [Teaching Resource]

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. Gloag, Kenneth and Jones, Nicholas, eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 231-241.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150 (1906) , pp. 100-103.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. Peter Maxwell Davies Studies, Cambridge: Cambridge University Press, pp. 21-44.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90 (3) , pp. 514-516. 10.1093/ml/gcp016

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151 (1912) , pp. 109-112.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151 (1911) , pp. 118-120.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7 (2) , pp. 267-270. 10.1017/S1478572211000223

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2011. György Kurtág: Three Interviews and Ligeti Homages. Compiled & ed. by Bálint András Varga. [Book review]. Music & Letters 92 (2) , pp. 330-332. 10.1093/ml/gcr014

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2013. Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. The Cambridge Companion to Michael Tippett, Cambridge: Cambridge University Press, pp. 206-228.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2015. The sound of Raasay: Birtwistle's Hebridean experience. Beard, David, Gloag, Kenneth and Jones, Nicholas, eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 175-205. (10.1017/CBO9781316145326.008)

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2018. 'For the Islands I sing': composing the Orkney landscape. Presented at: New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury Christ Church University, UK, 12 May 2018.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2018. ‘Death’s dark door stands open’: Peter Maxwell Davies’s Tenth Symphony. Presented at: 54th Annual Conference of the Royal Musicians Assocation, Bristol, UK, 13-15 September 2018.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2019. Sir Peter Maxwell Davies: the man and the music. [Online]. themaxtrust.org: The Peter Maxwell Davies Trust. Available at: https://www.themaxtrust.org/about.html

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2020. Manchester Resonances: Peter Maxwell Davies’s Juvenilia. Presented at: 2020 North American British Music Studies Association Conference, Illinois State University [virtual conference], 21–26 July 2020.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2020. Landscape and place. Jones, Nicholas and McGregor, Richard, eds. The Music of Peter Maxwell Davies, Woodbridge: Boydell & Brewer, pp. 251-302. (10.1017/9781787446823.008)

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2021. Peter Maxwell Davies’s The Doctor of Myddfai: Using the sketches and other primary source material to unveil the creative process. Presented at: Peter Maxwell Davies Research Network Friday Forum, Online, 12 November 2021.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2021. Composing Cymru: Welsh identity and British art music since 1945. Presented at: John Bird Research Lectures 2021-22, School of Music, Cardiff University, 13 October 2021.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2021. Incantations: early chamber works of Peter Maxwell Davies. Performed at Unmasking Max: Peter Maxwell Davies Study Day [School of Music, Cardiff University, 4 December 2021].

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2022. ‘The northern night-fire calls us to our sleep’: Peter Maxwell Davies’s The Hogboon and the Dynamics of Late Style. Presented at: Music Since 1900 Twelfth Biennial International Conference, Birmingham Conservatoire, 17-20 June 2022.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2022. Art music and Welsh identity. Presented at: 58th Annual Conference of the Royal Musical Association, Durham, UK, 8-10 September 2022.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2022. Composing Cymru: Art music since 1940. Herbert, Trevor, Clarke, Martin V. and Barlow, Helen, eds. Cambridge History of Welsh Music, Cambridge University Press, pp. 264-290. (10.1017/9781009036511.015)

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2023. The role of the child in Peter Maxwell Davies's The Doctor of Myddfai: Characterisation and Agency. Presented at: Research Colloquia, KU Leuven, Katholieke Universiteit Leuven, Belgium, 20 March 2023.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2023. ‘The rain soaked sky is leaden’: Welsh identity and dystopian impulses in The Doctor of Myddfai. Cambridge Opera Journal 35 (1) , pp. 75-105. 10.1017/S0954586723000046

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 and McGregor, Richard 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151 , pp. 53-86.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 and McGregor, Richard 2020. The music of Peter Maxwell Davies. Boydell & Brewer.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 and Warnaby, John 2016. Davies, Peter Maxwell. Oxford Music Online, Oxford: Oxford University Press,

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Kostka, Magdalena 2014. Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. PhD Thesis, Cardiff University. Item availability restricted.

Kouyaté, Zé Aruanã 2022. The tradition of invention: The Kamalengoni Harp in Mali and Burkina Faso. PhD Thesis, Cardiff University. Item availability restricted.

L

Laghi, Simone 2017. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). PhD Thesis, Cardiff University. Item availability restricted.

Landon, H.C. Robbins and Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 1988. Haydn: his life and work. London: Thames & Hudson.

Lane, Liz. 2009. Commentary on a portfolio of original compositions. PhD Thesis, Cardiff University.

Lawford, Roderick Charles 2020. Roma as alien: Music and identity of the Roma in Romania. PhD Thesis, Cardiff University. Item availability restricted.

Lawson, Colin and Stowell, Robin 1999. The historical performance of music: an introduction. Cambridge Handbooks to the Historical Performance of Music, Cambridge: Cambridge University Press. 10.1017/CBO9780511481710

Lawson, Colin and Stowell, Robin 2012. The Future? Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 817-833.

Leech, Peter 2001. A Sterndale Bennett autograph discovery. Early Music Review 70 , pp. 12-13.

Leech, Peter 2001. Records of the Chapel Royal [Book Review]. Early Music 29 (3) , pp. 456-457.

Leech, Peter 2001. Musicians in the Catholic chapel of Catherine of Braganza, 1662-92. Early Music 29 (4) , pp. 570-587. 10.1093/earlyj/XXIX.4.570

Leech, Peter 2003. Canon law. Early Music Review 91 , pp. 12-13.

Leech, Peter 2003. Catholic musicians in Restoration London. Genealogists Magazine 27 (9) , pp. 391-397.

Leech, Peter 2006. Regal Handel [Book Review]. Early Music 34 (1) , pp. 143-146.

Leech, Peter 2007. Music for an Academic Defense (Rome, 1617) [Music Review]. Archivum Historicum Societatis Iesu 76 (151) , pp. 174-177.

Leech, Peter 2007. Devotional music from Stuart England. Early Music 35 (4) , pp. 644-647. 10.1093/em/cam065

Leech, Peter 2009. Recusant song? Early Music 37 (3) , pp. 485-487. 10.1093/em/cap049

Leech, Peter 2009. Handel's legacy [Book Reviews]. Early Music 37 (4) , pp. 657-660. 10.1093/em/cap089

Leech, Peter 2010. George Frideric Handel Parnasso in Festa [CD Review]. Eighteenth-Century Music 7 (2) , pp. 305-309. 10.1017/S1478570610000199

Leech, Peter 2011. Richard Dering, Motets for One, Two or Three Voices and Basso Continuo [Book Review]. Music & Letters 92 (2) , pp. 282-285.

Leech, Peter 2011. Tomas Luis de Victoria (1548-1611). The Early Music Yearbook 2011 , pp. 5-9.

Leech, Peter 2011. Music and musicians in the Catholic chapel of James II at Whitehall, 1686-1688. Early Music 39 (3) , pp. 379-400. 10.1093/em/car072

Leech, Peter 2012. Cherubim & seraphim - Russian Orthodox choral works from the reigns of Catherine the Great to Nicholas II. [CD]. 2012. ID number: NI 6187. Available at: https://www.wyastone.co.uk/cherubim-seraphim-russi...

Leech, Peter 2014. Princely splendour - choral works from 18th century Rome. [CD]. 2014. ID number: NI 6273. Available at: https://www.wyastone.co.uk/princely-splendour-chor...

Leech, Peter 2015. Princely splendour: Cardinal Henry Stuart and music patronage in 18th-century Rome. The Consort 71 , pp. 51-73.

Leech, Peter 2016. The Cardinal King - Music for Henry Benedict Stuart in Rome, 1740-91. [CD]. 2016. ID number: TOCC 0300.

Leech, Peter 2016. Prince, priest and patron: Cardinal Henry Benedict Stuart and musical patronage in eighteenth-century Rome. Society for Eighteenth-century Music Newsletter 27 , 1, 11-12.

Leech, Peter 2016. Richard Dering, Motets and Anthems, Ed.by Jonathan P. Wainwright. Music Britannica, 98 (Stainer & Bell), London, 2015.[Book Review]. Music and Letters 97 (2) , pp. 329-332. 10.1093/ml/gcw039

Leech, Peter 2017. Lux memoriaque - light and remembrance - Harmonia Sacra. [CD]. , vol. 6349. 2017. ID number: 0710357634925. Available at: https://www.wyastone.co.uk/lux-memoriaque-contempo...

Leech, Peter 2019. In dulci jubilo - choral music for Advent and Christmas - Harmonia Sacra. [CD]. 2019. ID number: NI 6391. Available at: https://www.wyastone.co.uk/in-dulci-jubilo-choral-...

Leech, Peter 2019. Jean-Paul Montagnier, The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks. Cambridge: Cambridge University Press, 2017 [Book Review]. H-France 19 , pp. 1-5.

