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Hillyard, Joseph
2020.
Tremulous images: An original portfolio of compositions based on and informed by static visual art.
PhD Thesis,
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Holden, Claire 2012. Recreating early 19th- century style in a 21st-century marketplace: An orchestral violinist’s perspective. Presented at: Institute of Musical Research DeNote Seminar, Senate House, London, 30 January 2012. |
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Howell, Julia
2017.
The memory of music and music of memory: A portfolio of original compositions.
PhD Thesis,
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Hughes, Gareth Olubunmi
2016.
A portfolio of acoustic/electroacoustic music compositions & computer algorithms that investigate the development of polymodality, polyharmony, chromaticism & extended timbre in my musical language.
PhD Thesis,
Cardiff University.
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Jassey, Victoria Rosemary
2019.
Tambor reverberations: Gender, sexuality and change in Cuban Batá performance.
PhD Thesis,
Cardiff University.
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Johnston, Timothy
2023.
Intersecting influences: Finding compositional unity across different musical spaces.
PhD Thesis,
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Jones, Nicholas ![]() |
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Jones, Nicholas ![]() |
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Jones, Nicholas ![]() |
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Kostka, Magdalena
2014.
Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century.
PhD Thesis,
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Kouyaté, Zé Aruanã
2022.
The tradition of invention: The Kamalengoni Harp in Mali and Burkina Faso.
PhD Thesis,
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Laghi, Simone
2017.
Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).
PhD Thesis,
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Landon, H.C. Robbins and Jones, David Wyn ![]() |
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Lane, Liz. 2009. Commentary on a portfolio of original compositions. PhD Thesis, Cardiff University. |
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Lawford, Roderick Charles
2020.
Roma as alien: Music and identity of the Roma in Romania.
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Lawson, Colin and Stowell, Robin 1999. The historical performance of music: an introduction. Cambridge Handbooks to the Historical Performance of Music, Cambridge: Cambridge University Press. 10.1017/CBO9780511481710 |
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Lawson, Colin and Stowell, Robin 2012. The Future? Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 817-833. |
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Leech, Peter 2001. A Sterndale Bennett autograph discovery. Early Music Review 70 , pp. 12-13. |
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Leech, Peter 2001. Records of the Chapel Royal [Book Review]. Early Music 29 (3) , pp. 456-457. |
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Leech, Peter 2001. Musicians in the Catholic chapel of Catherine of Braganza, 1662-92. Early Music 29 (4) , pp. 570-587. 10.1093/earlyj/XXIX.4.570 |
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Leech, Peter 2003. Canon law. Early Music Review 91 , pp. 12-13. |
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Leech, Peter 2003. Catholic musicians in Restoration London. Genealogists Magazine 27 (9) , pp. 391-397. |
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Leech, Peter 2006. Regal Handel [Book Review]. Early Music 34 (1) , pp. 143-146. |
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Leech, Peter 2007. Music for an Academic Defense (Rome, 1617) [Music Review]. Archivum Historicum Societatis Iesu 76 (151) , pp. 174-177. |
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Leech, Peter 2007. Devotional music from Stuart England. Early Music 35 (4) , pp. 644-647. 10.1093/em/cam065 |
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Leech, Peter 2009. Recusant song? Early Music 37 (3) , pp. 485-487. 10.1093/em/cap049 |
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Leech, Peter 2009. Handel's legacy [Book Reviews]. Early Music 37 (4) , pp. 657-660. 10.1093/em/cap089 |
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Leech, Peter 2010. George Frideric Handel Parnasso in Festa [CD Review]. Eighteenth-Century Music 7 (2) , pp. 305-309. 10.1017/S1478570610000199 |
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Leech, Peter 2011. Richard Dering, Motets for One, Two or Three Voices and Basso Continuo [Book Review]. Music & Letters 92 (2) , pp. 282-285. |
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Leech, Peter 2011. Tomas Luis de Victoria (1548-1611). The Early Music Yearbook 2011 , pp. 5-9. |
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Leech, Peter 2011. Music and musicians in the Catholic chapel of James II at Whitehall, 1686-1688. Early Music 39 (3) , pp. 379-400. 10.1093/em/car072 |
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Leech, Peter 2012. Cherubim & seraphim - Russian Orthodox choral works from the reigns of Catherine the Great to Nicholas II. [CD]. 2012. ID number: NI 6187. Available at: https://www.wyastone.co.uk/cherubim-seraphim-russi... |
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Leech, Peter 2014. Princely splendour - choral works from 18th century Rome. [CD]. 2014. ID number: NI 6273. Available at: https://www.wyastone.co.uk/princely-splendour-chor... |
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Leech, Peter 2015. Princely splendour: Cardinal Henry Stuart and music patronage in 18th-century Rome. The Consort 71 , pp. 51-73. |
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Leech, Peter 2016. The Cardinal King - Music for Henry Benedict Stuart in Rome, 1740-91. [CD]. 2016. ID number: TOCC 0300. |
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Leech, Peter 2016. Prince, priest and patron: Cardinal Henry Benedict Stuart and musical patronage in eighteenth-century Rome. Society for Eighteenth-century Music Newsletter 27 , 1, 11-12. |
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Leech, Peter 2016. Richard Dering, Motets and Anthems, Ed.by Jonathan P. Wainwright. Music Britannica, 98 (Stainer & Bell), London, 2015.[Book Review]. Music and Letters 97 (2) , pp. 329-332. 10.1093/ml/gcw039 |
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Leech, Peter 2017. Lux memoriaque - light and remembrance - Harmonia Sacra. [CD]. , vol. 6349. 2017. ID number: 0710357634925. Available at: https://www.wyastone.co.uk/lux-memoriaque-contempo... |
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Leech, Peter 2019. In dulci jubilo - choral music for Advent and Christmas - Harmonia Sacra. [CD]. 2019. ID number: NI 6391. Available at: https://www.wyastone.co.uk/in-dulci-jubilo-choral-... |
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Leech, Peter 2020. Gaudeamus omnes: Catholic liturgical music for St Thomas Becket in the British Isles, continental Europe and the venerable English college, Rome, c.1170-2020. Whitehead, Maurice, ed. Memory, Martyrs, and Mission: Essays to Commemorate the 850th Anniversary of the Martyrdom of St Thomas Becket (c.1118-1170), Gangemi Editore, pp. 95-128. |
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Leech, Peter and Whitehead, Maurice 2011. 'In Paradise and among angels'. Music and musicians at St Omers English Jesuit College, 1593-1721. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 61 (1-2) , pp. 57-82. |
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Leech, Peter and Whitehead, Maurice 2016. Clamores omnino atque admirationes excitant: New light on music and musicians at St Omers English Jesuit College, 1658-1714. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis LXVI (1) , pp. 123-148. |
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Leech, Peter 2023. Giovanni Battista Casali (1715-1792): Sacred music from Eighteenth-Century Rome. [Sound recording and sleeve notes]. 3 November 2023. ID number: TOCC 0429. |
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Llewelyn-Jones, Iwan
2016.
Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel.
PhD Thesis,
Cardiff University.
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Long, Ashley John
2020.
The creative application of extended techniques for
double bass in improvisation and composition - Volume 1.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Long, Ashley John
2020.
The creative application of extended techniques for
double bass in improvisation and composition - Volume 2.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Loten, Nicola Jayne
2019.
The solo sonatas of George Frideric Handel,
with particular reference to the sonatas for flute and recorder.
PhD Thesis,
Cardiff University.
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Machin-Autenrieth, Matthew
2013.
Andalucía flamenca: Music, regionalism and identity in southern Spain.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Maher, Nicola
2019.
The crying clarinet: Emotion and music in Parakalamos.
PhD Thesis,
Cardiff University.
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Manning, David
2003.
Harmony, tonality and structure in Vaughan Williams's music.
PhD Thesis,
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Mawer, Deborah, Kelly, Barbara L., Moore, Rachel ![]() |
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McPhee, Lucy
2022.
Herstory: A study into the representation of women, explored through composition.
PhD Thesis,
Cardiff University.
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McReynolds, Richard
2019.
An exploration of the influence of technology upon the composer’s process.
PhD Thesis,
Cardiff University.
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Melen, Christopher John
2006.
Kalachakra.
PhD Thesis,
Cardiff University.
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Millar, Stephen R. ![]() |
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Millar, Stephen R. ![]() |
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Millar, Stephen R. ![]() ![]() |
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Moore, Rachel, Hamer, Laura and Branger, Aurélie
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Morgan, Henry
2023.
Music, platforms and the digital self: the negotiation of identity in online music cultures in the 2010s.
PhD Thesis,
Cardiff University.
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Murray, Samuel ![]() ![]() Item availability restricted. |
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Neale, Elizabeth Katherine Ruth
2018.
Cornish carols: Heritage in California and South Australia.
PhD Thesis,
Cardiff University and University of Exeter.
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Neff, Eoghan
2012.
At the vanguard of antiquity:
seeking the avant-garde of the Irish Fiddle in C20th performance practices.
PhD Thesis,
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O'Connell, Joseph ![]() |
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O'Connell, Joe ![]() |
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O'Connell, John M. ![]() |
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Pace, Ian
2018.
The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).
PhD Thesis,
Cardiff University.
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Palidda, Alessandra 2016. Milan and the music of political transitions in the Napoleonic period: the case of Ambrogio Minoja (1752-1825). Jardin, Etienne, ed. Music and War in Europe from the French Revolution to WWI, Brepols, pp. 105-120. |
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Palidda, Alessandra
2017.
Milan 1790-1802:
Music, society and politics in the city of many regimes.
PhD Thesis,
Cardiff University.
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Palidda, Alessandra 2018. Le pubbliche feste: Musical performances and propaganda strategies in Jacobin Milan (1796-1799). Lorens, Ana, ed. VIII Jornadas de Jóvenes Musicólogos. Libro de Actas, Madrid: Wordpress JAM, pp. 213-228. |
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Parsons, John Lewis 2005. Stylistic change in violin performance 1900-1960: with special reference to recordings of the Hungarian violin school. PhD Thesis, Cardiff University. |
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Paterson, Alexis 2010. The minimal kaleidoscope: exploring minimal music through the lens of postmodernity. PhD Thesis, Cardiff University. |
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Payne, Emma
2020.