Leech, Peter 2020. Gaudeamus omnes: Catholic liturgical music for St Thomas Becket in the British Isles, continental Europe and the venerable English college, Rome, c.1170-2020. Whitehead, Maurice, ed. Memory, Martyrs, and Mission: Essays to Commemorate the 850th Anniversary of the Martyrdom of St Thomas Becket (c.1118-1170), Gangemi Editore, pp. 95-128.

Leech, Peter and Whitehead, Maurice 2011. 'In Paradise and among angels'. Music and musicians at St Omers English Jesuit College, 1593-1721. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 61 (1-2) , pp. 57-82.

Leech, Peter and Whitehead, Maurice 2016. Clamores omnino atque admirationes excitant: New light on music and musicians at St Omers English Jesuit College, 1658-1714. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis LXVI (1) , pp. 123-148.

Leech, Peter 2023. Giovanni Battista Casali (1715-1792): Sacred music from Eighteenth-Century Rome. [Sound recording and sleeve notes]. 3 November 2023. ID number: TOCC 0429.

Llewelyn-Jones, Iwan 2016. Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel. PhD Thesis, Cardiff University. Item availability restricted.

Long, Ashley John 2020. The creative application of extended techniques for double bass in improvisation and composition - Volume 1. PhD Thesis, Cardiff University. Item availability restricted.

Long, Ashley John 2020. The creative application of extended techniques for double bass in improvisation and composition - Volume 2. PhD Thesis, Cardiff University. Item availability restricted.

Loten, Nicola Jayne 2019. The solo sonatas of George Frideric Handel, with particular reference to the sonatas for flute and recorder. PhD Thesis, Cardiff University. Item availability restricted.

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Machin-Autenrieth, Matthew 2013. Andalucía flamenca: Music, regionalism and identity in southern Spain. PhD Thesis, Cardiff University. Item availability restricted.

Maher, Nicola 2019. The crying clarinet: Emotion and music in Parakalamos. PhD Thesis, Cardiff University. Item availability restricted.

Manning, David 2003. Harmony, tonality and structure in Vaughan Williams's music. PhD Thesis, Cardiff University. Item availability restricted.

Mawer, Deborah, Kelly, Barbara L., Moore, Rachel ORCID: https://orcid.org/0000-0002-9016-8047 and Sadler, Graham 2023. Accenting the classics: Editing European music in France, 1915–1925. Woodbridge: The Boydell Press. 10.1515/9781800109018

McPhee, Lucy 2022. Herstory: A study into the representation of women, explored through composition. PhD Thesis, Cardiff University. Item availability restricted.

McReynolds, Richard 2019. An exploration of the influence of technology upon the composer’s process. PhD Thesis, Cardiff University. Item availability restricted.

Melen, Christopher John 2006. Kalachakra. PhD Thesis, Cardiff University.

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2015. 'I Forbid You To Like It:' The Smiths, David Cameron, and the politics of (mis)appropriating popular culture. Echo: A Music-Centered Journal 13 (1)

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2015. Musically consonant, socially dissonant: orange walks and Catholic interpretation in West-Central Scotland. Music and Politics 9 (1) 10.3998/mp.9460447.0009.102

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2016. Irish Republican music and (post)colonial schizophrenia. Popular Music and Society 40 (1) , pp. 75-88. 10.1080/03007766.2016.1229098

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2016. Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act. Popular Music 35 (3) , pp. 297-319. 10.1017/S0261143016000519

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2018. 'Music is my AK-47': performing resistance in Belfast's rebel music scene. Journal of the Royal Anthropological Institute 24 (2) , pp. 348-365. 10.1111/1467-9655.12814

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2020. Sounding dissent: rebel songs, resistance, and Irish republicanism. Music and Social Justice, Ann Arbor: University of Michigan Press. 10.3998/mpub.11393212

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529, Power, Martin J., Parnell, Daniel, Widdop, Paul and Carr, James 2021. Football and popular culture [Introduction]. Football and Popular Culture: Singing Out from the Stands, Routledge, pp. 1-8.

Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 2016. Kate Horgan.The Politics of Songs in Eighteen-Century Britain, 1723-1795. Poetry and Song in the Age of Revolution Number 4 [Book Review]. Blake: An Illustrated Quarterly 50 (1)

Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 2020. Popular music as a weapon: Irish rebel songs and the onset of the Northern Ireland troubles. Mangaoang, Áine, O'Flynn, John and Ó Briain, Lonán, eds. Made in Ireland: Studies in Popular Music, New York: Routledge, pp. 130-141.

Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 and Chatzipanagiotidou, Evropi 2021. From Belfast to the Somme (and back again): loyalist paramilitaries, political song, and reverberations of violence. Ethnomusicology Forum 30 (2) , pp. 246-265. 10.1080/17411912.2020.1865178

Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529, Steiner, Artur, Caló, Francesca and Teasdale, Simon 2019. COOL Music: a ‘bottom-up’ music intervention for hard-to-reach young people in Scotland. British Journal of Music Education , pp. 1-12. 10.1017/S0265051719000226

Moore, Rachel ORCID: https://orcid.org/0000-0002-9016-8047 2014. 'A ne pas ouvrir pendant la guerre': l'union sacrée et la mobilisation de l'édition musicale, 1914-1918. de Maindreville, Florence Doé and Etcharry, Stéphan, eds. La Grande Guerre en musique: Vie et création musicales en France pendant la Première Guerre mondiale, Peter Lang,

Moore, Rachel ORCID: https://orcid.org/0000-0002-9016-8047 2015. Coles, Cecil Frederick Gottlie (1888–1918). Oxford Dictionary of National Biography, Oxford University Press, (10.1093/ref:odnb/76798)

Moore, Rachel ORCID: https://orcid.org/0000-0002-9016-8047 2018. Performing propaganda: musical life and culture in Paris during the First World War. Music in Society and Culture, The Boydell Press. 10.1017/9781787442238

Moore, Rachel ORCID: https://orcid.org/0000-0002-9016-8047 2018. The legacy of war: conceptualising wartime musical life in the post-war musical press, 1919-1920. Kelly, Barbara L. and Moore, Christopher, eds. Music Criticism in France, 1918-1939 Authority, Advocacy, Legacy, The Boydell Press, pp. 245-265.

Moore, Rachel, Hamer, Laura and Branger, Aurélie Hibberd, Sarah, Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 and Everist, Mark, eds. 2011. Complete criticism of Joseph d’Ortigues. [Online]. Francophone Music Criticism 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Morgan, Henry 2023. Music, platforms and the digital self: the negotiation of identity in online music cultures in the 2010s. PhD Thesis, Cardiff University. Item availability restricted.

Murray, Samuel ORCID: https://orcid.org/0000-0001-7698-2512 2018. An ethnography of the music scene in Portland, Oregon. PhD Thesis, Cardiff University. Item availability restricted.

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Neale, Elizabeth Katherine Ruth 2018. Cornish carols: Heritage in California and South Australia. PhD Thesis, Cardiff University and University of Exeter. Item availability restricted.

Neff, Eoghan 2012. At the vanguard of antiquity: seeking the avant-garde of the Irish Fiddle in C20th performance practices. PhD Thesis, Cardiff University. Item availability restricted.

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O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2017. The performers journey. Cardiff: Cardiff University/Creative Cardiff. Available at: https://www.cardiff.ac.uk/__data/assets/pdf_file/0...

O'Connell, Joe ORCID: https://orcid.org/0000-0002-1306-8456 2020. 'Caught in a culture crossover!' Rock against racism and Alien Kulture. Arnold, Gina and McKay, George, eds. The Oxford Handbook of Punk Rock, Oxford Handbooks Online, Oxford University Press, (10.1093/oxfordhb/9780190859565.013.20)

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2007. International symposium in European ethnomusicology. Bulletin of the International Council for Traditional Music 111 (Octobe) , pp. 50-52.

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2020. Sound bites: music as violence. Transposition 9 (2) 10.4000/transposition.4524

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2021. Free radical: music, violence and radicalism. Journal of Popular Music Studies 33 (1) , pp. 155-162. 10.1525/jpms.2021.33.1.155

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2022. Folklore in stages: theorising tradition. O'Connell, John M., ed. Staged Folklore: The National Folk Theatre of Ireland 1968-1998, Cork: Cork University Press, pp. 81-96.

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2022. From stage to page: Fadó Fadó and the Kerry tradition. O'Connell, John M., ed. Staged Folklore: The National Folk Theatre of Ireland 1968-1998, Cork: Cork University Press, pp. 155-170.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 1989. Jean During. La musique traditionnelle de I'Azerbayjan et la science des muqâms [Book Review]. Pacific Review of Ethnomusicology 5 , pp. 130-132.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 1991. Die musik der Araber (The music of the Arabs) by Habib Hasan Touma [Book Review]. Asian Music 22 (1) , pp. 154-156. 10.2307/834296

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 1998. The Arab in Arabesk: style and stereotype in Turkish vocal performance. Wharton, Barrie and Adawy, Nabil, eds. The Limerick Anthology of Arab Affairs, University of Limerick Press, pp. 87-103.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2001. Major minorities: towards an ethnomusicology of Irish minority musics. Pettan, Svanibor, Reyes, Adelaida and Komavec, Maša, eds. Music and Minorities, ZRC Publishing, pp. 165-182.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2001. Münir Nurettin Selçuk. Sadie, Stanley and Tyrrell, John, eds. The New Grove Dictionary of Music and Musicians, Oxford University Press, pp. 55-56.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2001. Fine art, fine music: Controlling Turkish taste at the Fine Arts Academy in 1926. Yearbook for Traditional Music 32 , pp. 117-142. 10.2307/3185245

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2002. From Empire to Republic: vocal style in twentieth century Turkey. Danielson, Virginia, Marcus, Scott and Reynolds, Dwight, eds. The Garland Encyclopedia of World Music: The Middle East, Vol. 6. Routledge, pp. 781-787.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2002. Snapshot: Tanburî Cemil Bey. Danielson, Virginia, Marcus, Scott and Reynolds, Dwight, eds. The Garland Encyclopedia of World Music: The Middle East, Routledge, pp. 757-758.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2003. Music of the Ottoman court: makam, composition and the early Ottoman instrumental repertoire by Walter Feldman [Book Review]. Edebiyât 13 (2) , pp. 260-263. 10.1080/0364650032000143283

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2003. Song cycle: the life and death of the Turkish gazel: a review essay [Musical Recordings Review]. Ethnomusicology 47 (3) , pp. 399-414. 10.2307/3113948

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2003. A resounding issue: Greek recordings of Turkish music, 1923-1938. Middle East Studies Association Bulletin 37 (2) , pp. 200-216.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2004. Sustaining difference: theorizing minority musics in Badakhshan. Hemetek, Ursula, Lechleitner, Gerda, Naroditskaya, Inna and Czekanowska, Anna, eds. Manifold Identites, Cambridge Scholars Press, pp. 1-19.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2004. The tale of Crazy Harman: the musician and the concept of music in the Türkmen epic tale, Harman Däli by Sławomira Żerańska-Kominek [Book Review]. Yearbook for Traditional Music 36 , pp. 171-175.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2004. Liaison officer report: Ireland. Bulletin of the International Council for Traditional Music 105 , pp. 24-27.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2005. 'Sound sense: mediterranean music from a Turkish perspective'. Cooper, David and Dawe, Kevin, eds. The Mediterranean in Music, Scarecrow Press, pp. 3-25.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2005. The 15th ICTM colloquium: identifying conflict in music, resolving conflict through music. Bulletin of the International Council for Traditional Music 106 , pp. 55-57.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2005. In the time of Alaturka: Identifying difference in musical discourse. Ethnomusicology 49 (2) , pp. 177-205.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2005. The Edvâr of Demetrius Cantemir: recent publications. Ethnomusicology Forum 14 (2) , pp. 235-239. 10.1080/17411910500415887

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2006. 'The mermaid of the Meyhane: the legend of a Greek singer in a Turkish tavern'. Linda, P. Austern and Inna, Naroditskaya, eds. Music of the Sirens, Indiana University Press, pp. 273-293.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2006. National symposium: towards a national ethnomusicology. Bulletin of the International Council for Traditional Music 109 , pp. 61-62.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2007. Falak: the voice of destiny: traditional, popular and symphonic music of Tajikistan. Compiled by Federico Spinetti [Musical Recording Review]. Ethnomusicology Forum 16 (1) , pp. 179-181. 10.1080/17411910701273101

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2007. Timothy D. Taylor, Beyond exoticism: Western music and the world (Durham, NC: Duke University Press, 2007), ISBN 978 0 8223 9571 (hb), 978 0 8223 3968 7 (pb) [Book Review]. Twentieth-Century Music 4 (2) , pp. 261-265. 10.1017/S1478572208000546

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2008. War of the Waves: Cypriot Broadcasting in Great Britain. Hemetek, Ursula and Sağlam, Hande, eds. Music from Turkey in the Diaspora, Klanglese, vol. 5. Vienna: Institut für Volksmusikforschung und Ethnomusikologie, pp. 119-130.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2009. Ayin. Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett, eds. Encyclopaedia of Islam, Three, Brill, pp. 86-87. (10.1163/1573-3912_ei3_COM_23036)

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. Introduction: an ethnomusicological approach to music and conflict. O'Connell, John Morgan and El-Shawan Castelo-Branco, Salwa, eds. Music and Conflict, Urbana: University of Illinois Press, pp. 1-14.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. Music and the play of power in the Middle East, North Africa and Central Asia. Laudan Nooshin, ed. [Book Review]. Ethnomusicology 54 (2) , pp. 347-351. 10.5406/ethnomusicology.54.2.0347

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. Music in war. O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 and El-Shawan Castelo-Branco, Salwa, eds. Music and Conflict, University of Illinois Press, pp. 15-16.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. A staged fright: Musical hybridity and religious intolerance in Turkey, 1923-38. twentieth-century music 7 (1) , pp. 3-28. 10.1017/S147857221100003X

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2010. Alabanda: Brass bands and musical methods in Turkey. Spinetti, Federico, ed. Giuseppe Donizetti Pasha: Musical and Historical Trajectories between Italy and Turkey [Giuseppe Donizetti Pascià: Traiettorie Musicali e Storiche tra Italia e Turchia], Saggi e Monografie, vol. 7. Bergamo, Italy: Fondazione Donizetti, pp. 19-37.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2011. Music in war, music for peace: A review article. Ethnomusicology 55 (1) , pp. 112-127. 10.5406/ethnomusicology.55.1.0112

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2013. Beste. Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett, eds. Encyclopaedia of Islam, Three, Brill, pp. 52-53. (10.1163/1573-3912_ei3_COM_24017)

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2013. Pir Sultan Abdal. Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett, eds. Encyclopaedia of Islam, Three, Brill, pp. 135-136. (10.1163/1573-3912_ei3_COM_23910)

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2013. Alaturka: Style in Turkish music (1923-1938). SOAS Musicology Series, Aldershot: Ashgate.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. The classical style: modal analysis of vocal improvisation in Turkey. Agayeva, Suraya, ed. Space of Maugham, Şerq-Qerb, pp. 124-139.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. Music and humanism in the Aga Khan Humanities Project. Pettan, Svanibor and Titon, Jeff Todd, eds. The Oxford Handbook of Applied Ethnomusicology, Oxford Handbooks, Oxford University Press, pp. 602-638.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. Modal trails, model trials: Musical migrants and mystical critics in Turkey. Davis, Ruth, ed. Musical Exodus: Al-Andalus and its Jewish Diasporas, Europea: Ethnomusicologies and Modernities, Lanham, MD: Rowman & Littlefield Publishers, pp. 101-124.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. Gazel. Jankowsky, Richard C., ed. Bloomsbury Encyclopedia of Popular Music of the World, Vol. 10. Encyclopedia of Popular Music of the World, Bloomsbury Academic, pp. 35-37.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. Iranian classical music: the discourse and practice of creativity. By Laudan Nooshin [Book Review]. Music and Letters 96 (4) , pp. 677-679. 10.1093/ml/gcv080

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2017. Usûlsüz: a matter of meter in the concerts of Münir Nurettin Selçuk. Presented at: Rhythmic Cycles and Structures in the Art Music of the Middle East, Munster, Germany, 27-28 February 2014. Published in: Helvacı, Zeynep, Olley, Jacob and Jäger, Ralf Martin eds. Rhythmic Cycles and Structures in the Art Music of the Middle East. Ergon Verlag,

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2017. A concert platform: a space for a style in Turkish music. Frishkopf, Michael and Spinetti, Federico, eds. Music, Sound, and Architecture in Islam, Austin, TX: University of Texas Press, pp. 59-84.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2017. Commemorating Gallipoli through music: remembering and forgetting. Lexington Books.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2018. Bedî Mensî: Arel ve Ahenk. Turan, In Fikret, Temel, Emine and Kurban, Emre, eds. 2017 Arel Sempozyumu bildirileri: Uluslararası Hüseyin Sadettin Arel ve Türk Müziği Sempozyumu (13-14 Aralık 2017), Vol. 5247. Istanbul: Türkiyat Araştırmaları Enstitüsü, pp. 341-350.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2020. E pluribus unum. Querelles d’hymnes dans l’Empire ottoman, 1908-1918. Gradhiva 31 , pp. 56-73. 10.4000/gradhiva.4967

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2021. Conflict after conflict: music in the memorialisation of the Gallipoli Campaign. Ethnomusicology Forum 30 (2) , pp. 283-301. 10.1080/17411912.2021.1957700

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2023. Alaturka: Türk Müziginde Bir Üslup [Alaturka: A Style in Turkish Music]. Albaraka Yayinlari.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 and Smith, Thérèse 2005. Liaison officer report: Ireland. Bulletin of the International Council for Traditional Music 106 , pp. 65-67.