The essence of femininity: The subversive potential of the music video aesthetic in perfume advertisement.
Sonic Scope: New Approaches to Audiovisual Culture
10.21428/66f840a4.0cbdf606
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Pluta, Agnieszka
2014.
The pianism of Paderewski.
PhD Thesis,
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Ponsford, David Stewart 1997. Unwriting the unwritable. Musical Times -London- 1997 , pp. 24-26. |
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Ponsford, David Stewart 1999. Genre and Notes inegales in the Livres d'orgue of Francois Couperin and Nicolas de Grigny. PhD Thesis, Cardiff University. |
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Ponsford, David Stewart 1999. Inegalite and recits: genre studies in seventeenth-century French organ music. Williams, Peter, ed. The Organ yearbook, Vol. 28. Laaber, pp. 61-77. |
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Ponsford, David Stewart 2000. J. S. Bach and the nature of French influence. Williams, Peter and Heinemann, Michael, eds. The Organ Yearbook, Vol. 29. Laaber-Verlag, pp. 59-74. |
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Ponsford, David Stewart 2000. Buxtehude defined. Choir & Organ 2000 (03/04) |
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Ponsford, David Stewart 2003. Preface. Mawby, Colin, ed. J. S. Bach: 48 Preludes & Fugues, Kevin Mayhew, pp. 5-8. |
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Ponsford, David Stewart 2003. Towards a reappraisal of Francois Couperin's organ masses. Journal of the British Institute of Organ Studies , pp. 40-57. |
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Ponsford, David Stewart 2003. J.S.Bach: Clavierübung III and Sei gegrüsset. [CD]. |
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Ponsford, David Stewart 2004. Charpentier's Messe pour plusieurs instruments au lieu des orgues (H513). Williams, Peter and Donati, Pier Paolo, eds. The Organ Yearbook, Vol. 33. Laabar-Verlag, pp. 63-72. |
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Ponsford, David Stewart 2005. Parthenia. [CD]. |
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Ponsford, David Stewart 2007. Spirit of the age. Choir & Organ , pp. 29-31. |
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Ponsford, David Stewart 2007. Touching the past. International Piano , pp. 20-23. |
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Ponsford, David Stewart 2007. The Power of Music. [CD]. |
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Ponsford, David Stewart 2009. A Question of Genre: Charpentier's Messe pour plusieurs Instruments au lieu des orgues (H513). Thompson, Shirley, ed. New Perspectives on Marc-Antoine Charpentier, Ashgate, pp. 105-131. |
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Ponsford, David Stewart 2011. French organ music in the reign of Louis XIV. Cambridge University Press. |
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Ponsford, David Stewart 2013. Francois Couperin & Marc-Antoine Charpentier. [CD]. 2013. ID number: NI 6225. |
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Ponsford, David Stewart 2013. Francois Couperin & Pierre Du Mage. [CD]. 2013. ID number: NI 6213. |
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Ponsford, David Stewart 2014. Andre Raison & Louis-Nicolas Clerambault. [CD]. 2014. ID number: NI 6268. |
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Ponsford, David Stewart 2015. Guillaume-Gabriel Nivers & Nicolas-Antoine Lebegue. [CD]. French Organ Music from the Golden Age. Volume 4 2015. ID number: NI6292. |
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Ponsford, David Stewart 2015. Instrumental performance in the seventeenth century. Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, Cambridge University Press, pp. 421-447. |
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Ponsford, David Stewart and Davis, Alan 2006. Handel: Complete Recorder Sonatas. [CD]. 2006. ID number: GMCD 7301. |
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Potter, Caroline and Rae, Caroline ![]() |
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Power, Martin J., Widdop, Paul, Parnell, Dan, Carr, James and Millar, Stephen R. ![]() ![]() |
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Powers, Anthony
2001.
SYMPHONY No 2 for orchestra (28 minutes).
[Published score].
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Powers, Anthony
2003.
AIR AND ANGELS for soprano, baritone, mixed chorus and orchestra (35 minutes).
[Published score].
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Powers, Anthony
2003.
FROM STATION ISLAND for speaker, baritone and ensemble (26 minutes).
[Published score].
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Powers, Anthony
2005.
STRING QUARTET No 4 (27 minutes).
[Published score].
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Price, Gareth Idwal John
2018.
Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals.
PhD Thesis,
Cardiff University.
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Rae, Caroline ![]() ![]() |
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Ross, Jacqueline, Ponsford, David Stewart and Boothby, Richard 2003. Johann Sebastian Bach Violin Sonatas Vol. 3. [CD]. 2003. ID number: GAU 345. |
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Ross, Jaqueline and Ponsford, David Stewart 2015. Johann Sebastian Bach Violin Sonatas. [CD]. 2015. ID number: GAU 228. |
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