O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843 2017. Kâr-ı nev: Elongation and elaboration in recordings of a Turkish classic. Harris, Rachel and Stokes, Martin, eds. Theory and Practice in the Music of the Islamic World: Essays in Honour of Owen Wright, SOAS Musicology Series, Abingdon and New York: Routledge, pp. 125-145. (10.4324/9781315191461-7)

O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843 2021. Sir William Jones: Welsh Orientalist and comparative Musicologist. Morgan, William J, Bowie, Fiona and O'Connell, John, eds. Social Anthropologies of the Welsh: Past and Present, The Royal Anthropological Institute's Country Series, Sean Kingston Publishing, pp. 56-79.

O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843 2022. Sik bir gazel oldu: Style and taste in Turkish classical music under Atatürk. Turkish Area Studies Review 40 , pp. 3-8.

O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843 2023. Münir Nureddin Selçuk’un Yurt içi ve Yurt dışı Konser Turneleri (1929-1939). Bertuğ, İ and Kıyak, Hüseyin, eds. İstanbul’un Engin Sesi: 40 Yılın Ardından Münir Nureddin Selçuk, Kubbealtı Neşriyatı, pp. 163-185.

O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843 2023. Üstâd-ı Cihân: Ottoman music and Turkish musicians in Khedival Egypt. Güray, Cenk, ed. Üstâd-ı Cihân: Tanbûrî Cemil Bey, Anadolu Müzik Kültürleri, pp. 32-47.

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2010. Rumba Rules: The politics of dance music in Mobutu's Zaire. By Bob W. White. Durham and London: Duke University Press, 2008. 300 pp. ISBN 978-0822341123 [Book Review]. Popular Music 29 (3) , pp. 483-485. 10.1017/S0261143010000310

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2014. 'Better Decide Which Side You're On': Authenticity, politics and post-punk in Thatcherite Britain. PhD Thesis, Cardiff University. Item availability restricted.

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2016. 'Practical Dreamers': Red wedge and the British State. Presented at: Music, Political Activism and the State, University of Southampton, 13 April 2016. -.

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2018. Rethinking Live Aid: a social mo(ve)ment? Presented at: Music and Social Movements Symposium, Northumbria University, 30 November 2018. -.

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2018. 'Suffer Louder': the cultural politics of the American mathcore canon. Presented at: Metal Punk Conference, De Montfort University, Leicester, 13-14 December 2018. -.

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2018. 'The undiluted squash of UK math rock': the performer's view of ArcTanGent. Presented at: Crosstown Traffic: Popular Music Theory and Practice, University of Huddersfield, 3-5 September 2018. -.

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2018. A Friday afternoon stroll through ArcTanGent Festival with Alpha Male Tea Party. Riffs: Experimental writing on popular music , pp. 5-7.

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2019. 'The undiluted squash of UK math rock': the performer's view of ArcTanGent festival. Riffs 3 (2)

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 and Murray, Samuel ORCID: https://orcid.org/0000-0001-7698-2512 2018. 'Are You With Me Now?': the sŵn performer's journey. Presented at: Past and Present: Local Music Making and the Politics of Popular Music, REDHOUSE Cymru, Merthyr Tydfil, 27 January 2018. -.

P

Pace, Ian 2018. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). PhD Thesis, Cardiff University. Item availability restricted.

Palidda, Alessandra 2016. Milan and the music of political transitions in the Napoleonic period: the case of Ambrogio Minoja (1752-1825). Jardin, Etienne, ed. Music and War in Europe from the French Revolution to WWI, Brepols, pp. 105-120.

Palidda, Alessandra 2017. Milan 1790-1802: Music, society and politics in the city of many regimes. PhD Thesis, Cardiff University. Item availability restricted.

Palidda, Alessandra 2018. Le pubbliche feste: Musical performances and propaganda strategies in Jacobin Milan (1796-1799). Lorens, Ana, ed. VIII Jornadas de Jóvenes Musicólogos. Libro de Actas, Madrid: Wordpress JAM, pp. 213-228.

Parsons, John Lewis 2005. Stylistic change in violin performance 1900-1960: with special reference to recordings of the Hungarian violin school. PhD Thesis, Cardiff University.

Paterson, Alexis 2010. The minimal kaleidoscope: exploring minimal music through the lens of postmodernity. PhD Thesis, Cardiff University.

Payne, Emma 2020. The essence of femininity: The subversive potential of the music video aesthetic in perfume advertisement. Sonic Scope: New Approaches to Audiovisual Culture 10.21428/66f840a4.0cbdf606

Pluta, Agnieszka 2014. The pianism of Paderewski. PhD Thesis, Cardiff University. Item availability restricted.

Ponsford, David Stewart 1997. Unwriting the unwritable. Musical Times -London- 1997 , pp. 24-26.

Ponsford, David Stewart 1999. Genre and Notes inegales in the Livres d'orgue of Francois Couperin and Nicolas de Grigny. PhD Thesis, Cardiff University.

Ponsford, David Stewart 1999. Inegalite and recits: genre studies in seventeenth-century French organ music. Williams, Peter, ed. The Organ yearbook, Vol. 28. Laaber, pp. 61-77.

Ponsford, David Stewart 2000. J. S. Bach and the nature of French influence. Williams, Peter and Heinemann, Michael, eds. The Organ Yearbook, Vol. 29. Laaber-Verlag, pp. 59-74.

Ponsford, David Stewart 2000. Buxtehude defined. Choir & Organ 2000 (03/04)

Ponsford, David Stewart 2003. Preface. Mawby, Colin, ed. J. S. Bach: 48 Preludes & Fugues, Kevin Mayhew, pp. 5-8.

Ponsford, David Stewart 2003. Towards a reappraisal of Francois Couperin's organ masses. Journal of the British Institute of Organ Studies , pp. 40-57.

Ponsford, David Stewart 2003. J.S.Bach: Clavierübung III and Sei gegrüsset. [CD].

Ponsford, David Stewart 2004. Charpentier's Messe pour plusieurs instruments au lieu des orgues (H513). Williams, Peter and Donati, Pier Paolo, eds. The Organ Yearbook, Vol. 33. Laabar-Verlag, pp. 63-72.

Ponsford, David Stewart 2005. Parthenia. [CD].

Ponsford, David Stewart 2007. Spirit of the age. Choir & Organ , pp. 29-31.

Ponsford, David Stewart 2007. Touching the past. International Piano , pp. 20-23.

Ponsford, David Stewart 2007. The Power of Music. [CD].

Ponsford, David Stewart 2009. A Question of Genre: Charpentier's Messe pour plusieurs Instruments au lieu des orgues (H513). Thompson, Shirley, ed. New Perspectives on Marc-Antoine Charpentier, Ashgate, pp. 105-131.

Ponsford, David Stewart 2011. French organ music in the reign of Louis XIV. Cambridge University Press.

Ponsford, David Stewart 2013. Francois Couperin & Marc-Antoine Charpentier. [CD]. 2013. ID number: NI 6225.

Ponsford, David Stewart 2013. Francois Couperin & Pierre Du Mage. [CD]. 2013. ID number: NI 6213.

Ponsford, David Stewart 2014. Andre Raison & Louis-Nicolas Clerambault. [CD]. 2014. ID number: NI 6268.

Ponsford, David Stewart 2015. Guillaume-Gabriel Nivers & Nicolas-Antoine Lebegue. [CD]. French Organ Music from the Golden Age. Volume 4 2015. ID number: NI6292.

Ponsford, David Stewart 2015. Instrumental performance in the seventeenth century. Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, Cambridge University Press, pp. 421-447.

Ponsford, David Stewart and Davis, Alan 2006. Handel: Complete Recorder Sonatas. [CD]. 2006. ID number: GMCD 7301.

Potter, Caroline and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2010. Dutilleux at 95: Preface. Contemporary Music Review 29 (5) , pp. 429-430. 10.1080/07494467.2010.589122

Power, Martin J., Widdop, Paul, Parnell, Dan, Carr, James and Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2020. Football and politics: the politics of football. Managing Sport and Leisure 25 (1-2) , pp. 1-5. 10.1080/23750472.2020.1723437

Powers, Anthony 2001. SYMPHONY No 2 for orchestra (28 minutes). [Published score].

Powers, Anthony 2003. AIR AND ANGELS for soprano, baritone, mixed chorus and orchestra (35 minutes). [Published score].

Powers, Anthony 2003. FROM STATION ISLAND for speaker, baritone and ensemble (26 minutes). [Published score].

Powers, Anthony 2005. STRING QUARTET No 4 (27 minutes). [Published score].

Price, Gareth Idwal John 2018. Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals. PhD Thesis, Cardiff University. Item availability restricted.

R

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Echoes of the rite: Jolivet, Ohana and the style incantatoire. de Médicis, François, Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Trottier, Danick, eds. Stravinsky and France: Reception, interactions and legacy, Rochester NY: University of Rochester Press,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Fanny Waterman. Cannadine, David, ed. Oxford Dictionary of National Biography, Oxford University Press,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Marius-François Gaillard and his pianistic contemporaries: Interpretation and style in the 78-rpm recordings of Debussy’s piano works. Branger, Jean-Christophe, Moron, Nicolas, Pimentel, Juliana and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, eds. Claude Debussy, d'hier à aujourd'hui, Paris: Société française de musicologie,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2025. Boulez and his “useless” contemporaries: From polemics to reconciliations. Campbell, Edward, ed. Pierre Boulez in Context, Cambridge: Cambridge University Press,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1988. La Célestine: Maurice Ohana's Oper in Paris. Die neue Zeitschrift für Musik 149 (10) , pp. 35-36.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1991. Maurice Ohana: iconoclast or individualist? The Musical Times , pp. 69-74.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. La Célestine. Sadie, Stanley, ed. The New Grove Dictionary of Opera, Vol. 1. Macmillan, p. 795.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. Le symbolisme et l’archétype du mythe européen dans l’oeuvre de Maurice Ohana. 'Musique et Europe' Cahiers du CIREM (Centre international de recherche aesthétique musicale) (24-5) , pp. 115-130.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. Ohana, Maurice. Sadie, Stanley, ed. The New Grove Dictionary of Opera, Vol. 3. Macmillan, pp. 659-600.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. Ohana, Maurice. Morton, Brian and Collins, Pamela, eds. Contemporary Composers, St James Press, pp. 703-705.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. Honegger: a centenary reappraisal. The Musical Times 133 (1789) , pp. 118-121.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1994. Debussy et Ohana: allusions et références. Cahiers Debussy (17-18) , pp. 103-120.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1994. L'improvisation dans l’oeuvre de Maurice Ohana. Presented at: l'improvisation Musicale En Question: Actes du Colloque International, Rouen, France, 16-18 March 1992. Published in: Dambricourt, Jean-Pierre ed. l'improvisation Musicale En Question: Actes du Colloque International Tenu à l'Université de Rouen les 16, 17 et 18 Mars 1992. Rouen: Université, Centre d'étude et de diffusion des langues artistiques, pp. 73-85.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1994. La magie musicale de Maurice Ohana. Le Monde de la musique (2) , pp. 16-17.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1995. The piano music of Maurice Ohana. Revista Musica 6 (12) , pp. 44-74.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1999. Magic and music - Alejo Carpentier and Maurice Ohana: cross-connections in Twentieth Century French music and the South Americas. Barbiche, Jean-Paul, ed. Des Amériques: impressions et expressions, Paris: L'Harmattan,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2000. The music of Maurice Ohana. Aldershot: Ashgate.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2000. Henri Dutilleux and Maurice Ohana: victims of an exclusion zone? Tempo 212 (212) , pp. 22-30. 10.1017/s0040298200007580

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2000. Maurice Ohana’s 'Office des Oracles' and 'Messe' [Music Review]. Tempo (212) , pp. 55-57. 10.1017/S0040298200007683

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2000. Ohana’s 'In Dark and Blue', 'Sorgin-Ngo' and other music for strings. Notes 57 (2) , pp. 464-468.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Boutry, Roger. The New Grove Dictionary of Music and Musician 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.03741)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Constant, Marius. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.06329)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Delaistier, Maurice. Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.44410)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Ohana, Maurice. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.20292)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Tansman, Alexandre. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.27479)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Maurice Ohana's 'Livre des Prodiges', 'Anneau du Tamarit' and 'Synaxis'. Tempo (216) , pp. 55-58.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. André Jolivet: The Erato recordings [CD booklet article]. Warner Classics.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Irish Music in the Twentieth Century [Book Review]. Music and Letters 85 (4) , pp. 666-669. 10.1093/ml/85.4.666

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Lutoslawski Studies [Book Review]. Music and Letters 85 (1) , pp. 127-132. 10.1093/ml/85.1.127

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Maurice Ohana and the Debussyian descendency: an exploration of the music for piano. Performed at Lecture-Recital [Elder Conservatorium University of Adelaide, 28 July 2004].

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Alejo Carpentier and the magic of music: a Centenary retrospective. Presented at: Alejo Carpentier Centenary Lecture, Taylor Institution, Oxford University, 23 November 2004.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Myth and mysticism in Jolivet: musical magic realism? Cahiers rémois de musicologie 2 , pp. 139-171.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2005. Alexandre Tansman and his Symphonies [CD booklet article]. Chandos.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2005. Maurice Ohana: From the Garden of the Hesperides [CD booklet article]. Warner Classics.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2006. Jolivet on Jolivet: an interview with the composer’s daughter. Musical Times 147 (1894) , pp. 5-22.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2006. Alejo Carpentier and the promotion of new music in Machado's Cuba. Presented at: Royal Musical Association Conference, Nottingham University, July 2006.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2007. Alejo Carpentier: music and magic realism. Presented at: Centre for Interdisciplinary Music Research (CIMR), Roehampton University, London, 13 October 2007.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2007. Erinnerungen, Träume, Gedanken: Lieder des Zwanzigsten Jahrhunderts. Programmbuch zum Europäischen Musikfest Stuttgart , pp. 232-239.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2007. The musical collaborations of Alejo Carpentier: Afrocubanism and the quest for spiritual renewal. Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America 84 (7) , pp. 905-929. 10.1080/14753820701560519

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2008. In Havana and Paris: The musical activities of Alejo Carpentier. Music and Letters 89 (3) , pp. 373-395. 10.1093/ml/gcn033

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2008. The Works of Messiaen's Final Years. Sherlaw Johnson, Robert and Rae, Caroline, eds. Messiaen, London: Omnibus Press, pp. 196-208.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2009. Piano music of Africa and the African Diaspora. Ethnomusicology 53 (1) , pp. 146-151.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2010. Beyond boundaries: Dutilleux's foreign leavening. Contemporary Music Review 29 (5) , pp. 431-446. 10.1080/07494467.2010.589123

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2011. Debussyist, Modernist, Exoticist: Marius-François Gaillard rediscovered. The Musical Times 152 (1916) , pp. 59-80.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2011. From a foreign correspondent: Alejo Carpentier’s Parisian Chronicles. Presented at: Music Criticism in France in the Interwar Period (1918-1939), University of Ottawa, Canada, 4-6 November 2011.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2012. Marius-François Gaillard’s Debussy: performances and recordings – controversy and legacy. Presented at: L'héritage de Claude Debussy: du rêve pour les générations futures, Université de Montréal, Canada, 29 February - 3 March 2012.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Dutilleux and Lutosławski: Franco-Polish connections. Mantzourani, Eva, ed. Polish Music since 1945, Krakow: Musica Iagellonica, pp. 147-162.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Messiaen and Ohana: parallel preoccupations or anxiety of influence? Dingle, Christopher and Fallon, Robert, eds. Messiaen perspectives 2: Techniques, influence and reception, Farnham: Ashgate, pp. 153-174.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Messiaen and the romantic gesture: Contemplations on his piano music and pianism. Dingle, Christopher and Fallon, Robert, eds. Messiaen perspectives 1: Sources and influences, Farnham: Ashgate, pp. 235-256.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. The magic of timbre: French orchestral sound. Rae, Caroline and Potter, Caroline, eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 23-26.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. BBC Symphony Orchestra rehearsal performance of Ravel's Bolero, conducted by Lionel Bringuier, with commentary by Dr Caroline Rae. [Film video]. London: BBC Radio 3. Available at: https://www.bbc.co.uk/programmes/p01t693d

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. Dr. Caroline Rae discusses the War of the Romantics. [Website (BBC Radio 3)]. BBC iWonder Guide-Brahms: BBC. Available at: https://www.bbc.co.uk/programmes/p0282nxf

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2016. Innovation and invention in Ohana’s Si le jour paraît for 10-string guitar. Presented at: International Guitar Research Conference (IGRC), University of Surrey, 18-23 March 2016.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2016. Celebrating the Dutilleux centenary. Presented at: International Dutilleux Symposium, Cardiff University, Cardiff, UK, 28 January 2016.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2016. Henri Dutilleux and the power of enchantment. BBC Proms 2016: The Official Guide, BBC Proms Guides, London: BBC, pp. 54-57.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2016. Musical revolutions: The promotion of new music in Machado’s Cuba. Presented at: Music and Nation 1918-1945 – Europe-Americas (II), Royal Northern College of Music, Manchester, UK, 23-24 November 2016.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2017. Aspects of colour and timbre in Julian Anderson’s Incantesimi: Exploring French connections. Presented at: Julian Anderson Symposium – Julian Anderson Total Immersion Weekend, Barbican Centre and Guildhall School of Music and Drama, London, 20-21 October 2017.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Marius-François Gaillard and his Debussy recordings [CD Booklet article]. UK: Appian Publications and Recordings, APR 6025.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Exploring Marius-François Gaillard’s Debussy recordings. Presented at: Debussy Day: Commemorating the 100th Anniversary of Debussy's Death, University of Bangor, Wales, UK, 12 March 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Exploring Debussy’s legacy: Maurice Ohana’s 'Tombeau de Claude Debussy'. Presented at: Claude Debussy in 2018: a Centenary Celebration, Manchester and Glasgow, UK, 19-23 March 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. André Jolivet, Antonin Artaud and Alejo Carpentier: Redefining the surreal. Presented at: Surrealism and Music in France 1924-1952: Interdisciplinary and International Contexts, Senate House, London, UK, 8 June 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Debussy's Violin Sonata. [BBC Radio Podcast]. June 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. From a foreign correspondent: the Parisian chronicles of Alejo Carpentier. Kelly, Barbara L. and Moore, Christopher, eds. Music Criticism in France, 1918-1939: Authority, Advocacy, Legacy, Woodbridge: Boydell Press, pp. 193-218. (10.1017/9781787442573.009)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Marius-François Gaillard et ses enregistrements de Debussy: exécution, style et esthétique pianistique. Presented at: Colloque international Claude Debussy, Université de Lorraine, Cité Musicale, Metz, 25-26 September 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Marius-François Gaillard’s Debussy: Controversies and pianistic legacy. de Médicis, François and Huebner, Steven, eds. Debussy's Resonance, Eastman Studies in Music, Rochester, NY: University of Rochester Press, pp. 562-580.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Chronology of Jolivet’s life and works. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, xxii-xxxix.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Expressing the incantatory: performing Jolivet's Cinq églogues (1967) for solo viola. Presented at: Public Research Seminar, Royal Birmingham Conservatoire, 29 October 2019.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Introduction: Jolivet in context. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, pp. 1-12.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Poulenc at the BBC: composer of the month. BBC Music Magazine Novemb , pp. 66-70.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Proportioning the divine: Jolivet and the golden section. Presented at: Public Research Seminar, University of Aberdeen, 24 October 2019.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Sourcing Jolivet’s compositional aesthetic: Literary influences and his library. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, pp. 194-213.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Jolivet and the visual arts: Interactions and influences. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon and New York: Routledge, pp. 107-131.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Mussorgsky and his French compositional descendants. London: Signum Classics, SIGCD-566.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Catalysing Latin American identities: Alejo Carpentier’s music criticism as a Cuban case study. Dingle, Christopher, ed. The Cambridge History of Music Criticism, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 484-501.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2020. Forging identities: Latin Americans in Paris and the musical interactions of Miguel Angel Asturias and Alejo Carpentier. Huebner, Steven and Lazzaro, Federico, eds. Artistic Migration and Identity: Paris 1870-1940, Bern, New York, Oxford: Peter Lang, pp. 153-166. (10.3726/b14353)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2020. Jolivet reassessed. Presented at: Université de Montréal Research Seminar, Université de Montréal [via Zoom], 14 October 2020.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2023. Pianism and virtuosity in Messiaen’s Vingt regards sur l’enfant-Jésus. Sholl, Robert, ed. Messiaen in Context, Cambridge: Cambridge University Press, pp. 207-220.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2023. Revitalising the spiritual: Messiaen and La Jeune France. Sholl, Robert, ed. Messiaen in Context, Cambridge: Cambridge University Press, pp. 103-118.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, Anderson, Julian and Potter, Caroline 2019. The incantatory and the divine: new perspectives on the music of André Jolivet. Presented at: Guildhall School of Music and Drama Research Seminar (ResearchWorks series), Guildhall School of Music and Drama, 18 November 2019.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Potter, Caroline 2014. City of light: the French musical milieu. Rae, Caroline and Potter, Caroline, eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 12-19.

Reyland, Nicholas 2005. 'Akcja' and narrativity in the music of Witold Lutosławski. PhD Thesis, Cardiff University.

Ross, Jacqueline and Ponsford, David Stewart 2002. Johann Sebastian Bach Violin Sonatas. [CD]. 2002. ID number: GAU 308.

Ross, Jacqueline, Ponsford, David Stewart and Boothby, Richard 2003. Johann Sebastian Bach Violin Sonatas Vol. 3. [CD]. 2003. ID number: GAU 345.

Ross, Jaqueline and Ponsford, David Stewart 2015. Johann Sebastian Bach Violin Sonatas. [CD]. 2015. ID number: GAU 228.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2023. ‘Anne Charton-Demeur: a “classical” diva’. Berlioz Society Bulletin 219 , pp. 18-35.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2023. ‘Operatic gems: Adelina Patti, prerogative and paste’. Talasniemi, Johanna, Broman-Kananen, Ulla-Britta and Koivisto-Kaasik, Nuppu, eds. “Her creative process”: pathways to music history and performance. Festschrift for Anne Kauppala, DocMus Research Publications, Helsinki: Univeristy of the Arts Helsinki, pp. 79-98.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2023. ‘¿Por qué eres Romeo?’ [Programme Note]. Bilbao: Bilbao Opera.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 1998. 'Hérodiade': anticlerical, imperial or republican opera? British Postgraduate Musicology 2 , pp. 2-15.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2002. 'Hérodiade': Church, State and the Feminist Movement. Presented at: Tenth International Conference on Nineteenth-Century Music, Bristol, UK, July 1998. Published in: Samson, Jim and Zon, Bennett eds. Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference. London: Ashgate, pp. 250-278.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Cendrillon [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Chérubin [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Grisélidis [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Hérodiade [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. La Navarraise [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Le Jongleur de Notre-Dame [Dictionary article]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Review: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 [Book Review]. Music and Letters 84 (2) , pp. 300-302. 10.1093/ml/84.2.300

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Thais [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Explosive Opera: 'La Navarraise' face à la critique londonienne [Programme note]. Avant-Scène Opéra: Massenet 'Sapho', 'La Navarraise', Paris: Avant-Scène Opéra, pp. 80-81.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Julian Rushton, The Music of Berlioz (Oxford: Oxford University Press, 2001). xv + 363pp. £50 (hb) £21.99 (pb) [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 112-115. 10.1017/S1479409800001415

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Meyerbeer [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 139-141. 10.1017/S1479409800001506

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Paris – Londres : 'La Navarraise' face à la presse. Branger, Jean-Christophe and Ramaut, Alban, eds. Le Naturalisme sur la scène lyrique, Musicologie - Cahiers de L'Esplanade, vol. 3. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 106-128.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Republican morality and Catholic tradition in opera: Massenet's Hérodïade and Thaïs. Etudes sur l'opéra français du XIXème siècle, vol. 6. Weinsberg: Musik-Edition Lucie Galland.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. 'The island’s full of noises, sounds and voices': l’écriture vocale de Thomas Adès [Programme note]. Avant-Scène Opéra: Thomas Adès 'The Tempest', vol. 222. Paris: Avant-Scène Opéra, pp. 80-83.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. 'Werther' at home and abroad [programme note]. Werther, London: Royal Opera House, pp. 43-48.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2006. David Charlton (ed.), The Cambridge Companion to Grand Opera (Cambridge: Cambridge University Press, 2003). 496 pp. $29.99 [Book Review]. Nineteenth-Century Music Review 3 (1) , pp. 122-125. 10.1017/S1479409800000380

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2006. L'amour sacré et le sacre de l'amour: l'homme saint chez Massenet. Ramaut, Alban and Branger, Jean-Christophe, eds. Opéra et Religion sous la IIIe République, Travaux, vol. 129. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 257-284.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2007. Massenet and 'Thaïs': the religious context [programme note]. Thaïs, London: Royal Opera House, pp. 29-33.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2007. Werther, La Navarraise and Verismo: A Matter of Taste. Franco - British Studies: journal of the British Institute in Paris 37 , 3 -34.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2007. Cinderella takes a Roman holiday [programme note]. La Cenerentola, London: Royal Opera House, pp. 9-12.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure [Book Review]. Musicology Australia 30 (1) , pp. 141-143. 10.1080/08145857.2008.10416750

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Decentralisation and regeneration at the Théâtre des Arts, Rouen, 1889-1891. Revue de Musicologie 94 (1) , pp. 139-180.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. French Music Since Berlioz [Book Review]. Musicology Australia 30 (1) , pp. 135-140. 10.1080/08145857.2008.10416749

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Massenet and the 'Manon' score [Programme note]. Manon, London: Royal Opera House presents The Royal Ballet, pp. 19-24.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2009. Alexandra Wilson, The Puccini Problem: Opera, Nationalism and Modernity (Cambridge: Cambridge University Press, 2007), ISBN 978-0-521-85688-1 (hb) [Book Review]. twentieth-century music 6 (1) , pp. 115-118. 10.1017/S1478572210000083

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2009. Opera, caricature and the unconscious: Massenet’s 'Thaïs', a case study. Music in Art: International Journal for Music Iconography XXXIV (1-2) , pp. 274-289.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Andreas Giger, Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera (Cambridge: Cambridge University Press, 2009). x + 294pp. £52.00 [Book Review]. Nineteenth-Century Music Review 7 (2) , pp. 129-132. 10.1017/S1479409800003657

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. [Book Review]. Music and Letters 91 (3) , pp. 441-444. 10.1093/ml/gcq031

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Loïe Fuller et Salomé: Les drames mimés de Gabriel Pierné et de Florent Schmitt. Branger, Jean-Christophe, ed. Musique et Chorégraphie en France de Léo Delibes à Florent Schmitt, Musicologie - Cahiers de l'Esplanade, vol. 6. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 215-259.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Sentiment and Reminiscence [Programme note]. Manon, London: Royal Opera House, pp. 25-31.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. 'Les Pêcheurs' and the Parisian Press [Programme note]. Les Pêcheurs de Perles, London: Royal Opera House, pp. 27-34.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. A Source of Lyricism [Programme note]. Roméo et Juliette, London: Royal Opera House, pp. 32-36.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. Annegret Fauser & Mark Everist (eds.), Music, Theater, and Cultural Transfer: Paris 1830-1914 (University of Chicago Press, 2009), 439 pp. ISBN-13: 978-0-226-23926-2. [Book Review]. H: France 11 (99)

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. Salome and modern opera: a Parisian perspective. Brosche, Günter, May, Jürgen, Internationale Richard Strauss-Gesellschaft, Wien and Richard Strauss-Institut, Garmisch-Partenkirchen, eds. Richard Strauss-Jahrbuch 2011: Richard Strauss im Europäischen Kontext, Tutzing: Hans Schneider, pp. 163-176.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. The End of the Fairytale [Programme note]. Cendrillon, London: Royal Opera House, pp. 12-19.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2012. La Reception des Pecheurs de Perles [Programme note]. Opera Comique, Paris , pp. 71-76.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2012. The Choral Music of Félicien David, Charles Gounod, and Jules Massenet. Di Grazia, Donna M., ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, London: Routledge,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Choral music and music making in France. Di Grazia, Donna M., ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, Abingdon. Oxon: Routledge, pp. 205-212.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Jann Pasler, ed., Camille Saint-Saëns and his world. Princeton and Oxford: Princeton University Press, 2012. [Book Review]. H-France Review 13 (40) , pp. 1-7.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Memorialisation, commemoration and commodification: Massenet and caricature. Cambridge Opera Journal 25 (2) , pp. 139-163. 10.1017/S0954586713000049

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Introduction. Rowden, Clair Sophie, ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 1-14.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Whose/who's Salome? Natalia Trouhanowa, a dancing diva. Rowden, Clair Sophie, ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 71-98.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. Memorialisation, commemoration et commercialisation: Massenet et la caricature. Branger, Jean-Christophe and Giroud, Vincent, eds. Massenet aujourd’hui : Héritage et postérité, Publications de l'Universite de Saint-Etienne, pp. 39-64.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. The other 'Salome'. Opera , pp. 1234-1241.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. Wilde's 'Salome': a very modern French affair. Wexford Festival Opera.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. La Dramaturgie de Gustave Charpentier. By Michela Niccolai. Music and Letters 95 (2) , pp. 299-302. 10.1093/ml/gcu025

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. 'Thais': adaptation, degeneration and intermediality. Dix-Neuf 18 (2) , pp. 134-149. 10.1179/1478731814Z.00000000049

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2015. Loie Fuller and Salome: The unveiling of a myth. Lee, Hyunseon and Segal, Naomi, eds. Opera, Exoticism and Visual Culture, Cultural Interactions: Studies in the Relationship between the Arts, vol. 34. Peter Lang, pp. 93-110.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2015. ‘From the fairground to the heights of French art : Opéra comiqueand Le Pré aux clercs’, 64th Wexford Festival Opera 2015 Season programme [Programme notes]. 64th Wexford Festival Opera 2015 Season programme.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2016. In the power of Venus, yet in union with Christ: Jules Massenet’s ‘comédie lyrique’ Thaïs’, Salzburger Festspiele programme (Austria) [Programme note]. Salzburger Festspiele programme.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2016. Bizet. By Hugh Macdonald. The Bizet Catalogue. By Hugh Macdonald [Review]. Music and Letters 97 (2) , pp. 355-356. 10.1093/ml/gcw024

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. Kauppala, Anne, Broman-Kananen, Ulla-Britta and Hesselager, Jens, eds. Tracing Operatic and Theatrical Performances in the Long 19th Century: Practices, Performers, Peripheries, DocMus Research Publications, Helsinki: Sibelius Academy, pp. 43-82.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2017. 'Du grand au petit': Faust on Parisian stages in 1869. Niccolai, Michela and Rowden, Clair, eds. Musical Theatre in Europe 1830-1945, Speculum Musicae, Turnhout: Brepols,

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2018. Reinventing 'Carmen'. Opera 69 (2) , pp. 139-144.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2018. Deferent daisies: Caroline Miolan Carvalho, Christine Nilsson and Marguerite, 1869. Cambridge Opera Journal 30 (2-3) , pp. 237-258. 10.1017/S0954586719000089

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2019. Carmen: Life and death on stage in the 21st century. Cardiff: Welsh National Opera.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2019. “Le Tétraque se perdait dans un rêve”: concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet. Flaubert: Revue Critique et Génétique 21

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. The sopranos, Parisian style, 1869. Opera as Institution: Networks and Professions (1730-1917), LIT Verlag, pp. 119-134.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. 'Carmen' faces Paris and the provinces. Langham Smith, Richard and Rowden, Clair, eds. Carmen Abroad: Bizet's Opera on the Global Stage, Cambridge: Cambridge University Press, pp. 45-63.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. Charles Gounod, Cantates et musique sacrée - Flemish Radio Choir and the Brussels Philharmonic, Hervé Niquet cond - Includes book of essays in French and English edited by Alexandre Dratwicki - Collection Prix de Rome, vol. 6 - Ediciones Singulares 1030, 2017 (2 CDs: 127 minutes). Nineteenth-Century Music Review 17 (2) , pp. 297-300. 10.1017/S1479409818000605

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. Opera and parody in Paris, 1860-1900. Music and Visual Cultures, Brepols.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2021. Catholicism and moral philosophy in nineteenth-century France. Dufetel, Nicolas, ed. Religious Music in Ninteenth-Century France, Turnhout: Brepols,

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Hérodias et les Salomé des scènes parisiennes. Reynaud, Cecile and Séginger, Gisele, eds. Berlioz, Flaubert et l’Orient, Paris: Le Passage, pp. 226-237.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Stéphane Leteuré, Croquer Saint-Saëns: Une histoire de la représentation du musicien par la caricature [Book Review]. La Revue de Musicologie 108 (2) , pp. 505-507.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Hugh Macdonald, Saint-Saëns and the stage: Operas, plays, pageants, a ballet and a film [Book Review]. Fontes Artis Musicae 69 (1) , pp. 59-63. 10.1353/fam.2022.0002

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2023. Ohé! les p’tits agneaux! A Parisian revue de fin d’année for 185, ed. Richard Sherr [Book Review]. Notes: the Quarterly Journal of the Music Library Association 79 (4) , pp. 651-654.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and Arbide, Lola San Martin 2020. Final féministe: les défis de la mise en scène au XXIème siècle. #JeSuisCarmen. Lozier, Claire and Marc, Isabelle, eds. Carmen Revisitée / Revisiter Carmen: Nouveaux Visages d'Un Mythe Transversal, Comparatisme Et Société / Comparatism and Society, Peter Lang, pp. 159-174.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and Langham Smith, Richard 2018. Carmen abroad: The when and where of Carmen performances, 1875-1945. [Online]. Cardiff University. Available at: http://www.carmenabroad.org/

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and Niccolai, Michela 2017. Introduction. Rowden, Clair and Niccolai, Michela, eds. Musical Theatre in Europe 1830-1945, Brepols,

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and San Martín Arbide, Lola 2023. #JeSuisCarmen [Programme Note]. Paris: Opéra-Comique.

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Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2024. Whitman Fragment for solo cello. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 1994. Four love songs. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 1997. Of risk and memory. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 1997. Three descriptions. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 1998. Two etudes after Mantegna. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 1999. Harrow-lines. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2000. Alleluya (Bitter-Sweet). [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2000. Ballistae. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2000. Mantegna diptych: for orchestra. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2001. Alike dissolving. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2001. Aquae. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2001. Aquilo. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2001. Four choreographic studies. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2002. Hand mit Ringen. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2002. Tiffany windows. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2002. Truel 1. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2003. Trombone concerto: dedication and dance. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2004. Two Neruda odes. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2005. A conflict of opposites. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2005. Neruda settings. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2006. Art of Lightness. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2006. Cicada shell. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2007. Birds and insects. Book 1. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2007. Streets and rivers. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2008. Colmena. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2008. Hearing things. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2009. Game of attrition for chamber orchestra. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2010. Art of war: Concerto for piano and orchestra. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2010. Insects in amber for string quartet. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2011. Scenes from Faustine. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2012. Meditation on violence. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2012. Moler for Symphony Orchestra. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2013. Avian mirrors. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2013. Butterflies remember a mountain. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2013. Cuatro Corridos: Dalia. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2015. Birds and insects, Book 2. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2016. Ritual in transfigured time. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2018. Bobolink from Birds and Insects, Book 2. [Score]. Cecilian Music.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2014. Urban birds. [Score]. Cecilian Music.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2017. Nature symphony. [Score]. Cecilian Music.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2019. Studies in choreography. [Score]. Cecilian Music.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2021. Bird Symphony. Cecilian Music.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2022. Butterfly House. Cecilian Music.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2023. Birds and Insects, Book 3. Cecilian Music.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2023. Kiskadee for orchestra. Cecilian Music.

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Stark, Alicia 2018. Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid. PhD Thesis, Cardiff University. Item availability restricted.

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Stowell, Robin 2001. The early violin and viola: a practical guide. Cambridge Handbooks to the Historical Performance of Music, Cambridge: Cambridge University Press. 10.1017/CBO9780511481833

Stowell, Robin 2002. Strings. Burton, Anthony, ed. A Performer’s Guide to Music of the Romantic Period, Performer's Guides, London: Associated Board of the Royal Schools of Music (ABRSM), pp. 45-55.

Stowell, Robin 2003. 'Extending the technical and expressive frontiers'. Stowell, Robin, ed. The Cambridge Companion to the String Quartet, Cambridge University Press, 149 - 74.

Stowell, Robin 2005. 'Performance practice in the eighteenth-century concerto'. Simon, P Keefe, ed. The Cambridge Companion to the Concerto, Cambridge University Press, pp. 192-226.

Stowell, Robin 2006. 'The Viotti school of violin playing: style and influence'. Massimiliano, Sala, ed. Giovanni Battista Viotti: A Composer Between the Two Revolutions, Ut Orpheus Edizioni, pp. 219-49.

Stowell, Robin 2010. The Diabolus in Musica and Paganini Redivivus phenomena, with some thoughts on their relevance to the "German Paganini" [August Wilhelm (1845-1908)]. Barizza, A. and Morabito, F., eds. Nicolò Paganini: Diabolus in Musica, Studies on Italian Music History, vol. 5. Turnhout: Brepols, pp. 3-22.

Stowell, Robin 2011. Fantasising on Faust. Presented at: Henryk Wieniawski and the Bravura Tradition : [Proceedings of the 3rd International Musicological Conference], Poznań, Poland, 19-21 October 2009. Published in: Jabłoński, Maciej and Jasińska, Danuta eds. Henryk Wieniawski and the Bravura Tradition [Proceedings of the 3rd International Musicological Conference held in Poznań, Poland, 19-21 October 2009]. Poznan: Henryk Wieniawski Musical Society and Poznań Society for the Advancelent of the Arts and Sciences, pp. 23-45.

Stowell, Robin 2011. Henryk Wieniawski: "the true successor" of Nicolò Paganini? A comparative assessment of the two virtuosos with particular reference to their caprices. Presented at: Spielpraxis der Saiteninstrumente in der Romantik Bericht des Symposiums, Bern, Switzerland, 18-19 November 2006. Published in: Bacciagaluppi, Claudio, Brotbeck, Roman and Gerhard, Anselm eds. Spielpraxis der Saiteninstrumente in der Romantik: Bericht des Symposiums in Bern, 18.–19. November 2006. Musikforschung der Hochschule der Künste Bern (HKB) (3) Schliengen: Edition Argus, pp. 70-90.

Stowell, Robin 2011. Semblanzas de Compositores Espanõles 29: Pablo de Sarasate (1844-1908). Revista de la Fundación Juan March (401) , pp. 2-7.

Stowell, Robin 2012. Case study: Richard Wagner, Tristan und Isolde. Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 696-722.

Stowell, Robin 2012. The Evidence. Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 63-104.

Stowell, Robin 2012. Mozart’s 'Viennese' Sonatas for Keyboard and Violin according to Ferdinand David: A survey of editorial and violin performance practices. Harlow, Martin, ed. Mozart's Chamber Music with Keyboard, Cambridge: Cambridge University Press, pp. 69-103.

Stowell, Robin 2013. The contribution of Geminiani's 'The art of playing on the violin' to "The improved state of the violin in England". Hogwood, Christopher, ed. Geminiani Studies, Ad Parnassum Studies, Bologna: Ut Orpheus Edizioni, pp. 257-300.

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Thomas, Adrian Tregerthen 2002. 'File 750: Composers, Politics and the Festival of Polish Music (1951)'. Polish Music Journal 5 (1)

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Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2009. Fiddling in West Africa: Touching the spirit in Fulbe, Hausa, and Dagbamba cultures [Book Review]. Notes 66 (2) , pp. 284-286.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2009. Two heads of the same drum? Musical narratives within a transatlantic religion. Journal of Transatlantic Studies 7 (3) , pp. 343-362. 10.1080/14794010903069185

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2010. Ancient text messages of the Yorùbá bàtá drum : cracking the code. SOAS Musicology Series, Farnham: Ashgate.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2012. Theory of African Music by Gerhard Kubik [Book Review]. Ethnomusicology 56 (2) , pp. 334-340. 10.5406/ethnomusicology.56.2.0334

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2013. Amelia Pedroso: The voice of a Cuban priestess leading from the inside. Hellier, Ruth, ed. Women Singers in Global Contexts: Music, Biography, Identity, Urbana, IL: University of Illinois Press, pp. 54-72.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2014. Afro-Cuban music: a bibliographic guide by John Gray [Book Review]. Latin American Music Review 35 (2) , pp. 315-318.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2014. Talking tones and singing speech among the Yorùbá of Southwest Nigeria. Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften 44 , pp. 29-47.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Introduction: Asoro Igi (Wood That Talks). Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 3-32.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. "Orin Ibeji": (songs for the twins): sounding the sacred twins of the Yorùbá. Harris, Rachel and Pease, Rowan, eds. Pieces of the Musical World: Sounds and Cultures, Routledge, pp. 169-188.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Anthropomorphizing Ayan in transatlantic gender narratives. Villepastour, Amanda, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 125-146.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2017. Two heads of the same drum? Musical narratives within a transatlantic religion. Kenney, Elizabeth T, Salenius, Sirpa and Womack Smith, Whitney, eds. Race and Transatlantic Identities, Routledge, pp. 56-75.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2017. Speaking with the body in Nigerian and Cuban Orisha music: musical movements in song, dance and trance. Post, Jennifer C., ed. Ethnomusicology: A Contemporary Reader, Volume II, Vol. 2. Abingdon and New York: Routledge,

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2019. The Cuban lexicon Lucumí and African language Yorùbá: musical and historical connections. Brunn, Stanley D. and Kehrein, Roland, eds. Handbook of the Changing World Language Map, Vol. 4. Dordrecht: Springer, pp. 2575-2602. (10.1007/978-3-030-02438-3_183)

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 and Bran, Luis 2017. Transmisión en la Eritá Meta. Music Works NYC.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 and Bran, Luis 2017. Transmisión en la Eritá Meta: Ilú Keké,. [CD]. 15 July 2017. ID number: CD MW001.

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Walsh, Stephen 1996. Stravinsky's symphonies: Accident or design? Ayrey, Craig and Everist, Mark, eds. Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music, Cambridge: Cambridge University Press, pp. 35-71. (10.2277/ 0521543975)

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Wang, Xiaoqing 2024. The secret of difference: A technical and cultural investigation and comparison of Western classical singing methods for beginners and early stage singers in China. PhD Thesis, Cardiff University. Item availability restricted.

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Williams, Annika 2020. ‘Curious sola’s’ The solo sonata in Restoration Britain. PhD Thesis, Cardiff University. Item availability restricted.

Williams, Jeremy Huw 2013. Serialism, modality and poetic rhetoric in Alun Hoddinott’s Five Poems of Gustavo Adolfo Bécquer, Op. 152 no. 2 (1994). PhD Thesis, Cardiff University. Item availability restricted.

Wilson, Charles ORCID: https://orcid.org/0000-0002-8812-6948 2018. Times like the present: de-limiting music in the twenty-first century. Heile, Björn and Wilson, Charles, eds. The Routledge Research Companion to Modernism in Music, Abingdon and New York: Routledge, pp. 258-286. (10.4324/9781315613291-12)

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Zhou, Tie 2023. Interaction with traditional Chinese music in a portfolio of original compositions. PhD Thesis, Cardiff University. Item availability restricted.

Zhuo, Yue 2022. Experiencing identity, forming poetic space: Expression and interaction in a portfolio of original compositions. PhD Thesis, Cardiff University. Item availability restricted.

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Čurda, Martin 2017. Analytical and hermeneutical perspectives on the music of Pavel Haas. PhD Thesis, Cardiff University. Item availability restricted.